No, I’m not going swimming nude in a group at a summer lake any more

As I’ve previously mentioned, for much of my adult life, I’ve thought of myself as a retired hippie. Or I’ve simply been called one by others. One of millions and, unlike many, one who’s not embarrassed to admit it, that was a time to remember, no matter how short we’ve fallen from its promise and potential, even though I’m not so sure how much I’d want to go skinny-dipping with others these days or even sleep on the ground or a mattress on the floor.

That said, I’ll also admit that much of my first year after graduation from college in the height of the hippie movement was deep misery and loneliness punctuated by playful discoveries. The writing of Richard Brautigan definitely fits in here.

What’s often overlooked in the era is that the central element was the hippie chick. Plus, personally, I was without one, since mine had moved on and left me stranded. (Oh, misery, oh, woe, I am sounding pathetic, but let’s move ahead.) My novel, Hippie Farm, celebrated her in her many guises, even if you can’t even use the term “chick” anymore without being corrected. At the time, though, it was a badge of honor and invitation – one leading, in this case, to that rundown farmhouse in the mountains outside a college town I definitely restructured in terms of fiction.

A second novel, Hippie Love, retold the same plot line from a different perspective, one more of a what-if optimism. I would love to have heard that story retold from their impressions. Ouch? Were they as lost as I was? One I’ve been in contact with all these years has shared her insights, helpfully, and another, reconnecting much later, barely remembered who I was. And here I had thought she might be The One. Oh, my.

In the light of the publication of What’s Left, those two books were then greatly revised and newly released as a single volume, Pit-a-Pat High Jinks. Compressing the two was a major effort, but ultimately satisfying, at least for me. So much happened personally within that short span.

The inspirations cover quite a cross-section of people, with one becoming a United Way executive, another a U.S. Attorney, yet another one an OBGYN physician. Not that you would have guessed it at the time. As for most of the rest, I have no clue. Some were real losers, likely lost to drugs now. Others, tragically damaged. Being hippie wasn’t always a quest for enlightenment, justice, and equality. And when it was, it was countered by powerfully invested self-interests. Sometimes I’m surprised any of us survived, even before we look at the Vietnam veterans on the other side and their continuing traumas. Not all addicts, by the way, were hippies.

Flash ahead, then, and I don’t see youths today finding community anywhere, much less a shared cause. This is supposed to be an improvement?

Contrary to many people who lived through the era, I saw much that happened needs to be remembered and often cherished, even comically. It’s a place where people can begin rebuilding. I’m holding on, then, in my Quaker Meeting as one root to be grafted.

Look closely at the women, especially, and see how much of the legacy continues in spite of everything. (The kids today have it right, their perception of hippie as a girl thing.) Or, as they say. We’ve come a long way, Baby.

Yet that hippie label, I should add, has undergone its own transformation, rarely positive. Alas. Especially for us males.

Most of them, I hope, come across better in the book.

Still, it’s an account of history as we encountered it.

You can find Pit-a-Pat High Jinks in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. It’s also available in paper and Kindle at Amazon, or you can ask your local library to obtain it.

On my own, I was writing contemporary literature, except that it turned into underground history

When I was starting out in my career and sitting at the edge of the semi-circular copy desk, one broad story I kept seeing in the headlines didn’t reflect what I was finding in daily life. It was the hippie experience, told one the public side as drug busts, antiwar protests, and rock concerts, while the personal side I sensed something much broader and transformative, which was largely ignored.

Tom Wolfe, who had come to prominence as a newspaper columnist, was right in saying that the great hippie-era novel needed to be written, though he was wrong in thinking a single book could cover it.

From my perspective, a traditional facts-and-quotes approach couldn’t touch the emotional reality, pro or con. Interviewing celebrities posing as leaders wouldn’t work, either – they largely betrayed us, maybe like never-a-hippie Trump would do later. Hippie was a grassroots movement on many fronts, many of them outside of the big media headquarters in the biggest cities.

In previous Red Barn posts, I’ve touched on many of the hippie movement’s continuing influences, things our kids and grandkids take for granted, but so much – especially of the broadest nature – remains to be examined and presented. I’ll leave that to someone else who can give it full and fresh attention.

For my part, I leave four novels as foundations for others to build on.

I’ve looked hard for work by others but found little yet faithfully left reviews online where I’ve could. Those works are, alas, slowly vanishing. Yes, we are passing.

I am haunted by a definitely hippie copy editor from the year I interned as what we called the rim, but he was gone when I returned a year later, perhaps after pressing for union organization. A lot had changed in those nine months. I wish I knew more about him, other than the ticket for Woodstock that I couldn’t accept, considering the scheduling and my bicycle as my only transportation.

~*~

The core of my perceptions remains in four novels to my credit.

