At last, getting set for the big magic trick

Three weeks into the project, I noted my wonder at how quickly the work was going.

The back half of the upstairs interior was now exposed, giving us a sense of how much flooring and headspace we would be gaining. And we could see all of the rafters. Unobstructed? Adam had set up an impressive indoor workshop on the back half of the second floor, while the front two rooms clustered many of our possessions, now under plastic.

That said, I also noted my concern at how slowly the work was going.

The old roof over the back half of the house was still in place, and the clock was ticking down toward winter.

What dawned on me as I gazed up toward to the peak of the rafters was that the ones from the back – which were about to disappear – secured the ones at the front of the house, the half of the roof that would have to stay well in place into late spring or early summer. A few of those charred rafters would actually be remaining like forever, a nod to history and all that.

In a flash, the urgency of the new laminated ridge pole and supporting columns made sense. Without them, the whole roof would come crashing down and, in turn, there would be nothing to hold up the new one. One earlier contractor’s proposal for premade trusses to create a gambrel roof on both sides now became comprehendible – so that’s what he meant? We weren’t exactly communicating, and his results wouldn’t have been our first choice. As we were hearing, not every carpenter today knows how to frame a roof from scratch.

~*~

The key to achieving this was a recommended custom-made laminated veneer lumber ridge pole running the length of the house. Or more accurately, three pieces that would be joined together once they were inside and raised into position. Each one was 1¾-by-14-inches by 40-feet and weighed 280 pounds.

In addition, another custom-made LVL 3½-by-3½-inches by 26-feet was delivered for the remaining supporting column. That one would run down the cavity where our second chimney had been, the bricks that had been on the verge of collapse when we bought the place.

~*~

The new ridge pole would have to slip in where the rafters from each side were now overlapping. What would hold them up as he sawed them asunder? The answer was temporary framing underneath.

We were really, really glad Adam knew what he was doing, though we suspect he was losing some sleep over it. We do know he was doing his research and some thorough calculations.

had

The electrical line coming into our house had to be moved to one side of the gable to allow for the ridge pole to come into the house. That meant getting the utility to come out for a free service.

Inside, our contractor was making cuts accurate to one-sixteenth of an inch. Sometimes the beam below, cut in the early 19th century, varied by a half-inch within the length of the two-by-sixes they would be supporting.

We were beginning to appreciate the fact that Adam was our contractor and not just our carpenter/electrician. He was making the arrangements and phone calls. Viking Lumber was making nearly daily deliveries from Machias.

After working largely solo, he lined up a crew to manage the pieces into the upstairs floor and then higher once inside. There was also the matter of a rented lift, positioned outside.

A lot of coordination had to come into place, even before discovering the power line coming into the house needed to be moved. Hello, Versant?

He had additionally expertly erected scaffolding by himself.

At that point, it really felt like this was happening.

So here we were, Week Four, the end of October, and the laminates were arriving – all four pieces. Well, make that five – Hammond Lumber had ordered a wrong size for the column and had to rush the corrected order down to our site.

Cover update: One leads to another

After recently tweaking the cover for my Hometown News novel, I found my eyes zeroing in on another volume and once again questioning its effectiveness.

This design continues at Amazon. While Cassia goes Goth in the plot, I suspect this was a bit extreme for her style.

What’s Left: Within a daughter’s own Greek drama had been especially difficult to develop, as I’ve explained in earlier posts, but ultimately ended up following a girl who lost her father in an avalanche on the other side of the globe when she was only 11.  She then continues on into her emotional recovery and growth, rounding out in her mid-30s.

By the time the book appeared in both digital and print-on-demand options at Amazon, the cover image had settled on a photo of a Goth girl.

For technical reasons, she continues at Amazon, while my cover at other digital retailers got updated.

I wanted a better sense of the initial suffering, or even an edginess in her development, but nothing worked perfectly. I am still taken with the daring in her stare at the camera, but is that enough? (I did a post about the earlier covers on December 20, 2019, should you want to explore my archives. I was quite fond of the first cover, the one with its falling egg yoke, but nobody else seemed to get the connection.)

The figure appears more ambiguous in my attempt to do something more in line with some of the Young Adult covers I saw. Ultimately, this was a mistake.

Furthermore, she’s genetically a mix of Greek and American Midwest and a tad on the pudgy side. I hate it when a story follows, say, a brunette but the cover shows an obviously dyed blonde.

Another challenge involved balancing the two words of the title. The second word, “Left,” should have the emphasis, but it’s only half the size of “What’s.” Nothing I tried corrected that. In many of the typefaces I sampled, “Left” simply didn’t read easily, either. It could have been “Lest” or “Lett” on first reading. In making a sales pitch, there’s no time for deciphering the message. “What’s” presented similar challenges in other typefaces.

The text had been difficult enough to nail down in a convincing voice, but the cover was equally problematic – especially finding an appropriate image. How do you summarize all this in a single graphic impression, especially one that works thumbnail size online?

