There’s still a feast awaiting on this plate

As the calendar year ends, it’s fair to ask What’s Left in your own life as you move on for the next round.

In my novel, the big question is stirred by a personal tragedy, leaving a bereft daughter struggling to make sense of her unconventional household and her close-knit extended Greek family.

In the wider picture, she’s faced with issues that are both universal and personal.

For me, it’s somehow fitting that my most recent work of fiction returns to Indiana, the place where my first novel originated before spinning off into big city subways. The state is also home to more Hodsons than anyplace else in the world, as far as I can see, not that I’ve been back in ages.

What’s Left is one of five novels I’m making available to you for free during Smashword’s annual end-of-the-year sale, which ends January First.

Get yours in the digital platform of your choice, and enter the New Year right.

For details, go to the book at Smashwords.com.

 

Acid test environmentalist and poet: Wendell Berry (1934- )

My introduction to Berry came in reading his Long-Legged House while sitting on a gorgeous Navajo rug on the floor of the Ostroms’ contemporary home atop a wooded ravine in southern Indiana. It was a magical matrix, considering the story.

Berry was the embodiment of back-to-the-earth, having returned to his native Kentucky in 1964 and taking up farming by horse teams (or maybe mules). He did so to the consternation of colleagues in Manhattan who argued that he was just beginning to make a name for himself and that he’d lose his momentum and start writing sentimental verse about bluegrass.

Instead, he struck gold. His poems grew from real friendships and longstanding relationships. A bigger calling came in his environmental advocacy, especially as it expanded into real economics that countered the bean counters whose views neglected the value of parents, conservation, health, and the like. It even led him to a radical Christianity, including pacifism, and work with the Amish, where he met David Kline, whose weekly birdwatching columns were collected into a wonderful book, Great Possessions, which Berry helped shepherd to publication. (It’s about much more than birds, believe me. If you’re curious about Amish life, I’d suggest starting here.)

There’s something that’s much more life-affirming in Berry’s writing than in Robinson Jeffords’ strong but misanthropic nature poems from a generation earlier.

Berry had noted that his efforts at rebuilding the soil on his farm took 16 or 17 years to show signs of rebounding. It was something I later observed in our gardening in Dover, dealing with what my wife called Dead Dirt. Over the seasons, ours began to soften and then welcome earthworms and finally flowers and vegetables.

So it is with Berry’s pages.

Finally, I turned the camera on the newsroom

My novel about small-market journalism originated as an experiment on my first PC, an off-brand back in the days before hard drives or the Internet. In this case, I decided to build a book as a series of variations on a theme relying on a template chapter that I then copied and pasted for development. Set in a newsroom, each day was the next day’s edition but sampled months down the road. Some of you may think of the movie Groundhog Day, but that was still seven years in the future. The key to the book’s development was a set of seemingly random search-and-replace possibilities I then ran through the manuscript – on both of the 5.25-inch floppy disks that were required for the full book. Other variations required physical input, one by one. Either way, think of Mad Libs with seemingly random repetitions popping up like loose threads through the entire tale.

The basis, of course, was a composite of several of the newspapers where I had worked. By extension, it could also represent offices anywhere, but I found myself thinking about how little we usually know about our coworkers. Often, it doesn’t go much deeper than a phrase they repeat all the time or a piece of their favorite clothing or some annoying habit they have. It was enough to sketch each of them through the rounds of the book.

And then I put it aside to season before tackling it again.

When I returned afresh, I had to admit that the variations were insufficient. The loops were, uh, loopy. By then, the revision was turning into a kind of paint-by-numbers to flesh out the bones.

The tale still needed more work. So much for my pioneering experiment with A.I.

~*~

Hometown News did take my fiction in a fresh direction. It wasn’t exactly countercultural, for one thing. And it took place largely within a workplace, with day-to-day drudgery many people might identify with or at least recognize.

While Kenzie in my hippie novels labored as a photographer on his campus newspaper and then on a small-town daily chronicle, he did move on to higher pursuits once he married. In contrast, when my savings ran out, I was back in the newsroom.

Another surprise as I look back. This manuscript was also in the works before my Baltimore sabbatical big writing spree opened.

I have memories of jotting down notes while driving Interstate 95 between sales calls in Connecticut. My time on the road and in motels left me plenty of opportunity for uninterrupted thinking.

Even with TV shows like Lou Grant and Mary Tyler Moore, the public had little idea of what really happens in a newsroom. At the time, the job carried some prestige, if not outright fear.

