FEED THE BEARS NO MORE THAN YOU MUST … AND THAT GOES FOR MOOSE, TOO

There are good reasons, of course, for the resemblance between bears and people. But it’s smart to respect the difference.

Still, they have their role in the poems of my In a Heartbeat poetry volume. As do moose and whales.

Here's the cover.
Here’s the cover.

This 35-page echapbook is available free from the Barometric Pressures author series at Kind of a Hurricane Press. The trail to your own copy opens here.

ROAD WORK

I’ve spent a lot of my life behind a steering wheel, and that’s where a number of my poems originate.

From this, I can look at a concept. Lines from the road. Basho? Brautigan? McCord?

Flight or escape remains a central theme in American literature. Kerouac’s On the Road and Hunter Thompson come to mind, along with Zen and the Art of Motorcycle Maintenance and Blue Highways. Of course our two greatest American novels also reflect this action, often with its male bonding and fields of discovery – Moby Dick and Huckleberry Finn. It’s not just some vague sense of the liberty of a frontier to resettle, but with wheels, there’s the thrill of speed more destructive than hiking or canoeing or sailing. As for hobos and the rails? Another era. Outlaws more than vagabonds? As for the Gypsy, there’s an entire community to consider. As well as flights with a destination, in contrast to those lacking.

GUERRILLA CHRISTMAS

No other time of the year opposes our testament of simplicity as much as the Holiday Season. Here widespread expectations of generosity and excess counter our Quaker discipline of frugality and moderation. The situation becomes especially complicated for individuals like me who find themselves lacking in gift-giving savvy.

Even when Friends formed a sizeable community, they found standing apart from the surrounding society on these activities became impossible over time. Quakers eventually yielded to giving the children an orange or two the day after “the day the world calls Christmas.” We can see similar struggles among Jews regarding Chanukah, where its essential message from 1st and 2nd Maccabbees – to withstand pagan demands, no matter the cost – instead begins to mirror the activities of the general populace. Add to it our mixed families, coming from many different traditions, and any distinctive witness falls by the wayside. In my case, having a wife with a German mother, I’ve learned just how much compromise is required in these decisions.

Actually, she’s taught me a lot about ways to wage a Guerrilla Christmas. Yes, there’s the battle with consumerism, but most of us – and most of the people we know – don’t need more “things.” We have enough clutter already, thank you. So preference is given to gifts that can be used up – food or tickets to an upcoming cultural event or a promised action on behalf of the recipient. Whenever possible, small local enterprises are favored over “big box” retailers. Some of you know about our family tradition of making gingerbread houses, a bit of silliness that accompanies our observation of Advent. As for Advent itself, when you remember that the Twelve Days of Christmas begin the day the advertising ends, you’re liberated to enjoy a less frenetic round of being with those you love.

It’s not what earlier Quakers would have expected from us, but it’s still a witness. Maybe it’s also a way for us to expand our understanding of simplicity and joyfulness, too.

So here’s to the First Day of Christmas. Remember, the season runs all the way to January 6, so enjoy.

COLD COAST

Waves pound the rocks at Sohier Park in York, Maine.
Waves pound the rocks at Sohier Park in York, Maine.

The New England coastline can be impressive anytime of the year. While most visitors see it only from midsummer into early autumn, it is unmasked much the rest of the year.

Pools of sea spray are frozen tight in the crevices of boulders overlooking the water.
Pools of sea spray are frozen tight in the crevices of boulders overlooking the water.
The ocean seems especially restless every winter.
The ocean seems especially restless every winter.
The waves keep pouring in.
The waves keep pouring in.

GINGERBREAD LIGHTHOUSE

A small electric candle hangs upside down to illuminate the caramelized window panes of the lamp room. A candy kiss provides an improvised cone to top the lighthouse.
A small electric candle hangs upside down to illuminate the caramelized window panes of the lamp room. A candy kiss provides an improvised cone to top the lighthouse.
The rugged appearance is part of the fun, especially when surrounded by lobsters and sharks. Not that we have sharks in real life ... I prefer to see them as porpoises.
The rugged appearance is part of the fun, especially when surrounded by lobsters and sharks. Not that we have sharks in real life … I prefer to see them as porpoises.

While I’ve never gotten wrapped up in my wife’s fascination with gingerbread houses, my contrarian nature has embraced the idea of making an annual gingerbread LIGHT house, and here’s one result .

