Tag: History

FROM MATING AND DATING TO THE GREAT NORTH WOODS

~ Jnana Hodson ~ Leave a comment

Continuing this month’s survey of Books Read, here are a few more entries from my scroll as I kept it:

  • Andrea Orr: Meeting, Mating (and Cheating) – Sex, Love, and the New World of Online Dating. One journalist’s argument that matchmaking is what kept Internet companies afloat during the dot-com bust. Also interesting vignettes of the changing nature of courtship in America.
  • Nathan Graziano: Frostbite. Fine short stories in a Bukowski vein, set mostly north of Concord. Pessimistic, young adult outlook. Is title a pun on Robert Frost, for a Granite State writer?
  • Ray Blackston: A Delirious Summer. Frothy romantic comedy set in South Carolina. But ultimately sexless enough for Southern Baptist readership.
  • W.D. Wetherell, ed: This American River – Five Centuries of Writing About the Connecticut. Good way to begin thinking more pointedly about living in northern New England, where I’ve now been nearly two decades. (Compare what I’ve done here so far to my reading about the Pacific Northwest back in the 70s and my Olympic Peninsula longpoem.) From where I live and work, the Connecticut seems to be the backdoor of the house, with my orientation toward Boston and Maine. Yet it also leads up to the crown of New Hampshire, which I need to explore sometime.
  • W.D. Wetherell: North of Now. Some personal thoughts about living in Lyme and the changing character of rural New Hampshire.
  • Simon Ortiz: Out There Somewhere. Poems and journal entries by a major Native American writer. Found the paperback in Kettering, Ohio, and shared portions on the Northwest Airlines flight from Detroit to Manchester with a lovely Sioux across the aisle. Still, the collection comes as something of a disappointment: I expect work of the level of the piece Rachel had for class discussion.
  • Iris Moulton: A Thin Time. First volume by a young Utah poet who seems to be instrumental in a revival in Salt Lake City.
  • Stephen Gorman: Northeastern Wilds. Full-color photos with essays exploring the Great North Woods sweeping from the Adirondacks eastward across Maine. Suspect I’ve seen many of these in Sierra Club calendars, and the writing often seems pitched to glossy magazines, with three or four not quite continuous sections pieced together to create a single chapter. Annoying, saved mostly by some decent reference material. An Appalachian Mountain Club volume.

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FROM BIRDING BY EAR TO GROWING OLDER, WITH OR WITHOUT CHOPSTICKS

~ Jnana Hodson ~ 2 Comments

Continuing this month’s survey of Books Read, here are a few more entries:

  • Peterson Field Guides: Birding by Ear (booklet and audio tapes). Tweet! (OK, I still can’t identify most birds by their singing. Maybe I just don’t know the words?)
  • Stephan Yafa: Big Cotton. Exploration of the impact of another major commodity on world economies and politics. In line with Salt, Cod, Honey, even the fur and tusks that Farley Mowett has pursued.
  • E. Digby Baltzell: Puritan Boston and Quaker Philadelphia. A disturbing comparison of the legacy of two Colonial cities founded on faith. Baltzell’s reliance on High Society and family dynasties gives the work its own twist, so that families that moved away from either city vanish from sight, no matter their continuing contributions to society. Still, many of his conclusions are also disturbing, especially from a Friends’ perspective.
  • Henry David Thoreau: A Week on the Concord and Merrimack Rivers. A surprising amount of bad poetry here, as well as very little observation of what’s right before him. I find myself dismissing Thoreau as a suburban naturalist, more an antecedent to Kerouac than, say, Snyder.
  • Tom Montag: Kissing Poetry’s Sister. Includes looks at creative nonfiction as a genre. He’s another middle-aged poet who has continued to write in relative obscurity while being employed in non-teaching positions.
  • Elizabeth Lyon: The Sell Your Novel Toolkit. Had this one sitting on my shelf all along, thinking it was another self-marketing guide for once the work was published. Instead, it turns out to have in-depth sections on query letters, synopsis/outline presentations, landing an agent, and the like. As a result, I have reworked all of my materials for the three novels I’m pitching – even renaming two of them. Now, let’s see if it does the trick.
  • Victoria Abbott Riccard: Untangling Chopsticks. A young woman from New England moves to Kyoto to master the cooking and presentation of food that accompanies tea-ceremony. Along the way, she becomes adept in a culture where she would always be an outsider, even after a lifetime. Includes recipes.
  • Tom Plummer: Second Wind, Variations on a Theme of Growing Older. Pleasant essays more appropriate to newspaper or magazine columns, by an understated Mormon.

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DEATH IN THE AFTERNOON

~ Jnana Hodson ~ 9 Comments

It used to be that every city had two newspapers – one in the morning, another in the afternoon. Or more. One was Republican, at least on its editorial page; the other, Democrat. You had a choice, and you had keen competition.

Frequently, the afternoon paper had the bigger circulation. Often, too, it concentrated on the hometown news and features, while the morning rival took a more serious tone, including more national and international coverage.

