THERE’S A REASON IT’S CALLED WORK

Perfection: the goal. The end of craft. The essence, completely uncovered. Yet writing is never perfect. Can never be. Not even in its own era, its own place, its own vernacular. So we’re working within a field of potentialities, choosing one aspect over another. Liquids at play. The words themselves will change over time. Energy fields. Northern lights. Sunsets. The mind and flesh, mixing.

Consider a square grid sheet neatly intersected, and then place yourself at the center, where the four quadrants intersect. Take the horizontal line and name it for one continuum, say “highly emotional” at one end and “completely rational” at the other. Now take the vertical line and apply another continuum, say “public” at one end and “private” at the other. As if we could actually measure any such qualities and then scale them on the grid. (We could even consider this as a color field, with white/black as one dimension and red/green or blue/orange as the other.) We could even consider this as a kind of Chinese checkerboard, but stepping outward. The point is, you have to move: to stay at the center produces a muddy gray: nothing unique emerges. The fulcrum remains static and lifeless. As one proceeds away from the center, a kind of balloon or blob may appear on the grid: you’re working somewhere between selflessly emotional and rational, for instance. Or maybe it’s highly focused. In an art – and possibly other areas of life – I see the goal being to move out to an arc from the ends of the horizontal and vertical axis lines – somewhere along an optimal and growing frontier of two qualities. Beyond that, however, destruction awaits. An orchestral conductor, for instance, can emphasize a work’s inner rhythms or its singing lines – or, more likely, arrive at some combination – while counterpoising them with architectural structure or emotional outpouring. The choices determine whether the result is an orthodox repetition of familiar security or an insightful and exciting (and even disturbing) revelation.

So there’s the question of when to stop, on a given piece. When we’ve depleted ourselves. Or when we’ve moved on. Or when it’s more or less accomplished what we set out to do – the less ambitious works having more prospects for success than do those that attempt to soar closest to the sun. Or when the piece moves off into the marketplace, one way or another. Or when we die or grow infirm. Or when we realize we’ve completely missed the mark.

My focus here is primarily on poetry and fiction, although the concepts can be readily expanded outward through all of the arts and probably into a number of other fields as well.

MUG, MORE THAN A CUP

Seems I’ve always been a coffee lover, as far back as those “coffee milks” our Gran used to serve my sister and me on Sunday afternoons. Maybe that’s why I still prefer mine café au lait – half milk heated with a liberal dose of sugar or sweetener.

For decades now, my days have begun with a round of hot coffee, often abed – yes, how blessed I was after remarrying, when my wife would appear with the perfect mug when I needed to awaken. And how much I lament how that ceased, in part because the office rejuggled my schedule, meaning she never knew quite when I would be rousing.

For someone in a faith tradition that eschews rituals, I have to admit where they really appear – and be willing to acknowledge anything that’s an addiction, as well. (Remind me to take a coffee fast in the next year, OK?) Yes, maybe the editors of one poetry journal had it right when they admitted they were devotees of the Goddess Caffeina. (Oh, she has temples everywhere.)

More recently I’ve begun to question whether it’s really the coffee itself I like. That is, I can drink it black. And, yes, I also demand dark coffee – the darker, the better. I even like Starbucks, though that has nothing to do with my years in the Nevergreen State. (Remember, I lived in the desert side of Washington state.) No, I realize when the mug’s turned cold, my beverage tastes a lot like the cartons of chocolate milk we used to purchase in the elementary school vending machine – the ones that cost us a nickel. So maybe it’s that chocolate underpinning that grabs me.

Is it possible that even at six-foot-two, the chocolate stunted my growth? We can’t blame the coffee, now, can we?

EPHEMERALS

Much of the delight in life comes as surprises, especially when you’re paying attention. Moreover, they’re often of a very short time, a fleeting breath. Even when you’re anticipating an event, a certain unpredictability remains. You might be watching the sinking sun along with a bank of clouds, for instance, but a slight shift in conditions can spell the difference between a spectacular sunset and a dull glow in a woolly pile. And that glorious sunset, when it arises, changes second by second before dimming within five minutes.

