How young we were!

Fictional characters don’t come out of thin air, as far as I’ve seen. Instead, they’re prompted by real people the author has known and then, to whatever extent, abstracted. Better yet are the figures who emerge when two or more of these prototypes are crunched together.

Not uncommonly, over the years between the initial events and the revisions leading to the published book, I’ll even lose the original names (in part or in full) of individuals who prompted the eventual characters.

Still, I’ll venture that all the people in the worlds of fiction, cinema, and television were somehow inspired by real people. Forget the obligatory denial you view in the credits.

The writer’s job is to abstract that into something more universal and eternally new.

That said, I was recently startled to get a message relating that one inspiration was now 87. Here I had thought him “older” as Wes in Nearly Canaan, but now see he was in his early 40s at the time. And riding high, as I recall with admiration.

Photos of colleagues in the newsrooms that prompted Hometown News or in the Workshop in Political Theory and Policy Analysis at Indiana University – details that infuse Nearly Canaan, The Secret Side of Jaya, What’s Left, and likely more – have all elicited the shocking realization of how young we were at the time. Even our leaders.

Ditto for the ashram that inspired Yoga Bootcamp or the ghetto and hippie farm of Pit-a-Pat High Jinks.

The events that propelled the novels came in times of great upheaval in my own life. Like me, I think you would be surprised to learn that most of the Pacific Northwest is desert – that the famed rainy landscape occupies merely a narrow band around the ocean and its inlets. Yet the desert is where the apples – and much more – are grown. It’s a remarkable region, with four distinct seasons and cowboys, Indians, miners, and much more in the mix.

In the broader scene, my professional relocations meant that personal connections from one locale to the next soon ceased, meaning that individuals from one to the other became frozen in time. For me, everybody in high school was frozen in time, as were others in the later leaps.

Reconnecting with a few has felt strange and yet invigorating. As more than one has exclaimed, it’s like nothing has lessened in the gap.

~*~

You can find my novels in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. They’re also available in paper and Kindle at Amazon, or you can ask your local library to obtain them.

You don’t say, Charlie Brown

How about ten memorable quotes from the popular Peanuts comic strip character created by Charles “Sparky” Schultz? That kid really was a master of angst.

  1. “A friend is someone who knows all your faults, but likes you anyway.”
  2. “Absence makes the heart grow fonder, but it sure makes the rest of you lonely.”
  3. “Keep looking up … that’s the secret of life.”
  4. “My anxieties have anxieties.”
  5. “I’m already tired tomorrow.”
  6. “Be yourself. Nobody can say you’re doing it wrong.”
  7. “In the book of life, the answers aren’t in the back.”
  8. “What can you do when you don’t fit in?”
  9. “Whenever I feel really alone, I just sit and stare into the night sky. I’ve always thought that one of those stars is my star, and I know that my star will always be there for me. Like a comforting voice saying, ‘Don’t give up, kid.’”
  10. “Good grief.”

And here I had long dismissed him as somehow shallow, coming up with sappy lines like “Happiness is a warm puppy.”

Do kids today even know what a comic strip was?

Do you use storyboards and photos?

While these weekly Arts & Letters postings have been focusing on the writing life, at least as I’ve known it, some of the insights do spill over into regular life more generally. (I’ll leave that redundancy for emphasis.)

I am visually oriented, more so than many writers, and I did have four intense years of art training in high school. As a newspaper editor, I was regarded for my design layout skills and photo editing and presentation. I credit my high school teacher for much of that.

As a writer and designer, I’ve collected magazine photos, art books, postcards, and stray photos that happened my way. Use of a personal camera was more sporadic and problematic.

And then came digital photography, for me about the same time I started blogging.

But first, to back up.

Memory can carry you only so far, and even good notetakers miss much at the time. A story or poem can become vivid through a detail that pops a character or a scene. A sensitive writer might find that specific in a scent or a taste or motion or a particular word that’s voiced or sensed, but in many more instances, it’s something visual, the sort of thing you might find in examining a photograph or a painting. I’ve learned how those saved magazine photos as well as later images found online can be valuable that way. You or I can even build memory boards to support certain characters or locales, even a room in their house, to assist in our thinking. Some might use a website like Tumblr to do that, too, though I’ve found much more’s available more openly.

