HEALTHIER BALANCE

For most of my adult life, I’ve tended to load up on the fresh vegetables, but fruit’s been another matter. Maybe if you stuck a piece right in front of me, on my plate. Yes, I love blueberries and, with breakfast, a grapefruit. But even after living in an orchard (cherries, plums, pears, peaches, and varieties of apples), I rarely went out of my way for that end of the dietary spectrum. Until I retired.

Maybe it was a sense of reclaiming some of my ashram experience, but once I left full-time employment, I found myself in a routine of setting down for a midmorning meal of fresh homemade toast (with homemade jam or jelly, meaning fruit), fresh homemade yogurt (with fruit), and (in season) an orange I’d just peeled.

And then there are all the goodies from our garden, much of it eaten fresh and the rest, frozen for later, such as the strawberries, blueberries,  and raspberries. That’s even before we get to the trips to the pick-your-own orchards, where we focus on the half-price drops on the ground, such as peaches and apples, or the crab apples we pick from the strips between the sidewalk and some city streets. Add to that a daughter who revels in canning, as well as making jams and jellies.

It may be deep cold outside, but on my table these days, I’m reliving summer. Now, what are we having for dinner?

DREAMING OF A WHAT?

Golly, it really is too early in the season for this much snow. I spent much of yesterday digging out from a foot or so of the stuff, our first real round as we plunge into another winter, even though it’s officially still autumn and we’ve had a blanket of white on the ground for a week now.

It’s also too early to be this cold, considering the minus-2 Fahrenheit forecast for tonight. That should seal in the snow cover, for sure.

My wife is no doubt anticipating sending me outside with a guest or two to harvest Brussels sprouts in a little over a week, when it comes time to prepare for our traditional Yule feast. Looks like once again we’ll be using an ax to break the icy covering and a shovel to locate the greens. I’ve previously posted about the way frost gives the sprouts and kale a wonderful sweetness, but the snowpack always thickens the plot. She finds it highly amusing, watching from the kitchen window.

Meanwhile, as I shoveled yesterday, I kept remembering that since this is just the start, it would be wise to make an extra effort to leave room for the next storm … or three or four or … Thus, don’t leave the pile at the end of the driveway so tall you can’t see oncoming traffic, be sure to push the icy wall along the driveway back so you won’t have to throw the next round higher than your shoulders, keep as much on the side away from the foundation so it won’t drain into the cellar, … Yes, there’s a long list, based on long experience living here.

Then I remembered something else. Last month, I finally got the bindings on my cross-country skis fixed – and new boots to go with them. Sure looks like a good day to go outside and try them out in a loop around the yard. Hope I keep my balance. Here we go, even before the latest forecast: With Christmas really just around the corner, we’re expecting another inch or two tomorrow.

Whee!

HOLIDAY GREETINGS

We’re in that time of the year when we receive cards and letters. Personal ones, I mean, rather than direct-mail advertising.

Each year, I find myself reflecting on differences among generations regarding this custom. My dad’s circles, for instance, would send out and receive about two hundred cards apiece – keeping touch long after their high school and Air Force years, and trailing off only with illness and death. My generation, in contrast, falls away quickly. Each year, more lost connections, often with a pang of disconnection. There are, of course, a few who cling on, often with nothing personal included. There are also some older friends of my parents or a handful of relatives, in some sense of duty. (Only one of my first cousins has kept in touch). There are even a few correspondents who have reconnected, after years of silence. My wife and kids, being of a practical mindset, figure the folks we see regularly know what’s up with us (and so there’s no sense in mailing greetings), while those we don’t see, well, they’re history (so what’s the point?).

I think a lot of my dad’s era was a continuation of an earlier awareness, before cheap long-distance phone calls and then email. Those connections were special. My kids, on the other hand, don’t send letters of any kind, but they do have a wide range of online correspondents and texting. (Should we ask what will happen to the timeless art of the love letter?) What all this says about American society is another matter.

Quakers in some measure maintain an ancient practice of epistles, typically sent from one Meeting to another or even from a Meeting or “weighty Quake” to individuals. Some of our most powerful expressions survive there, and not from George Fox exclusively. Still, in an email world, how do we extend our faith? What efforts will survive? What will be read over the years? How do we reach out with something personal and special? Suddenly, I notice how many people are buying candles, especially at this time of year! Candles, in an electronics age. Remarkable! A spark of Light in the dark!

REVELS

I first heard of them while living in Baltimore, the Christmas Revels that friends participated in down in Washington.

But it wasn’t until I moved to New Hampshire that the event came into focus, first through live broadcast previews of that year’s Boston production and then through actually attendance at Sanders Theatre at Harvard.

Revels, you ask?

I initially thought of something along the lines of a glee club, but what I discovered was much more elaborate – gorgeously costumed stagings blending solo, instrumental, and children’s and adult choral music, dance, comedy, a mummers play (skit, actually), audience singing, and a story narrative. The closest event to it I knew of was the annual madrigal dinners back in college, but rather than repeating an Elizabethan theme each year, the Revels create a lively story around a particular culture in time and place. One year focused on Leonardo da Vinci’s Italy; another, Armenia and neighboring Georgia; and then Appalachian, Scottish, Irish, French-Canadian, and colonial Spanish themes also come to mind.

The events were the brainchild of folklorist John Langstaff, who launched the first public performance in 1971 in Greater Boston to draw people into a community-wide celebration of the season. It’s a great way to introduce children to live concert and theater without the second-class status of “children’s” attached. And they’re always joyful and fun.

