MADRIGAL DINNERS

When I was in college, one of the unique Christmas events was a series of madrigal feasts replete with Renaissance music, troubadours, jesters, and, of course, a meal that included the procession of the roast boar – in actuality, a large Indiana hog. Effective all the same.

The event originated in 1947 in what we now call the Early Music movement, and soon evolved into its Elizabethan splendor, drawing (as I recall) 550 people to each sitting over a two- or three-week period. And it was quite colorfully memorable.

Alas, by the beginning of the 21st century, the dinners had become history – in part, I assume, because of the academic pressures of a reconfigured semester that now ended before Christmas, rather than two weeks later. (A change I applaud, all the same – having finals hanging over you during your so-called vacation was tortuous, as was returning for two weeks, leaving, and coming right back to register.)

Still, it has me thinking of the many holiday events that now sustain American arts organizations – the Nutcracker ballet at the top of the list, of course, and the staged Christmas Carol or Holiday Pops concerts. As well as the big collapse most people seem to suffer for two or three weeks after.

HO-HO, THE ROSE AND THE HOLLY

This time of year, we head out to collect sprigs of red berries from along the roadway – wild rose hips my wife uses for decorating the interior of the house. A seasonal touch.

Holly is another matter. Our sole bush remains stunted after all these years. Fortunately, we have a friend whose plant proliferates. She’s glad to have help with the pruning.

Ho, ho, ho!

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ADVENT AND MORE

This is the time of year when many people work themselves up into a frenzy of festivity, inevitably followed by a letdown. For whatever reasons, it has me reflecting on the contrasts between many of the expectations and realities in our surrounding culture. For instance, Christmas is supposed to be a holy occasion, but the fact is that one can eliminate all mention of religion and still engage fully in its revelry and spending. Family gatherings, too, are emphasized, although at the office, what we’ve noticed, listening to the police radio scanner, is how family structure is drifting: “live-in boyfriend or girlfriend,” becomes “fiance or fiancee” after their second child together. Maybe that’s a reflection of a widespread fear of commitment in America today – as if having a child isn’t a commitment. Those calls, too, typically arise in domestic abuse or breakdown, in turn arising in other fears. Think, too, of the troops overseas, and their families at home. We might ask, then, what is the real Christmas message.

Here I believe we can look to small children for a clue – those who are old enough to sense that something special is about to happen, but not old enough to equate it with receiving particular products. (Hmm, might the latter suggest something about the expectation of prayer many people seem to hold? Well, that’s another topic.) What I’m thinking about is that tingling anticipation that’s full of wonder and discovery and emotional overflow. Everything is new or newly repeated, from last year or maybe two. Full of hope and questioning, as well. Their exuberance and obsession are contagious. And, yes, they crave the stability of a loving family.

That is the energy early Friends had when they were known as Children of the Light. May we, too, be filled with a revived sense of that vitality and urgency –the ecstasy of apocalyptic faith that shakes the world for miles around, and brings change. And brings us together.

AUDIO TAPE LEGACY

A neighbor showed up after a Saturday morning of hitting yard sales and presented me with three shoeboxes full of classical music audiotapes. It was quite a haul and included some impressive collections – sets of the symphonies of Ives, Shostakovich, and Vaughn Williams, among others. But there was also Ella, along with a few other quirky delights.

Of course, listening to these, often in the loft of the barn, also reminds me of the passing technology, how passe tapes have become, even more than vinyl. But at least I could also play them in the car, especially in those spots in the countryside where public radio does not always come in. Better yet, still can.

A FEW QUICK THOUGHTS ON THE LONG AND SHORT OF WRITING

As a writer, I love long pieces that allow a thorough investigation of a topic. Tell me the why and how of a situation, not just the final action.

The Wall Street Journal used to have those front-page, full-column “leaders” that jumped inside, often filling most of the inside page. These pieces actually telescoped a series of mini-stories into a comprehensive whole. How I admired those, even as I was being told to cut stories to much shorter length. (It often felt like reducing prime rib to hamburger.)

The longer stories, if well written and thoroughly researched, provided a sense of feasting, and I could point to research that showed some readers stayed around for those meaty offerings. I knew I had a feeling of getting my money’s worth after I’d savored one of those.

Not that I felt all stories should run long – I was also a big believer in running columns of briefs, in part to make room for the longer reports.

These thoughts return to me as I blog. In fact, I’m having a lot of fun “writing short” here at the Barn. You know, a couple of sentences and that’s it – especially with the photos.

For the longer efforts, though, I’ll point you to As Light Is Sown, Chicken Farmer I Still Love You, or the Orphan George Chronicles. Or to my novels. As I was saying …

THE INSPIRATION OF PICASSO

There it was on a public television broadcast, a curator proclaiming that no other artist had made as many bad lithographs (and maybe other kinds of prints) as Picasso. But, came the rejoinder, no other artist had made so many of genius, either. The freedom of one was necessary to open the other.

I took the message to heart. Genius, of course, is another matter.

PARKING LOT DRAMA

I’m sitting in the car on a sunny afternoon, waiting for my wife or a daughter to emerge from the supermarket.

I watch a young woman pace nervously (am I being redundant), then climb on the trunk to look around or perhaps be seen by someone. She repeats this several times.

Finally, I break the ice, offer to make a phone call or help in some other way. She laughs and declines the offer.

“I’m waiting for some guy,” she says.

Oh, yes, I should have known. I think of all the other times I was waiting for some girl or woman. We know it’s a common scene.

And then he pulls up, much older than I’d expected. He goes to the driver-side window, waves a coat-hanger, and goes to work.

So it wasn’t just some guy, after all. So much for the romance that usually accompanies the story. Unless that happened somewhere down the road once she got going.