The same can be said of family life or even a party or artistic endeavor. Much of the time, though, we’re too engaged in other matters to revel in the brief thrills. We need a bit of openness — what some call margins — in our daily activities to allow for such curiosity and wonder.

After the long, slow months of winter where I live, signs of quickening are appearing. In the early morning, the male cardinals, who have been singing defiantly from mid-January, now erupt with an insistent joyfulness, inciting other birds to join in, with hints of what’s just ahead. I haven’t been out in the woods after dusk, but any day now, the peepers will begin their sparkling chorus in their vernal ponds — the pools that will shrink to nothing by midsummer.

In our own yard, the first of the spring ephemerals (how I love that word, as well as the phrase “vernal pond” — they’re such fun on the tongue!) are now blooming, however timidly, even though most of the yard’s still covered in six inches of snow or more. (And rapidly melting.) I could present a checklist of what I expect will follow, but there are no promises — winter takes its toll, after all.

For me, this has been the first winter in a long, long time in which I can admit to suffering cabin fever. I’d have to go back to my “sabbatical” of writing more than a quarter century ago, or the ashram a decade-and-a-half before that, to find a stretch in which I didn’t have the demands of an office away from home weighing upon me. That is, requiring me to leave the house daily for hours on end. Admittedly, this winter hasn’t been completely job-free: November and December were still quite busy on that front. But the New Year turned toward retirement and new focus. What I’m experiencing is not boredom — far from it. I’ve had a full plate of writing and reading, for one thing, and I’ve enjoyed more evening and weekend social activities than I’d been able to attend in, well, it seems like forever. Rather, this strain of cabin fever feels like a time of recharging, getting ready to burst forth with the warming weather, in any number of surprising ways, if I’m lucky. So you see, this affliction is actually a kind of luxury. For now.

NOT QUITE SILENT

We speak of silent Quaker worship, though it’s not exactly silent. If I refer to it as meditation, or even group meditation, others may quibble. Let me explain.

First, within the gathered silence of traditional Quaker worship, someone may begin to speak or, more rarely, sing or pray. It’s a response we call vocal ministry, and it’s usually brief. Ideally, it’s a prophetic response, a Spirit-led message that takes the assembled body deeper into the mystery. At others times, the message is not in the stream of the day’s worship, and the sounds can disrupt that flow. In larger or more established meetings, including Dover, the individual rises from his or her seat before speaking; in smaller circles, the Friend may remain seated.

Second, the understanding of meditation, especially from Asian religious tradition, has it being an intensely personal practice. In one branch of Zen Buddhism, for instance, the sitters face the wall and away from the middle of the room. Typically, any physical movement is prohibited, and the practitioner’s focus is increasingly inward, leaving the physical surroundings behind. While Quaker worship demands a similar personal engagement, which we call centering, there is an expectation that it will open into a group experience involving everyone in the room, even if not one word is spoken. Not everyone centers through meditation, as such – some may sit with an open book, others may simply drop into deep reflection; some may sit with their eyes closed tight, while others gaze softly across the room. Whatever the individual approach, the result is Quaker meeting.

Actually, this blending of inward and outward might not be all that far removed from some of the Asian disciplines. There, the period of group meditation itself may run between twenty and thirty minutes, and be followed by scripture reading, chanting, or a lecture from the teacher. In Quaker practice, the first half-hour often – but not always – remains silent, with vocal messages appearing in the second half of the hour.

Still, with or without any words uttered, it’s group meditation, in my book.

I love the simple elegance of old Quaker meetinghouses.
Touches of good design, reflecting care, without ostentation.
How beautiful the wood itself can be, left unimpeded.
Elements we see echoed in the most exemplary architecture of our own era.

ON TURNING SIXTY … FIVE!

The milestone demands some acknowledgement, or at least a hard assessment of my life to date. To be honest, when I graduated from college, I hardly expected to survive past my mid-thirties, and the way things were going, maybe I wasn’t far off the mark. On the other hand, I never anticipated the turns this journey has taken.

For one thing, I rarely thought of journalism as my lifetime career, but rather as a steppingstone to something else. While the field could be exciting at times, getting caught up in the management side of the business took a toll, and the more recent downward spiral of the professional publishing industry in general is downright frightening.