There was an adage that every newsman had a novel waiting to be born, and there was the cliché of the crusading reporter battling corruption and crime. Even Clark Kent and Lois Lane of Daily Planet renown. Mine wouldn’t be anything like those. The villains weren’t politicians or mobsters but, in the ultimate view, capitalism itself. And here I was, cheering for small, local enterprise.

For me, what emerged is the most problematic of my published novels, yet one of the most fertile. It certainly has the darkest humor and a large dose of dystopia.

I do recall one newspaper editor who candidly admitted to having taken a popular genre novel and essentially written over it to launch his own successful line of commercially published successes. Should I note that the owners of his newspaper also had one of the top book publishing houses in the world? Connections? Don’t discount them. Just don’t think of them as literary success, which I was aspiring to.

Rather than having the high drama of big bad guys somewhere outside of the newspaper company, mine were more insidious. In my experience, though, a more pervasive conflict smoldered behind the scenes within the business itself between the journalists, on one side, and the bean counters and their bottom line of obscenely rich profits, on the other. As the saying went at the time, many newspapers were a means of printing money for their owners. Not that much of it ever got down to the workers.

Let’s just say, too, that some papers were more competitive and innovative than others.

In my job of calling on editors across the Northeast, I heard personal stories that added to my own insights from working within two dailies that had undergone major transformations under inspired leadership, as well as lessons from leading a small paper in the town I call Prairie Depot and some stints elsewhere. Let’s skip the rest of the resume and get on with the book.

It was a world all its own. Or so I thought. And yes, it was set vaguely somewhere in the American Midwest.

Check it out at my Jnana Hodson author page at Smashwords.com.

Employment is a big thread running through my fiction

In my parallel universe, my real-life life, newspapers were caught up in technological “advances” that kept setting us back. Those changes had started well before my sabbatical break, but they were speeding up. Back when I was starting, perforated teletype tape meant we really couldn’t edit stories we received from the Associated Press or United Press International or similar services. And then scanning of typewritten pages made improving even staff reports physically difficult. After that came the early stages of computer screens and keyboards, where editing took about three times longer than it had with a pencil – moving that cursor around took more effort, certainly, and computer crashes were commonplace. These were all matters that impacted the emerging story of Hometown News, though I believe anyone working in a large business office would have parallel experiences to relate.

We forget how much reliability our laptops and PCs have gained. Does anyone else remember losing a draft to a static electricity spark that then erased whatever was on your screen? Or, for that matter, when it was a bigger power outage?

I could detail the shifts from letterpress and hot type to pasteup and eventually pagination or from typewriters and linotype machines to early computers to, well, the digital devices we have today or from letterpress to offset printing and now digital editions skipping paper altogether.

Or similar leaps in photography, as we see in following Kenzie.

~*~

Paid work occupies a large part of most adult lives. Even when it doesn’t, how we handle our money, wealth, time, and so on is a highly emotional issue, no matter what the dismal science of economics insists. (For that line of useful inquiry, go to the Talking Money series on my Chicken Farmer I Still Love You blog.)

I just couldn’t create characters without their having jobs. Well, most of them – the hippie farm had some of dubious means.

Besides, so much of a typical male’s identity and life purpose is tied up in his job, especially when he can take pride in it. The job even defines his social circle.

I didn’t want to add another book about a hopeful writer to the literature. What a cliché. Or a musician or actor or even a painter. How about a plumber or fireman or circus clown?

But I still needed a witness figure for the history abstracted to fiction that was before me. I defaulted to using a photographer, in part because I had wished I had taken up a camera, if only I could have afforded the time and a darkroom, blah-blah-blah, and in part because I had been a serious visual artist in high school. You can see those elements developing in Daffodil Uprising and later coming together in What’s Left, but they also play out in Pit-a-Pat High Jinks and Subway Visions. I’m a highly visual guy in my awareness and thinking, OK? The fact he was employed at a newspaper is one part I couldn’t evade.

I still value novelists who manage to set their story outside of the writing world, and that includes universities. Charles Bukowski gets points for me for his novel Post Office. Well, I guess that’s also where genres kick in, too. They’re about detectives and spacemen and billionaires and cowboys and so on.

Photojournalist? At the time of the first draft of Subway Hitchhikers, I didn’t have any models to draw from, but that quickly changed. I wound up working with some of the best in the business.

Over time, photography, the kind that required light meters and F-stops and film and darkrooms, became ancient history. That part I would have to intensely rework and explain as my books underwent revision, thanks to Cassia in What’s Left.

In contrast, Hometown News was primarily about work. I had no problem in this case where everything took place at a newspaper plant, though the economics of the surrounding community also emerged as a central thread.

