THE INVISIBLE FACTOR

In the buildup of national elections, once again a major influence remains the elephant in the room. I’m referring to the legacy – make that plural, legacies – of the hippie outburst, especially in contrast to those on the Vietnam war side of the divide.

The wounds and tensions haven’t gone away. Just look at the continuing proliferation of POW-MIA black flags across the landscape, on one side.

For the other, the lines are much more hazy yet festering. As I’ve been arguing, hippies came – and still come – in all varieties and degrees, and likely nobody ever fit what’s become the media stereotype. With the end of the military draft, the movement lost a crucial motivating force and focusing definition.

Complicating the situation was the distancing many youths on the antiwar side felt when it came to politics. With its support of the military at the time, liberal politics were tainted with outdated Cold War ideologies like those of the conservative side. For hippies, radical was the label of honor. And the Democratic Party base of the left was splintered as its youthful potential allies had nowhere to turn or direct their forces in the political arena.

The horror meant going from a hawkish LBJ administration to one of Richard Nixon.

Fast-forward now to the present American landscape. Gone are the grandparents and parents of many of the now senior baby boomers – the core of the hippie movement versus the older generations. Yet political candidates still tiptoe around many of the reality issues, beginning with marijuana and other illicit substances, as if they’re too hot to touch. Let’s get real. Want to talk about litmus tests?

As we look at candidates, ask where each stands on a scale of continuing issues from the hippie stream. I find it enlightening.

  • Peace and social justice activism.
  • Sexual equality … including abortion rights.
  • Racial equality.
  • Environmental and ecological issues, including the outdoors.
  • Educational alternatives and opportunities.
  • Sustainable economics and fair trade.
  • Spirituality and radical religion.
  • Fitness along the lines of yoga, bicycling, kayaking, hiking.
  • Organic and natural foods.
  • Marijuana reform.
  • Arts and crafts.
  • Community as common wealth, including health care.
  • Labor as a matter of respect and a livable income.

Well, we have Bernie running straight true to the cause. Hillary, more cautiously so. But on the right? Let me suggest being wary of anyone in the pro-war camp who hasn’t served. Period. As for other life experiences?

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All of this returns me to my Hippie Trails series of novels. I’d love for you to come along. Just click here.

 

 

ON MY BOOK COVER DESIGNS

Much of my career as a professional journalist involved designing newspaper pages, looking for ways to attract a reader to a story while also fitting the headline, text, and accompanying photo into what were often challenging spaces around jagged stacks of ads.

With a solid high school background in visual art itself, I came to the graphic side of design with a deepened appreciation for illustration, logos, advertising campaigns, letterheads, magazine covers, and, of course, book jackets – and I could be sharply critical of what I saw presented to the general public.

As I remember photojournalism guru Chuck Scott scoffing as he looked at a prissy photo-essay page, “That looks like art director work! Give me something more direct!” Or something like that. The point was, he didn’t want fussy or cute.

I’m the same way. Keep it clean, for starters. Have a strong graphic image. And keep the type to a minimum.

The cover to my first published novel suffered from the cut-up approach. It just looked klutzy, despite the best intentions of the lotus pattern imposed over a photo. And the second entry, from an early ebook venture, never really had a cover.

So the opportunity to work with Jeremy Taylor on my Smashwords edition covers gave me a chance to put my concept into play. A strong photo with little more type than the title and author.

The photos were purchased from inexpensive stock collections and selected as an indirect homage to Richard Brautigan’s playful portraits from his Avon series back in the hippie era. His covers remain some of my favorites.

Let’s not forget ways ebook fronts differ from regular paper editions. They’re smaller, thumbnail size, really, with little room for blurbs or the like. It’s one quick look rather than turning the volume around in your hands and reflecting, however briefly.

So that’s what we have there.

When I reinstated my own Thistle/Flinch imprint as a PDF ebook line here at WordPress, the cover design fell to me, for all of the budgetary reasons you’d expect in offering free editions.

Again, I’ve stuck to the basics – strong graphic image, minimal type.

What’s been fun for me is working within a Word program rather than venturing out, say, into Gimp or beyond. That is, in light of the constraints on my time, I’m sticking with basics.

As a writer, though, I’d had no need to play with colored type or pages, much less insert photos. I’m old-fashioned that way, viewing this action as a typewriter, mostly. Even my WordPress blogging fits closely with my print-publishing orientation.

Well, you can see what I’ve done. I rather like it. And it’s been fun. Care to take a look at the full lineup?

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See what’s available as Smashwords and Thistle/Flinch.