Much of my revision of the novels Daffodil Uprising and Nearly Canaan greatly benefitted from such prompts, as did the drafting of “Miller at the Spring” in The Secret Side of Jaya, and especially some books I won’t tell you about.

Some of these photo archives have become albums I’ve posted at Thistle Finch editions, should you be interested. Others you’ll find there, more recent, are images I’ve been taking in my new setting at the easternmost fringe of the continental USA. They’re more of what I’m considering an adjunct kind of journaling – impressions that might have spurred poems back when I was without a camera. I’m even finding a similar stream in what I’ve posted on my Facebook profile, where the images are more likely to be video. (Yes, today’s author is supposed to be active hustling everywhere.)

I hate to admit this, but the ubiquitous digital camera is greatly reducing my on-paper journaling.

Besides, just what are all of those people out there holding up their cell phones wherever they go planning on doing with all of those digital shots? It’s like they’re trying to confirm their own existence. Note the selfies. Or that what’s in front of them is actually happening.

Not that I’m trying to say I’m somehow nobly above that. (Well, maybe?)

As for photo inspiration? In my household, the collected images are impacting our thinking in the ongoing renovation of our historic old house. At this point, the kitchen, especially.

I am trying to be more selective in what I post here at the Red Barn, even if the subsidiary blogs are picking up some of the overflow. Maybe you’ll enjoy them there, too.

~*~

You’ll find my novels in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. They’re also available in paper and Kindle at Amazon, or you can ask your local library to obtain them.

A half-dozen unrelated quips

Everything is theoretical until it happens to you.

Usually, everyone I see with a tattoo made a mistake.

In my eyes, my grandparents were always old. But now I’m so much beyond where they were.

Everybody’s fucked up. At least consider that as a starting point of observation.

Trying to deal with death before you’re really beginning to understand the mystery of life is out of sequence.

In the meditation of Quaker worship, a place I call the deep water. Only these days, I would also be concerned about sharks below.

Journaling over the years

Prodded by a crusty newspaper editor-in-chief to keep a personal journal, I started the practice 55 years ago using spiral-bound notebooks. At the time, I was largely in quest of exploring “my problem,” meaning the deep depression and loneliness that followed the breakup with my first lover and my inability in social circles to find another. Long story to pick up later.

What I found instead was the manic upside in my funky settings during the hippie outbreak. Many of those entries, some of them in my favored 8½-by-14-inch notebooks – an option that disappeared all too soon from the market – found their way into my eventual fiction and poetry, though much of the rest is dross. At their best, they do have a sense of Richard Brautigan. Look him up, if you must.

As for the banal run of most of the entries, people who snooped into my journals and then voiced their disappointment in what they found told me as much. Note to those of you who consider doing something similar, it is an invasion of privacy and will likely bruise your relationship. It is an abuse.

Entries were rarely a daily thing for me, more likely weekly or, of late, even monthly. When I sat down to do so, I was more likely to record what was going on around me than I was to delve into my emotions or underlying perceptions. Those latter elements might appear whenever I had more time at the project. The big lesson was that my life was much richer than I had suspected, and I was too prone to lose the connecting threads without these times of reflection. In some ways, they were like Lewis and Clark’s explorations across the continent, I suppose. Who knows who might need the maps later.

In earlier returns to these, I did find I had duly noted details of unfaithfulness and other impending disasters that I was denying to myself, yet there they are in clear daylight when we return.

Among my goals this year is a thorough revisiting of the 200-plus volumes to date, the latter half mostly  in hardbound 8½-by-11 artist sketchbooks. Most of what I review will be discarded, harsh as that sounds, but I the act will release emotional burdens as well. My novels and poems distill and carry much of that journey, thank you.

The ones beginning in 2000, though, retain so many details of my current situation, I really can use the reminders of things I don’t recall when they’re raised by others. I’ll let you guess who, especially.

~*~

My practice has definitely changed since I began blogging. Much of the recording of events, personal observations, and reflections has deflected from the hardbound journals to these online entries. Well, so has much of what would have gone into long letters to friends and colleagues now has vanished online as well. Emails and texts fall far short of real correspondence, OK?

The journaling on paper continues, though at my age, life feels more routine, less worthy of intense recording. So much of it I’ve already said, even to myself.  Still, as a practice, it’s one more thing I can see as prayer, too.

You’ll likely be seeing more of what I turn up in those yellowing pages.