I had envisioned myself either returning to my hometown and writing for a newspaper that no longer exists, or else working in the heart of a large metropolis with its range of concerts, galleries, lectures, and theater, possibly after going back for a law degree. Of course, neither way opened, but the ashram route did. And I, who started adulthood somewhere between agnostic and logical positivist, was now on a spiritual pathway that would lead me to Quaker practice.

As I look back on my adult life, the only thing that has made sense has been this spiritual evolution. Each of the geographic moves, ostensibly in pursuit of a career, actually introduced the next step in an expanding faith and practice. Now my generation is having to move into places once filled by the “mighty old oaks” who came before us – the most troubling aspect being that we are, all these years later, still the younger members of Meeting or, for that matter, much of literature and the fine arts.

The craft of writing has itself has taken its own curious twists within this; while the poetry and fiction have often arisen in the discipline of keeping my skills sharp in the face of the daily grind, and thus have often veered toward the “experimental” side of literature, they’ve also served as a tool for investigating the unfolding experience – something quite different from trying to “create” a poem or story. Examining a situation honestly and directly, rather than trying to be ironic, cute, entertaining, or ideologically correct, is one of the consequences; on the other hand, you’re constantly measured against some standard of innovation. It ain’t easy, balancing the two.

Nevertheless, I’ll confess to a lot of remaining frustration. All of the unfinished work before me, for instance, or the difficulty in achieving successful book-length publication, despite having more than a thousand poems and short stories published in literary journals, at this point, on five continents. On a more personal level, I could look at all of the social skills to be fostered, to say nothing of a round of grandparenting, should that happen.

Even so, as I told my wife a few months back, I have nearly everything I’ve wanted, though it resembles none of what I imagined. The crux here is in being receptive and grateful, which proves surprisingly elusive when we’re in the middle of the usual swirl.

*   *   *

This is something I wrote for myself at sixty. And here it is, with a few tweaks, five years later. Just as applicable.

LONG-DISTANCE MEMORIES

In the email age, the personal letter has become a cultural artifact. Here’s what might be an example from someone or another wandering, perhaps in a private desert of Sinai.

*   *   *

Greetings on this sunny but nippy Valentine’s Day! How much nicer it would be to still be abed, next to you, both of us pleasurably sated and, well, how do you like your coffee? (A local roaster makes a savory version it markets, tongue-in-cheek, as Charbucks – “You told us you like it dark.”) But now, does that mean I have to untie those silk scarves? Or go find those tiny keys again? (Dream on, old man!) Here I am, on the first full day of my fifty-first year (gads, even saying that feels a bit like coming over the first crest on the Cannonball wooden coaster at Canobie Lake!) trying to recover from another grueling double-shift Saturday at the office – the weekly 9 a.m. to 10 p.m. no-letup newspaper editor’s nightmare. So I decided to stay in from worship this morning to try to catch up on some personal affairs, including setting down that letter I’ve been composing in my head the past several weeks – and which, now that I’m at it, I can’t even begin! Which thread should we pursue first? (Fact? Or fiction?) Yikes!

Suppose we should start off by saying how much I’ve once again enjoyed all of your confessions of the journey of the emerging psyche. One of the remarkable things you are doing is giving voice to experiences in a rite of passage for a generation coming of age but who remain so incredibly tongue-tied.

One of the incomprehensible elements is the psychological pain so many teens and young adults in America carry – this, from a generation that has received more physical comforts and leisure than any other in history – food, education, fashionable clothing, shelter, cars of their own. You admit the “emotional demons, trying to survive in the face of my fragile nerves and emotions.” I wonder how that involves the essential nature of being a creative person, someone drawn to the arts, who craves a deeper experience and more fulfilling explanation of life than the material/materialistic surface can ever provide – and how much reflects a very serious and deep breakdown in American society itself, one in which the pursuit of individualism at all costs and the ever-accelerating accumulation of more and more wealth and power in fewer and fewer hands simply leaves fewer openings for most of us to come together as meaningful community. Positions that once allowed genuine opportunities for decision-making and personal expression – like the local bank president or newspaper publisher – are now just mid-level bureaucrats. And physicians and surgeons are just beginning to be sucked up in this process, thanks to HMOs or hospital conglomerates. (As one was recently quoted: “I used to be a physician. Now I’m just a health care provider.” Or as I sometimes say, not entirely in jest: “I used to be a newspaper editor. Now I’m a copy processor.”) The field – and life opportunities – have certainly changed since I set forth, and not for the better, I fear.