This past winter, spring, and fall I was blessed with the opportunity to participate in the bass section of the Revels Singers, a community chorus that rehearses and performs music from the previous four decades of shows– not just the Christmas productions but other events throughout the year, ranging from the Middle Ages till now and including 15 or so languages at last count. The chorus for the Christmas shows, I must point add, is top-notch, by audition only. Having some of its members among us at our weekly sessions has been illuminating. And some of them wondered why I’d commute up to four hours for a two-hour rehearsal? OK, I try to make an outing of it. Still, it’s magical time when we’re together.

Meanwhile, how often do you get to watch a first-rate conductor and arranger like George Emlen behind the scenes? We soon recognized that within his light-hearted approach were some very high standards and matching expectations, and we’ve felt ourselves rising more and more toward them.

This year’s Christmas show is The Road to Compostela, focusing on the Galician region of Spain and its famed pilgrimage. If you can’t get tickets to any of the 16 performances, there’s always the CD. And, yes, we’re going right after Christmas Day itself.

MADRIGAL DINNERS

When I was in college, one of the unique Christmas events was a series of madrigal feasts replete with Renaissance music, troubadours, jesters, and, of course, a meal that included the procession of the roast boar – in actuality, a large Indiana hog. Effective all the same.

The event originated in 1947 in what we now call the Early Music movement, and soon evolved into its Elizabethan splendor, drawing (as I recall) 550 people to each sitting over a two- or three-week period. And it was quite colorfully memorable.

Alas, by the beginning of the 21st century, the dinners had become history – in part, I assume, because of the academic pressures of a reconfigured semester that now ended before Christmas, rather than two weeks later. (A change I applaud, all the same – having finals hanging over you during your so-called vacation was tortuous, as was returning for two weeks, leaving, and coming right back to register.)

Still, it has me thinking of the many holiday events that now sustain American arts organizations – the Nutcracker ballet at the top of the list, of course, and the staged Christmas Carol or Holiday Pops concerts. As well as the big collapse most people seem to suffer for two or three weeks after.

HO-HO, THE ROSE AND THE HOLLY

This time of year, we head out to collect sprigs of red berries from along the roadway – wild rose hips my wife uses for decorating the interior of the house. A seasonal touch.

Holly is another matter. Our sole bush remains stunted after all these years. Fortunately, we have a friend whose plant proliferates. She’s glad to have help with the pruning.

Ho, ho, ho!

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ADVENT AND MORE

This is the time of year when many people work themselves up into a frenzy of festivity, inevitably followed by a letdown. For whatever reasons, it has me reflecting on the contrasts between many of the expectations and realities in our surrounding culture. For instance, Christmas is supposed to be a holy occasion, but the fact is that one can eliminate all mention of religion and still engage fully in its revelry and spending. Family gatherings, too, are emphasized, although at the office, what we’ve noticed, listening to the police radio scanner, is how family structure is drifting: “live-in boyfriend or girlfriend,” becomes “fiance or fiancee” after their second child together. Maybe that’s a reflection of a widespread fear of commitment in America today – as if having a child isn’t a commitment. Those calls, too, typically arise in domestic abuse or breakdown, in turn arising in other fears. Think, too, of the troops overseas, and their families at home. We might ask, then, what is the real Christmas message.

Here I believe we can look to small children for a clue – those who are old enough to sense that something special is about to happen, but not old enough to equate it with receiving particular products. (Hmm, might the latter suggest something about the expectation of prayer many people seem to hold? Well, that’s another topic.) What I’m thinking about is that tingling anticipation that’s full of wonder and discovery and emotional overflow. Everything is new or newly repeated, from last year or maybe two. Full of hope and questioning, as well. Their exuberance and obsession are contagious. And, yes, they crave the stability of a loving family.

That is the energy early Friends had when they were known as Children of the Light. May we, too, be filled with a revived sense of that vitality and urgency –the ecstasy of apocalyptic faith that shakes the world for miles around, and brings change. And brings us together.

AUDIO TAPE LEGACY

A neighbor showed up after a Saturday morning of hitting yard sales and presented me with three shoeboxes full of classical music audiotapes. It was quite a haul and included some impressive collections – sets of the symphonies of Ives, Shostakovich, and Vaughn Williams, among others. But there was also Ella, along with a few other quirky delights.

Of course, listening to these, often in the loft of the barn, also reminds me of the passing technology, how passe tapes have become, even more than vinyl. But at least I could also play them in the car, especially in those spots in the countryside where public radio does not always come in. Better yet, still can.

A FEW QUICK THOUGHTS ON THE LONG AND SHORT OF WRITING

As a writer, I love long pieces that allow a thorough investigation of a topic. Tell me the why and how of a situation, not just the final action.

The Wall Street Journal used to have those front-page, full-column “leaders” that jumped inside, often filling most of the inside page. These pieces actually telescoped a series of mini-stories into a comprehensive whole. How I admired those, even as I was being told to cut stories to much shorter length. (It often felt like reducing prime rib to hamburger.)

The longer stories, if well written and thoroughly researched, provided a sense of feasting, and I could point to research that showed some readers stayed around for those meaty offerings. I knew I had a feeling of getting my money’s worth after I’d savored one of those.

Not that I felt all stories should run long – I was also a big believer in running columns of briefs, in part to make room for the longer reports.

These thoughts return to me as I blog. In fact, I’m having a lot of fun “writing short” here at the Barn. You know, a couple of sentences and that’s it – especially with the photos.

For the longer efforts, though, I’ll point you to As Light Is Sown, Chicken Farmer I Still Love You, or the Orphan George Chronicles. Or to my novels. As I was saying …