

You never know what we'll churn up in cleaning a stall


Even with the masks, it was an incredible experience. Appearing live in concert usually is.
Not every singer I’ve known enjoys performing in public, a situation that can be anxiety-inducing. Yes, even chorus members suffer butterflies. Going on stage or the equivalent is a much different encounter than singing together in a rehearsal space, perhaps even in a circle facing each other.
Wisely, our part of the program was shorter than usual, reflecting the Covid-restricted rehearsal schedule and our return after two years of distancing and general inactivity. Our vocal cords were rusty and have had to get in running order again.
Even after some of the pop standards I’d sung in the Boston Revels autumn equinox affair on the banks of the Charles River, I still didn’t expect to be performing a rock hit, much less a five-part arrangement that was mostly counterpoint with some wildly shifting time signatures. REM’s “Shiny Happy People,” anyone? It’s more sophisticated than I would have believed, even with a bass part that felt, well, like playing air bass guitar.
The Wailin’ Jennys’ “One Voice” and Eric Whitacre’s “Sing Gently” were gorgeous paeans to the art of vocal music made when we unite as one, in this case including singers and audience.
There was the premiere of conductor John Newell’s five-part memorial to longtime Eastport arts inspiration Joyce Weber, “Lux Aeterna.” I hope we did it justice.
The traditional spiritual “Keep Your Lamps” was lively fun with a bouncy piano accompaniment and some fine bass lines, something that’s not always a given.
Dan Campolieta’s passionate setting of Emily Dickinson’s “Will There Really Be a Morning” gave us males a chance to sit out and just listen.
The heart of a concert is the audience, somehow completing the art at hand and making it real. I’ll add there’s a parallel with a readership for a writer or poet or a table of diners for a chef.
The arts center’s upstairs performance space seats about 120, so we were close to an audience of family, friends, and neighbors sharing our love of making music together.
How can I not be looking forward to more?
Say what you will, the Chamber of Commerce lists the Hillside Cemetery as a thing for visitors to do here.

This one is newer, meaning mostly 1800s and Victorian, when the town thrived. Yet many of the inscriptions, in softer stone, have weathered to illegibility.

Yet I keep going back, often reading between the lines.

Many of the men and women died young, along with a large percentage of children.

Many of the stones tell of birth origins elsewhere in Maine or even New Hampshire and Massachusetts, as well as a few defiantly proclaiming “born in Ireland.”

Many of the names begin with “Capt.,” sometimes followed with “lost at sea,” which is also found on other stones of first mates or sailors. Others tell of falling in Civil War action – many New England towns suffered heavy tolls.
Some of these markers were erected as memorials, with no bodies buried below.
Fittingly, in places as I walk, views of the ocean and islands in the distance open below me.


Within the continental United States, these arctic bogs are found only in Maine, where they’re known locally as heath. These magical openings in the forest host a variety of unusual plants and even rare animals like the crowberry blue butterfly. The forests themselves are often thick with arboreal lichen – Spanish moss – which thrive in the cool temperatures and fog, as well as mossy bog.




The population of Eastport lives mostly on Moose Island, with a few more on Carlow. Both are connected to the mainland by a 1930s’ causeway running to the Passamaquoddy’s Pleasant Point Reservation in the township of Sipayak. Before that, the connection was a toll bridge to Perry.
But these aren’t the only islands within the city limits.

The Maine Trust Heritage Trust includes Treat Island among its preserves open to the public. Settled in 1784 at the juncture of Passamaquoddy and Cobscook bays, it became home to a fishing hamlet of 50 or so families and then a Civil War artillery battery before being acquired by 1935 for a tidal power project that was later abandoned. Treat’s open meadows, cobble beaches, trails, and spectacular views are, however, accessible only by boat – and kayakers are advised to hire a local guide before venturing out on the challenging tidal currents.
Eastport also includes small Dog Island, which once had a lighthouse, but is tucked away in a tony part of town. Again, you get there only by boat.

Fourteen-acre Matthews Island, however, sits along Carrying Place Cove and Cobscook Bay, not far from the municipal airport. And you can walk there, if you time it right, while the tide’s out. Just make sure you don’t get stuck by the incoming tide. Another of the Maine Coast Heritage Trust preserves, it’s accessed through a right of way on private property and then an exposed bar.
In the early 1800s, Capt. Charles Matthews raised his eight children here. Today, eagles are raising their own on the north side of the island.







Around mid-May across the New England coast, the alewives migrate en masse upstream to freshwater breeding grounds. Sometimes identified as river herring, they have played a role in the region’s heritage, from Indigenous peoples on.


They still attract fishermen to the riverbanks and bridges, as well as eagles and osprey overhead.

And though bony, many folks consider them a seasonal delicacy, often worked into an appetizer. More commonly, they’re a common lobster bait.