So pains, yes.

Wish you were here.

FROZEN FISH

Our antique fish weather vane has long been something of a puzzle. It’s a rather attractive piece of copper, but these things don’t come with instructions, and the parts didn’t quite seem to come together. So it’s sat around in a corner of the barn just waiting for the day it could swim in the air again — or maybe simply on an indoor wall as an ornament. Still, finally getting the roofs over the barn and kitchen re-shingled this fall before the weather turned bad provided a stimulus for action.

The first challenge was trying to figure out how to connect the rod to the roof. As I inquired at one hardware store after another, I kept getting the same response. “I don’t know, it seems like there should be a simple way to do it. But we don’t have anything like that.” A few clerks suggested places that turned out to be dead ends. And as I looked at all the cupolas under many of the vanes around town, I realized that even with a cupola, you’d still have to have some way of attaching the vertical rod.

Finally, after a bit of online surfing, I came across an answer — a store, in fact, we’d passed many times in the coastal town of Wells. Weathervanes of Maine turned out to have a nifty little adjustable roof mount for $30 that fit our needs quite nicely. The store, by the way, has row after row of shiny new weather vanes — roosters, horses, eagles, moose and bear, ships, dragons, pigs (yes, flying pigs), and many more. If you’re ever driving along U.S. 1 there, stop in — it’s quite the destination.

Still, the connection to the fish itself still didn’t seem right. And again, nobody could give me a satisfactory answer. So it was back to Wells, where a fancy soldering job did the trick. Our fish could now face the wind. And, as you can see, more.

Where we live in New England, vanes are useful predictors of weather. While our prevalent wind is from the west, wind from the east or the south comes in over the ocean, where it loads up with moisture we encounter as rain or snow. From the north, of course, means colder than normal — a pleasant touch in summer but a nasty bite this time of year.

I’m quite happy to have the fish provide a modest and useful crowning touch to the barn. Or, as I sometimes announce, “The fish has turned.”

AN ANNUAL PRACTICE, A SPECIAL YEAR

I don’t know how far back it started, this custom of drafting an annual memo to myself reflecting on the previous year and outlining my ambitions for the next. The practice has somehow included a review of my journal entries covering the last 12 months, the writing of my Yule letter to family, friends, and colleagues, and the revision of my monthly to-do master lists for the coming year. (You know, the one that includes “renew driver’s license,” “call for firewood,” “schedule annual physical,” and other items that too easily fall through the cracks.) The memo’s continued, even after my wife and daughters fired me from the holiday letter itself, arguing they could make it more creative or at least more interesting. Alas, many of our correspondents have agreed. And, reluctantly, so do I, even while trying to hold it to a single page, if we can. Still, I think the annual review is spiritually healthy. We have a similar practice in Quaker circles called the State of Society Report or, as I prefer, the State of the Meeting Report, and it helps us record our strengths and weaknesses. Besides, I’ve never been convinced of the value of New Year’s resolutions, which usually seem to be recipes for failure. Much of my past decade has been an extended repetition of trying to balance home and family, the office, Quaker activities, literary efforts, some kind of physical exercise and personal care, and always coming up short.  With the to-do lists, that simply meant putting off some projects for another year or two. And then 2012 hit with a vengeance.

*   *   *

As I noted to myself at this time last year, 2012 was to be a time of transition. Even so, what’s unfolded was nothing like I’d mapped out. Rather than laying the foundation for a traditional plunge into retirement, I instead accepted the company’s abrupt buyout offer and quit full-time employment. This wasn’t retirement, per se, but it did liberate me from much of the escalating tension at the office while opening up more time for all those other efforts. And, as the horoscope predicted, 2012 turned out to be a year of unanticipated surprises. And yes, just before that, at the end of 2011, I leapt into a project that had been on the backburner for months – several projects, actually – beginning with the launch of this blog and extending into Quaker writings and presentations. Jnana’s Red Barn has allowed the release of much of my backlogged writing, especially on the creative non-fiction front, and led to the addition of three related blogs – As Light Is Sown, for lengthier Quaker theological work; Chicken Farmer I Still Love You, for lengthy down-to-earth chapters from book-length projects, beginning with the holistic money workbook; and the Orphan George Chronicles, for my genealogical research narratives. In essence, by the end of 2014, these will contain the equivalent of at least a dozen original books. And yes, it’s become far more time-consuming than I had envisioned.