But then something shifted: afternoon circulation numbers began shrinking. We thought it had something to do with what we were publishing. The reality, however, had to do with the workplace. First, fewer Americans were working in factories – they weren’t getting off at 3 in the afternoon and heading home. And second, fewer workers were taking public transportation – they were driving, instead. And that meant they weren’t reading one paper while waiting for the bus or the train, and then reading the other for the return trip. As for the leisurely late afternoon before supper, it had vanished: they weren’t getting home until 6 or later.

One by one, the once prosperous afternoon editions folded or moved over to morning. And now you know why.

Hometown News

SCARF ‘ROUND THE NECK

~ Jnana Hodson ~ 7 Comments

At the first college I attended, nearly all of the writers wore scarves. I don’t think it was a conscious decision to create a group identity, but the school, small as it was, had an excellent writing program. As a commuter campus, we wound up hanging out in what was called a cafeteria, not that I recall a real food line. But the round table (as a roundtable, at that) was open, and maybe the scarves were initially just a way of finding a circle of kindred spirits.

In a way, the strip of cloth may have served like those reminders of guilds and monastic orders of ancient times and their echo in modern clerical and academic vestments. We weren’t yet hippies, with all of their expressive sartorial flair, but it was on the horizon. Think of it as a badge of self-identity and distinction.

In the years since, as I’ve come to appreciate the way scarves can add a layer of comfort through a northern winter, I keep recalling that circle and our aspirations. A few went on to earn literary recognition, but some of the others were also immensely talented and yet have vanished from sight.

Come to think of it, so have many of my own favorite scarves – especially the ones my new stepdaughters latched onto when they came into the picture.

Any way I look at it, a scarf still beats a necktie as an item of apparel. Remind me to wear one next time I pose for the back-of-the-book jacket portrait.

Oh, here we are, back to those aspirations, aren’t we?

REVELS

~ Jnana Hodson ~ Leave a comment

I first heard of them while living in Baltimore, the Christmas Revels that friends participated in down in Washington.

But it wasn’t until I moved to New Hampshire that the event came into focus, first through live broadcast previews of that year’s Boston production and then through actually attendance at Sanders Theatre at Harvard.

Revels, you ask?

I initially thought of something along the lines of a glee club, but what I discovered was much more elaborate – gorgeously costumed stagings blending solo, instrumental, and children’s and adult choral music, dance, comedy, a mummers play (skit, actually), audience singing, and a story narrative. The closest event to it I knew of was the annual madrigal dinners back in college, but rather than repeating an Elizabethan theme each year, the Revels create a lively story around a particular culture in time and place. One year focused on Leonardo da Vinci’s Italy; another, Armenia and neighboring Georgia; and then Appalachian, Scottish, Irish, French-Canadian, and colonial Spanish themes also come to mind.

The events were the brainchild of folklorist John Langstaff, who launched the first public performance in 1971 in Greater Boston to draw people into a community-wide celebration of the season. It’s a great way to introduce children to live concert and theater without the second-class status of “children’s” attached. And they’re always joyful and fun.

This past winter, spring, and fall I was blessed with the opportunity to participate in the bass section of the Revels Singers, a community chorus that rehearses and performs music from the previous four decades of shows– not just the Christmas productions but other events throughout the year, ranging from the Middle Ages till now and including 15 or so languages at last count. The chorus for the Christmas shows, I must point add, is top-notch, by audition only. Having some of its members among us at our weekly sessions has been illuminating. And some of them wondered why I’d commute up to four hours for a two-hour rehearsal? OK, I try to make an outing of it. Still, it’s magical time when we’re together.

Meanwhile, how often do you get to watch a first-rate conductor and arranger like George Emlen behind the scenes? We soon recognized that within his light-hearted approach were some very high standards and matching expectations, and we’ve felt ourselves rising more and more toward them.

This year’s Christmas show is The Road to Compostela, focusing on the Galician region of Spain and its famed pilgrimage. If you can’t get tickets to any of the 16 performances, there’s always the CD. And, yes, we’re going right after Christmas Day itself.

MADRIGAL DINNERS

~ Jnana Hodson ~ 4 Comments

When I was in college, one of the unique Christmas events was a series of madrigal feasts replete with Renaissance music, troubadours, jesters, and, of course, a meal that included the procession of the roast boar – in actuality, a large Indiana hog. Effective all the same.

The event originated in 1947 in what we now call the Early Music movement, and soon evolved into its Elizabethan splendor, drawing (as I recall) 550 people to each sitting over a two- or three-week period. And it was quite colorfully memorable.

Alas, by the beginning of the 21st century, the dinners had become history – in part, I assume, because of the academic pressures of a reconfigured semester that now ended before Christmas, rather than two weeks later. (A change I applaud, all the same – having finals hanging over you during your so-called vacation was tortuous, as was returning for two weeks, leaving, and coming right back to register.)

Still, it has me thinking of the many holiday events that now sustain American arts organizations – the Nutcracker ballet at the top of the list, of course, and the staged Christmas Carol or Holiday Pops concerts. As well as the big collapse most people seem to suffer for two or three weeks after.