 Daffodil Uprising: I was on campus when the repressive constraints of institutional America blew apart in the late 1960s. Crucially, many of the radical currents emerging on both coasts began connecting in academic nerve centers in the Midwest – places like Daffodil, Indiana, where furious confrontations exposed positions that later generations now take for granted. My novel revisits the upheaval and challenge, both personal and public, triumphant and tragic. As I still humbly proclaim.

Pit-a-Pat High Jinks: The hippie movement that is usually thought of as the Sixties actually appeared most fully during the Nixon administration, 1969-74, and brought changes that younger generations now take for granted. Yes, the ‘70s. In my case, that was Upstate New York where I lived in bohemian circles near the downtown and then on a rundown farm out in the hills where a grubby assembly split the rent and a bit more. My, we were so green and so wild-eyed.

Subway Visions: There were good reasons so many of my freaky housemates and new friends came from the Big Apple. My jaunts to The City, as they called it, provided high-voltage flashes of inspiration that ranged from grubby to psychedelic. It was a whole new world to me, even as a frequent visitor.

What’s Left: So much remained unvoiced and unexamined in the aftermath. I drafted a series of essays that came together as a creative non-fiction volume, but that went nowhere. But then I had the flash to reshape it from the encounters of the hippie protagonist of the previous three books but explored by his curious and snarky daughter. My intention for a big book about the revolution of peace and love turned into one asking what is family, primarily. Hers was quite the colorful circus.

~*~

I still believe there’s much in these that’s “still news” despite the dated surfaces that usually pass for the era.

This year, though, I’m finally saying good-bye to maintaining an effort to engage in an awareness. It’s ultimately in others’ hands.

You can find my novels in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. They’re also available in paper and Kindle at Amazon, or you can ask your local library to obtain them.

A regrettable turning point in counterculture evolution

In reading others’ fiction about the late ’60s and early ’70s, my awareness of the span of hippie identity has only intensified. Each one seems to focus on a different identity. As I’ve long argued, hippies came in all varieties and styles, and still do. But these also show how little overlap there often was.

So much so that I no longer find the label useful. Period. It fails to convey the extent to which we differed within the rainbow.

As one friend insists, “I was never a hippie. I was a freak!”

To the straight world, of course, there was no difference.

For many, political activism was a central component, though not for all. And I’m thinking the evolution of that activism needs more exploration. It’s where we really failed the most.

For starters, too many saw protests as the route to pursue, rather than undertaking the hard work of holding office or attending meetings.

For another, we failed to clearly articulate our vision, other than tending to be left, as in what we called radical, rather than liberal, which seemed to support the Vietnam quagmire. We were reactionary, actually, at least against the military-industrial-financial-racist complex. The ’68 Democratic national convention in Chicago didn’t help anything, either.

Looking back, it seems that too much of our political expression was being domineered by the egotistical theatrics of Abbie Hoffman and Jerry Rubin and the like. (Correct me if I’m wrong.)

Woodstock seemed to shift everything. Yes, we had the Jackson State and Kent State shootings the following spring, along with the shutdown of college campuses and some big marches. But who were our avatars?

Or, put another way, why is the experience remembered more by the music than by the speeches?

~*~

Back to Woodstock.

Seems Hoffman wanted to be part of it, naturally, and demanded – get this – $10,000, 200 free tickets, tables for distributing literature, and the right to leaflet the audience. The event’s organizer, Michael Lang, initially refused but later relented.

But that wasn’t enough. High on acid, Hoffman took to the stage and started ranting. Never mind that it was in the wee hours of Sunday morning. After 20 minutes or so, he knocked over Peter Townshend’s microphone as The Who was coming onstage, and a miffed Townshend responded by whacking Hoffman with his guitar and shouting obscenities about getting “off of my fucking stage.”

That part’s well known.

The message, intentional or not, was that politics were not to interrupt the sanctity of art.

I sense the rift only grew after that.

The protest music I remember was by folksingers-songwriters, not rockers.

Well, maybe John Lennon proved the exception.

Help me, please.

What happened to the yogis and their dream?

We were wide-eyed and innocent as doves though not wise as serpents, as the Bible would add.

We had room for exploration, certainly, and for some of us that included yoga or Zen. Hitchhiking was part of the scene, too. I touch on those in several of my novels.

I realize that in posing the question as “yogis,” I’m focusing on a corner of the hippie experience. The dream I’m thinking of is a better world for everyone, and not just a few who wanted to drop out altogether.

I don’t see that among today’s youth, who have good reason to be more cautious about the future. Besides, they’re shackled by college debt, an outrageous amount compared to their income realities.

But it’s not all economic. I’d say much of the current malaise is spiritual.

Without that element of hope and universal love, how can we possibly overcome the forces that are dividing and oppressing us?