The year began with the climax of the first-in-the-nation presidential primary and the buyout, which came about abruptly. February and March turned into a period of retreat, decompression, and release as I hunkered down without the required daily commuting. My wife was quite supportive while I indulged in a reading orgy, adapted her old laptop for my online connection (my PC on the third floor has no Internet connection), and resumed poetry submissions after a five-year hiatus. I engaged in a more balanced lifestyle and diet, with regular exercise and early-morning rising. Wednesday afternoons we walked to the Barley Pub for live jazz guitar and a microbrew. How civilized it all seemed, however briefly!

Purchasing an entry-level Kodak digital camera (seriously on sale) in April has allowed me to finally indulge in a pent-up passion for photography. After all of these years of being dependent on other photographers, I’m recording the ways I view the world in so much of its quirkiness. But by May, my goal of working one or two shifts a week as an on-call editor began escalating to three or the maximum four. The money’s helped, of course, but I found myself frustrated in my desire to establish a daily and weekly rhythm of living. Summer’s swirl included a delightful overnight trip to Rutland, Vermont, on a Groupon deal, soon followed by the week I led a five-day workshop at Friends General Conference at the University of Rhode Island and another week at New England Yearly Meeting of Friends at Bryant University, also in Rhode Island. In addition, a Christmas present finally kicked in – a season pass to an oceanfront town park in Kittery, Maine, and swimming sans lifeguard, tidepooling, basking, and photographing from its pristine shoreline. And that’s before we get to the rest of the household. The season also brought emotional closure on some lingering deep-history as I learned of the deaths of a close friend from the Baltimore years, an event more than a decade ago, at age 51; my two mentors from Indiana University, the husband-wife team of Vincent and Elinor Ostrom; a high school colleague in February; and more. Somehow, these culminated in the appearance in August of my first independently published chapbook, Harbor of Grace. The newly freed time prompted me to accept positions on Dover Friends Meeting’s Ministry and Worship committee and New England Yearly Meeting’s Ministry and Counsel committee, which I now see are going to require more attention than I’d anticipated. Still, they dovetail nicely. Autumn included a four-hour bout of Greek dancing followed, 2½ months later, by surgery. In between, we had a delightful visit with my landlords from the Yakima years, a brush with Hurricane Sandy, which was largely only stiff gusts here, and (finally!) the replacement of the roof on the kitchen and the barn. So I end the year still hoping the establish that rhythm and direction, but no doubt much closer to actually accomplishing it.

*   *   *

Full retirement comes in February, and the pension conditions demand the end of any newspaper work on my part. Since I see this change as an opportunity to focus more fully on the Real Work (in Gary Snyder’s marvelous phrase), the matter of establishing a realistic system of time management is essential — I have no desire of simply drifting. I want to the newly opened 45 hours a week as being released just for more writing-revising/submissions/schmoozing but rather for time with my wife, house and garden projects, exercise and day trips, socializing, reading, meditation/prayer, Quaker work, and similar lines.

I had wondered about establishing “regular office hours,” but that pushes me back toward the writing-revising/submissions/schmoozing trap  I hope to control. What might make more sense is to slot in blocs of “project time” to be rotated as necessary among house, garden, travel and hiking, writing, reading, and related projects. Thus, I could piggyback two or three blocs, as needed, say for a day trip. And, as the year ends, that approach seems to be making great sense.

*   *   *

And that’s how it goes. Perhaps this puts some of my earlier postings in perspective. Perhaps it will also encourage you to a similar personal reflection. Maybe I’ll even get around to attempting an alternative version, looking at things I did wrong or badly or failed to address at all. Hmm. Even so, what has surprised me is seeing how much actually happened in a year where I often felt put on hold. And that’s been a special blessing.