THE STIGMA OF RELIGION

~ Jnana Hodson ~ 5 Comments

Intolerance, scorn, and judgmental stereotyping are hard enough to behold in public discourse, but they’re especially painful when they come from my side of the spectrum – people who proclaim themselves to be open-minded and smart. Yet the contempt is there, and nowhere more so than at the mention of religion, as Madeleine L’Engle has already pointedly observed. Even so, the fact remains that we do find individuals for whom belief and wisdom are not mutually exclusive. Indeed, even mutually enhancing. Let me suggest Bill Moyers’ Genesis: A Living Conversation, a Doubleday book based on the PBS series, as a demonstration of intelligence and faith in joint action. (Also available in audio or video, if you prefer.)

Admittedly, much of what we see and hear from the religious front can be superficial thought, convoluted logic, or emotional manipulation – quite simply, bad theology that too often goes unchallenged. (Not that we don’t encounter these in advertising, politics, entertainment, or professional athletics.) Curiously, when I listen to the reasons given by many who turn away from religion altogether, I often hear equally shallow arguments. Those who accuse religion of being the cause of all war, for example, blithely ignore Karl Marx’ insistence that it’s economic injustice instead – even as they invoke his axiom of religion as the opiate of the people. Or the way Sigmund Freud’s atheism is touted, while ignoring the degree to which his two key disciples, Karl Jung and Otto Rank, each turned to unique aspects of religion to advance their depth of human insight. I’m of the camp that contends that good theology is the only cure for bad theology, and is essential for progressing social justice. Rabbi Michael Lerner’s The Left Hand of God: Taking Back Our Country from the Religious Right offers a fine line of reasoning in this direction. (As for advertising, politics, entertainment, professional athletics …?)

And, yes, the best reply to hypocrisy comes from the discipline of faith itself. Whatever happened to corrective rebuke and redirection, within the faithful group? (What old Quakers used to call “close labor.”)

Oh, my, and here I’d started out to reflect on the unfortunate state of religious fiction and poetry in our time, especially from Christian writers. With little support from my side of the spectrum, what appears is typically constrained by an orthodoxy that inhibits candor and rigorous exploration, and what emerges sounds saccharine, hollow, or even a false note altogether. That’s before we get to that matter of being preachy.

Still, I can point to the growing popularity of Rumi, a Sufi mystic of the 13th century, or to Zen-influenced Americans or Jewish novelists and a few obliquely Christian poets as signs of hope.

Care to add to the list?

TRUE HOSPITALITY

~ Jnana Hodson ~ Leave a comment

The New Hampshire economy – like the rest of New England, actually – relies heavily on tourism. But to put a smiling face on the cash cow, businesses and public officials alike call it the hospitality industry.

Dictionaries, however, say nothing about making a profit on hospitality. In fact, one calls it “behaving in a kind and generous manner toward guests; fond of entertaining; affording or expressing generosity toward guests.” Generosity extended by the host, we should note, and not the guest.

But looking at the word afresh, I’m also seeing another industry arising: the hospital. As in hospitalization. Oh, my.

ENDLESS PRAIRIE

~ Jnana Hodson ~ 3 Comments

As a child, we could listen to the grandfathers and uncles talk about the good old days and their friends on the farms they left behind. Those conversations have been lost but remain a part of my heritage, my shaping — I have renounced those things, but return with a sense of ambivalence, that something more is lost — that there is no direction or depth in the changes.

The prairie was endless for the Amerindian, who lived securely within its radiance of circles, rippling harmonies, its ecologies — man, four-legged brothers, and spirits. Then the white man broke this, with straight lines: plows and axes. Like a bottle, the endless prairie was broken; its essence oozed away, like a bleeding wound.  In breaking the tall grassed prairie, the white man created a new one — a desert of desolate spaces he could not understand, replenish, or be replenished by. He was depleting that which he came to find, forever. The history we consider is blazed by changes — turmoil, revolts, new kingdoms overriding the old; the Israeli history of ancient tentacles — it is not a history of land and people eternal, but rather a history of decay, of individual men or, at best, their generations as the whole thing changes in directions no one can foresee — the concept of PROGRESS with its central OGRE . . . the hidden desires to somehow make static or permanent the very creations of the destruction, which must obviously fail. In this new prairie the automobile was created and perfected — a means for fleeing, for destroying the COMMON UNITY of persons living through necessity in some kind of harmonic chord with the land (even the pioneers who broke the prairie and its Indian harmonies, had at least the peasants’ sense of the value of earth to man — they knew the traces of tribe in themselves and could still revere Mother Earth) — but with AUTO the prairie could be leveled even more — consider the vertical element that had been eliminated when BUFFALO were exterminated!  enclaves of community become vulnerable, to escape as well as invasion — The Endless Prairie we have now can be broken. Pilgrimage made. The mind freed. We have our options, to fly away, or to enter inner circles. Either way, to become Indians (of America or Asia — both have ways). To focus, not upon the flatness, but on the hidden paths appearing in the Small Things.

As I used to chant: Hari Om Prasad!