For the recipe and the templates, especially if you want to go for fancier results, check out this story, recipe, and assembly directions. (It’s not the only gingerbread lighthouse at Coastal Living, by the way, in case you’re really adventurous.)

The model was based on the Whaleback Light just downriver from us, so I feel it’s an extra special touch. And the gummy lobsters and gummy sharks, along with the candy rocks for the lighthouse wall, were purchased from Yummies just beyond the Kittery Outlet stores. That can be a destination for Maine visitors all in its own.

Inserting the candy rocks into the frosting "mortar" was fun, but let me suggest doing it with the sheets flat, before you erect the walls into place.
Inserting the candy rocks into the frosting “mortar” was fun, but let me suggest doing it with the sheets flat, before you erect the walls into place.
What would Maine be without lobsters?
What would Maine be without lobsters?

JUST PAGES APART

As I said at the time …

For me, writing means watching my own shifting mind while opening myself up to all the living energies around me. It means simplifying, following unexpected leadings and openings, sometimes to dead ends, other times to unanticipated ranges. Some time ago I discovered that to write poetry I had to be sitting in meditation every day. And later, I found once a week would suffice.

If ego is an ever present trap, the practice can introduce repeated humbling. As do the rejection slips.

Detachment: who wrote that! And when? (The surprise of rediscovering your own work five or ten years later. Who wrote that, it is so incredibly fine! Or: Who wrote that piece of tripe? I’m glad it never saw publication. Sometimes only pages apart.)

And then the piece goes its own way: a living organism: readers, editors see it differently from you. What you would cut they love. What you love they see as sore thumb.

What we’re most fond of is likely to be what bothers others the most; what we’re about to toss out in the next revision may be what is most effective with our readers. (Point raised, I believe, by Joyce Carol Oates; true to my experience.)

As critics of others’ work: harshest, at times, on those whose work is most like our own! Too much mirror? Push ourselves as far as we can, coming to a point where we no longer know if a piece is any good or not only that we’ve done everything in its pursuit that we possibly can at this period in our life.

Prophetic practice: light in the wilderness.

The dilemma of arts/responsibility/spirituality brought into focus by looking at something like the Florentine court of the Medici: High Art interwound with brutal political/economic force. (Throw the man out the fourth floor window; nowadays, we have helicopters. How exquisite.)

The dilemma of the news photographer: Should I save the victim and lose the opportunity of taking a great photograph? Or should I be “professional” and observe the world as an outsider? This holds for all artists: at one point are we being selfish in our pursuits? At what point is our solitude essential for the well being of all?

Into solitude / the Silence / the Holy Now, as Thomas Kelley phrased it.

At its core, I write to discover / remember / connect / distill.

In my writing I collect – that is, bring myself back together. More and more, I think on paper. I write to find what is under the words and phrases before me. Go deeper, and then wider. I write to listen. Eventually, I write to sing.

REGARDING THE THREE-FINGERED MOUSE

I’m inclined to agree with Bukowski in blaming Disney (with all that “happy, happy, happy”) for America’s problems. Or even the world’s. Not that I’d agree with his solution for escaping them, meaning cigarettes and the bottle or a barroom brawl and violent sex.

You see, I’m uneasy when it comes to “happiness” as a goal or a life’s purpose. There’s too much suffering and oppression around us, after all, and no spiritual unity with the universe can exist by denying that. Still, that’s not to argue we need to be pulled under with its negative impact.

As for “fun”? I see that as a self-defeating destination. Its flipside, we should note, is boredom.

Joy, however, is another matter. It’s central to the message of Jesus, as the 16th chapter of John makes clear.

To that we could add bliss or contentment, not in the sense of denying the upheavals and evil of the world but rather in the dimension of accepting a personal inner peace that allows one to labor in furthering the Kingdom of Heaven on earth.

For me, this means learning to be more loving, and that’s a never ending challenge. It’s quite different from being giddy or depressed or self-centered or even blaming, gee, I was at the beginning of this post.

Oops! Back to Square One, once again.

PREPARING FOR THE TREE

Although we don’t bring the Yule tree indoors until Christmas Eve, baking and decorating the gingerbread cookies that will adorn its branches can be done days ahead.

An acorn on a pine tree? Why not, when it's among these?
An acorn on a pine tree? Why not, when it’s among these?
Large gingerbread snowflakes just might be suspended in our windows instead of the tree. Unlike those three oranges, just waiting to be peeled and eaten.
Large gingerbread snowflakes just might be suspended in our windows instead of the tree. Unlike those three oranges, just waiting to be peeled and eaten.