Jaya became a more difficult case. Her career in the early drafts was drawn from my newspaper offices and hours, now vaguely abstracted to management in general. It would get more specific in the revised titles, where she specializes in nonprofits management. It’s a real job description in a major component of the economy. For that flash of inspiration, I could look to one neighbor in Dover and the impact she had statewide in peace and social justice matters.

Cruise ships on way

Eastport is preparing to welcome eight cruise ships for visits after Labor Day. That’s about half as many as last year’s record but could top it in the number of passengers. Four others were slated to visit but had to change plans when Customs could not provide agents to clear passengers and crews into the United States.

So far, I’ve found seven of the expected ships.

  • September 3: Enchanted Princess, 1,083 feet length, 18 decks, 4,500 maximum passengers, 1,346 crew.
  • September 17: Roald Amundsen, 459 feet, 530 maximum passengers, 160 crew.
  • October 5: Zuiderdam, 936 feet, 1,964 maximum passengers, 817 crew.
  • October 13: Volendam, 778 feet, 1,718 maximum passengers, 647 crew.
  • October 14: Azamara Journey, 594 feet, 781 maximum passengers, 408 crew.
  • October 15: Viking Mars, 748 feet, 938 maximum passengers, 465 crew.
  • October 27: Le Champlain, 430 feet, 264 maximum passengers, 112 crew.
  • Next year is already shaping up to be more active.

The visits have boosted the local retail season for many merchants, especially after the Summer People have retreated to their usual haunts.

 

Now, for some ‘Bodoni-Bodoni’

Hometown News is the one novel Cassia from What’s Left didn’t press me to revise, but it got the treatment anyway. At least the title stayed the same, though the subtitle “Reports from Trump country” was added.

Political novels rarely work, so I’ve heard. And I didn’t pitch this was as dystopia, though casting the book more along those lines might have been more successful.

The book still stands apart from my others.

In the time since its first draft and my big round of deep revision, much that I had investigated only worsened. The once powerful newspaper industry was a ghost of itself, and many of the once legendary nameplates were owned by hedge funds whose owners or managers were among the world’s top billionaires. The Rust Belt communities like Rehoboth still hadn’t rebounded – their lucrative unionized manufacturing jobs were never coming back, either.

~*~

Unlike my previous newspapers, the final one I served had job security and decent wages, thanks to our Newspaper Guild representation. I finally made it to median income, even.

Socially, its newsroom broke down into three distinct circles with little overlap. There was the daytime staff, an echo from the days when we still had an afternoon edition; it was the crew that did the features and opinion pages. The nightside staff produced the next day’s daily editions right up to 1 a.m. And the Sunday News staff worked a four-day week culminating in a double shift on Saturday. We got to know each other the most through union meetings revolving around contract time.

At my first paper, where we worked into the night, the staff usually gathered at the bar next door after their shifts and stayed till closing time.

At another, where we were mostly young and without kids, it was on Friday afternoon – the POETS society, as our divorced city editor dubbed it: Piss On Everything, Tomorrow’s Saturday.

Usually, everybody lived at a distance from the newspaper plant. Few could afford the rents or mortgages in the city of publication.

I can’t speak for other office situations or professions, but I did find that close friendships were rare. You knew your coworkers more by a phrase or two they repeated or a favored style of clothing they wore or, as some of the guys seemed to do, by the kind of car they owned.

Still, things came up at parties. Consider the quip from one generally naïve woman regarding the allegator-skin cowboy boots one of the sportswriters once appeared in: “Hey, you look like a pimp. What’s up?” And then the shock we felt a month or two later when he was arrested, having procured women and motel rooms for men in the car racing circles he covered.

At these gatherings we usually huddled around the share our war stories and talk what one spouse dubbed “Bodoni-Bodoni,” after a widely used headline typeface.

Most of the papers I worked at were the smaller operation in a broader market. And I usually was part of a news team with a competitive, aggressive mindset. That part was exciting.

In the revisions, I did have a new paper to draw on, not that it was of the progressive mold I was pursing in the book. The daily interactions, though, could be just as rich.

~*~

From what I’ve seen, the situation of low-level, “shirt-sleeves” managers has only worsened across the board. Perhaps the Covid pandemic work-from-home option has eased the pressures on white-collar jobs, but that happened after my final revision.

