Why tribe? As a poet once asked … 

In my novel What’s Left, she has every reason to proclaim:

Nobody breathes a word about hippie. We’re simply ever so hip.

She and her brothers and cousins had their own style and direction, apart from whatever their parents had done. And the quip didn’t survive into the final version of the text.

Still, though, if you look to the time of the pivotal Woodstock music festival , you might ask if we were trying to be neo-mountain men or newly converted Amerindians or spaced-out yogis or cool Victorians (without the inhibitions) or liberated urbanites or … ? Well, a huge stream of historic inspiration fed into the movement, and we were willing to play with just about any wild expressive fashion.

What’s easily overlooked is how huge the role of the Gypsy – or, more correctly, Roma – was.

The very term Boho or Bohemian – as in Puccini’s opera, La Boheme, dealing with starving underground artists in Paris – has far more to do with the Roma than with any geographic region of eastern Europe. Even Brahms’ famous Hungarian Rhapsodies are code words for Gypsy violin music. As for Spanish flamenco? Ditto. Play your guitar, if you will, or dance wildly.

So underground artists are …? You got it.

And here, drafting and revising my novel I found myself forced to ask:

Why are they so widely romanticized?

And why are they so widely reviled?

As Cassia investigates her father’s reasons for moving into the extended family where she’s grown up, she digs far beyond his counterculture inclinations.

Well, for a hint, here’s something else I cut from the final version:

The scandals, according to Nita? I’m not going there. Not that any of it was bad, on the contrary. There’s just too much to delve into now. And then, despite herself, she does.

~*~

Like Cassia’s father, I did live in a rundown farm where we all split the rent. And like him, I later lived in a monastic setting, where ours was based on yoga and its Hindu writings rather than Buddhism.

Not all hippies veered off in those directions.

Have you ever wanted to live in a Gypsy wagon? How about a tree house?

Ten facts about the Romani

The more she learns about her great-grandmother in my novel What’s Left, the more reason Cassia has to be curious about her roots.

  1. Romani or Roma: The preferred terms for “Gypsies.” They are ethnically and genealogically different from other Europeans. They originated in northern India and migrated about 1,500 years ago as a group.
  2. Roma subgroups differ in language and variations of customs: These hold social distance from each other.
  3. They are a dispersed population: They have significant concentrations in Egypt, Turkey, Romania, southern France, Spain, and Hungary.
  4. Population in U.S.: Estimated at one million. Largely centered in southern California, the Pacific Northwest, Texas, and the Northeast./
  5. Population in Greece: Between 200,000 and 300,000.
  6. Population in Brazil: 800,000.
  7. Roma slaves: They were shipped with Columbus in 1492. Spain sent Romani slaves to Louisiana, 1762-1800.
  8. Romania: Abolished Roma slavery in 1864.
  9. Marriage: Couples generally wed within their tribe. The parents of the boy customarily select his bride, and a bride price would be paid to compensate her father for his loss.
  10. Community: When a Roma male marries a non-Roma, she may in time be accepted by the community, if she accepts their way of life. For a Roma female to marry a gaje, however, is a serious violation of marime or marimhe code originating in Hindu purity laws.

AND NOW, FOR A COVER!

Thanks to everyone who responded to my earlier invitation for comments regarding a few possible covers for my newest novel.

The survey ended in mixed results and prompted some heated in-house discussion, ultimately sending me back to the drawing board for a more compelling design.

Just what do we want as a cover, anyway? Are people’s faces a help or a distraction? Does a jacket work best if it somehow reflects a scene in the story, as my earlier mock-ups attempted to suggest? Or is reaching for a less constrained, emotional reaction more effective?

What’s Left

As you see, I’ve opted for the later. Here the image invokes a sense of being broken out from a protected shell and falling through space. It’s also appropriate for a family that owns a restaurant – food being a theme running throughout the story. Will this cover encourage a browser to open the book to discover, in effect, just what happens to the yolk? Where it will land?

That, of course, is my goal. To see if it fits, go to Smashwords, where you can order your own Advance Reading Copy for free. The offer will expire after 90 days, when the first edition comes out at $4.95, so act now.

Your early reactions will be most welcome in preparing for that release.