There was little job security in working for mass-media companies. When I was with the features syndicate, I’d spend a year nurturing a relationship with the top editor, who promised to buy a certain comic strip or opinion-page columnist or weekly business report from me when the next annual budget was approved – only he was gone by then. Turnover was high, often blamed on “bad numbers” like shrinking circulation or advertising revenue. Or, in one case, because the company headquarters decided to buy a radio and TV broadcast chain.

I do wonder what happened to several of the family-owned papers I called on. They’re top editors didn’t feel a need to attend the usual annual conventions where networking occurred.

I should also mention that several of the papers I worked for did bring in management consultants, giving rise to the team in my novel. Give credit to the one that threw up its hands halfway into the projected year of monthly meetings, declaring that the news business just didn’t fit any of their models.

The Dilbert comic strip touched on many of the office realities, but at a superficial level.

Best-selling management books – Tom Peters’ In Search of Excellence, for example – were exciting but didn’t reflect the everyday realities we faced meeting hourly deadlines leading up to the big, final deadlines. The ones you didn’t dare miss by more than a few minutes.

~*~

So I made tweaks to strengthen the focus on central characters and acknowledge the big hit from the Internet.

~*~

I should say something about public misconceptions of journalists and their papers.

One colleague, who lived a block from me in the town I call Rehoboth, told of a neighbor who complained to him every time the met around the driveway. There was always something wrong with something we’d done. Finally, my buddy fired back. “What do you think the reporter of that story is paid?” The man, a steelworker, fired off a figure. “Less than half of that,” my buddy said, “and she has a Master’s degree.” The man was shocked. After that, he always had something good to say.

As for the right-wing perception of liberal bias, the reality was that many of the biggest papers were unabashedly conservative: Chicago Tribune, Los Angeles Times, Phoenix Republic, Boston Herald, Cincinnati Enquirer, Columbus Dispatch, Indianapolis Star, and probably the majority in the smaller markets. And that was before Fox.

If there’s a bias, it’s for facts rather than presumptions. The Louisville Courier Journal’s Pat Siddons, who covered Bloomington, once said. “I know I have a controversial issue right when I get complaints from both sides of a story I’m covering.”

The fact that journalists are largely low-paid, working nights, weekends, and holidays, did nothing to incline them toward big business, though. One thing we hated was injustice. Another was the lies that accompany it.

~*~

Trying to locate Rehoboth?

It was a composite, drawn mostly from the Rust Belt that extended from Philadelphia and Baltimore west to the Mississippi or so. While my book describes the steel mill that dominated the town, similar communities may have had auto assembly plants, appliance manufacturers, parts makers – the list would be long, like the empty factories they left behind. I observed large swaths of devastated industrial zones in Youngstown, around Pittsburgh and greater Philadelphia or upstate New York or Detroit – places that resembled arial bombing scenes from World War II Germany and Japan. Similar scenes existed along the Lake Michigan shoreline of Indiana, and across Wisconsin and Michigan.

I could now add to that the former papermill towns of Maine.

The fact that there’s personal breakdown as well, as I present in the story, is more than symbolic.

~*~

As for authors and books percolating through me during the final revision and later, the culture J.D. Vance describes in Hillbilly Elegy is one I knew well. Our high school basketball team played his, for one thing, and I had toured its steel mill twice as a Boy Scout. His Middletown could be one more nominee for my Rehoboth.

Add to that Ben Hamper’s Rivethead: Tales from the assembly line, David Foster Wallace’s The Broom of the System, Charles Bukowski’s fiction, a shelf of business case-studies, Kenneth Patchen’s poetry, E.F. Schumacher’s Small Is Beautiful. And Brian Alexander’s Glass House: the 1% economy and the shattering of the all-American town is high on my TBR pile.

~*~

Seeing the loss of status and influence of an independent press has been personally painful, as has the breakdown of communities despite the opportunities of small is beautiful, especially in the Midwest.

Since the final revision, one of the figures in my book, the major scumbag, really, died in a horrific late-night car crash. And pneumonia took out Major Bohroh a little over a year ago.

If I were to tweak Hometown News yet one more time, I’d intensify their evil nature.

Things that define a viable downtown

No matter how large or small a community, there’s something about having a place we know as downtown that makes a difference. It’s like a center of gravity.

Forget the big banks, jewelry stores, or medical offices that are empty at night.

Here are some elements to consider.

  1. Functioning post office. Once it moves to the outskirts, it’s curtains for many towns. Or at least did, back before email and Amazon. Well, we still need somewhere to send off those return items or to get our passports.
  2. A brewpub or microbrewery. Think about it. A social place to gather casually that doesn’t feel like a stinky dark bar.   
  3. A decent diner or coffee house. Ditto.
  4. Distinctive restaurant. Doesn’t have to be fancy but definitely worthy of a dinner date. Ethnic certainly fits here.   
  5. Hardware store, pharmacy, and grocery. Meet real-life needs.
  6. Residents: They’re what keeps the place from becoming a desert at night.  
  7. Pedestrian friendly. Keep parking at the fringe, please, or in some kind of balance.   
  8. Library. It’s not all about books.
  9. Arts opportunities. Galleries, theaters, concert venues all add vitality.
  10. Waterfront. Once scorned and polluted, a cleaned-up stream or coastline is a mesmerizing attraction. We can sit and watch the motion for hours and then feel rested.

A quick look at labor and income changes in America

Some realities and trends I find disturbing, as gleaned from Harper’s Index over the past few years:

  1. Hypothetical median income of full-time U.S. workers [2020] if income were distributed as evenly as it was in 1975: $92,000. Actual median income of full-time U.S. workers: $50,000. (Guess which direction the differential is skewered.)
  2. Percentage of U.S. manufacturing jobs that required a bachelor’s degree in 1983: 14. That required one in 2018: 31.
  3. Percentage of Americans who believe that a four-year college degree is not worth the cost: 56. (Are employers who expect a degree holder for a low-paying job getting a free ride?)
  4. Portion of all U.S. student-loan debt that is held by women: 2/3. (Does that reflect gender pay differences in similar jobs?)
  5. Percentage of unpaid taxes that are owed by the richest one percent of Americans: 70.
  6. Average percentage of their fortunes that the twenty richest Americans gave to charity in 2018: 0.8.
  7. Factor by which the average cost of a home in the United States is higher than the average salary: 8. (And the guidelines I grew up with said don’t go over 25 percent of your income. So now it’s twice that?)
  8. Percentage of Americans aged 18 to 29 who live with one or both of their parents: 52.
  9. Rank of workers 75 or older among the fastest growing demographics in the U.S. workforce: 1.
  10. Percentage increase since 2020 in the amount of work employees are doing outside of the nine-to-five workday: 28.

How are you feeling about the trial’s revelations?

You know the one I’m talking about. Even before getting to the others just ahead.

Let’s just say I’ve been watching this building up, step by step, for decades. The corruption by big money and trickery, the erosion of the middle class, the polarization, the sleaze, the breakdown of the checks and balances or a loyal opposition.

Working in the newsroom, I was bound to give both sides their voice, though one was doing everything it could to discredit us and those distortions went unchallenged. There was more, of course, going on in the dark, things we sensed but couldn’t prove outright.

Let’s just say I was outraged but had to keep it bottled up. But then, after retiring, I let it out by indulging in a stream of poetry I usually steered clear of – the polemic rant akin to Dr. Bronner’s Moral ABC or Allen Ginsberg’s The Fall of America collection or Phil Ochs’ protest folksongs.

The result is Trumpet of the Coming Storm.

While the pieces that spewed forth in my collection may look like history from the Reagan years through the Bushes, they do reflect the origins of what’s coming to a head today. Even the poems that can be considered sophomoric seem prescient.

There are good reasons I subtitled it Blasts of Alarm and Rage, 1976-2008.

Do take a look.

It’s available in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. You can also ask your public library to obtain it.

Remembering the student strikes of ‘70

News reports of protesting students seizing administration buildings on college campuses do bring back memories, and I know I’m not alone.

While there had been earlier seizures of campus facilities in the late ‘60s at schools like Berkeley, Columbia, and Ann Arbor, Michigan, the killing of four protesters at Kent State on May 4, 1970, and two more at Jackson State on May 14 triggered student strikes across the country.

The causes ran deeper than just the ongoing warfare in Vietnam and surrounding countries, do note. My novel, Daffodil Uprising, reflects my experiences in Indiana.

The making of a hippie

While I’m not about to engage in comparisons of today and back then, I am fascinated in the focus on university funding in the current protests. My novel saw that as a crucial factor back then, too – it wasn’t just Dow Chemical, either.

Of special concern, now and back then, is the depth of frustration that finally erupts as rage and revolt. We can assume there are elements in the current actions that go back well before the current Gaza crisis, and not just in the Middle East.  They need to be addressed.

I believe that many of the problems in contemporary America can be traced back to unresolved issues from the late ‘60s For now, I’ll leave it at that.

For any of you interested, my book is available at the Apple Store, Barnes & Noble’s NookScribdSmashwords, Sony’s Kobo, and other fine ebook retailers, and at Amazon in both Kindle and paperback.