Do note, there’s an ongoing argument about using a facial image on a cover, period. Does it grip a potential reader or does it turn one away? Will it even limit a reader’s impressions of the character at the heart of the book?

At last I had a photo that more or less captures her despair. The title and author presentation never quite matched.

Remember, my budget wasn’t generous enough for a graphic designer, the kind who would create a flowing dust jacket replete with insider clues for a potential reader. I’m not particularly fond of those designs anyway. In general, I think photos pack more punch in a first impression. Just look at magazines at a newsstand. Remember those?

Cassia, or more formally Acacia, goes into mourning after her father’s death and then morphs into Goth dress and appearance through her teenage years, where much of the story develops.

The book doesn’t fall neatly into genres – part of it could be Young Adult, but I’d say the core of it is New Adult and beyond. So how old should she look on the cover?

Finally, in the latest stab at this problem, I decided to run with an image I’d settled on earlier. This time, it would bleed off the cover at both sides for maximum impact. I then decided to run it off the bottom, too. Somehow, that left the photo square, a format her photographer father pursued.

At last, we have this.

My reason for cropping the photo tighter was to give it more depth, putting the focus more fully on the girl and her emotion. I’m now seeing that the rocky background I eliminated had actually suggested another kind of story. No more of that distraction now. An artist might have replace it with her extended family, by the way.

In leaving the top open for author and title, rather than separating those elements with the photo in the middle, she has more presence and gravity.

I’m also glad I stuck with an impulsive decision to not fill in the remaining cover with a background color. A new typeface for me, Yu Gothic Semibold, seemed to work best for the title, though I’m not exactly happy with the single-stroke bar apostrophe. But “Left” carries its own weight in the dance of letters.

Book Antiqua, meanwhile, a fallback for me, does nicely in italic for the author.

That’s all – clean, simple, and somehow daring in its starkness. Without an obvious border, the design declares its independence from paperbook constrictions. It’s also quite contemporary, in a confident way. It even pops out on websites. And there’s no question that it comes together more harmoniously the one it replaces.

This one’s now available on your choice of ebook platforms at Smashwords.com and its affiliated digital retailers. Those outlets include the Apple Store, Barnes & Noble’s Nook, Scribd, and Sony’s Kobo. You may also request the ebook from your local public library.

Do take a look.

Wyman

We recently had to flee our house for 24 hours after spray-foam insultation was applied to our second-floor renovations. That meant heading to an Airbnb in town.

This attractive wooden plaque above the stove caught my attention. Good use of a serif typeface in green ink.

And then it struck me: this was from the end of a blueberry-picking crate. I’m sure it’s been rendered obsolete.

Preparing to reframe the top of our house while we still lived below

This was turning into a more serious project than simply raising the roof.

Had we merely replaced the covering itself – either with asphalt shingles or upgrading to metal – without expanding our usable floor space on the second floor, we would have been glossing over serious structural issues. It’s a miracle the roof held as long as it did. One insurance company had cancelled our homeowner’s policy when it saw the photos of the roofing, and another insisted on a replacement within a year. That route would have been a very expensive band-aid in the end.

We had a dream of making better use of that space, as you’ll see. And now, after three years, we finally had someone to pull the project off.

As a starter. Adam needed to address some serious structural issues.

Was anything holding our roof up? It may seem strange to find that concern intensifying as we set out to remove it and its rafters, but we would need something to keep half of it up while the other half got ripped away. As an additional complication, we’d be living in the house rather than gutting it and starting over.

The absence of a ridge pole meant there would be nothing to hold up the front half of the roof when the back half came away for the new. Its lack also meant the existing ridge wasn’t straight but rather serpentine.

Adam had to make room for a ridge pole between the existing rafters. It was tedious and required some precise calculations.

Structurally, all the weight of the roof for nearly 200 years was directed outwardly to the walls – and, as he was finding, they weren’t exactly perpendicular.

Now he needed to have something to support the weight of the ridge pole and roof, too. That meant constructing four columns from the crown of the roof down to the cellar – one on each end of the house, the other two spaced in-between. That required going through two floors as well, plus building concrete pads in the cellar.

This was time-consuming work, and he was racing winter weather. We had reason for concern.

As these findings sank in, we realized our earlier option of just putting new shingles on the existing slope would have done nothing for real issues lingering underneath. Even without raising the back wall or consolidating the dormers in front, we would have had a larger problem waiting to erupt overhead. Living beside the ocean exposes us to many gale-force blasts. It’s a wonder the roof hadn’t gone years ago.

After taking some deep breaths, we appreciated what our contractor was telling us. Now, just exactly where was the center of the roof or the alignment down under? He did have some amazing laser tools to determine that.

We were really glad Adam was a pro, maybe more than the others working in town. He was definitely earning our trust and respect.

Mysteries were lurking behind the walls and above the ceiling

When Adam set about ripping out the drywall upstairs – and immediately filling his first dumpster in the process – the emerging picture soon presented a number of challenging hurdles. I’ve mentioned the lack of a ridge pole and matters regarding rafters, plus the wiring situation. This wasn’t going to be nearly as straightforward a project as I hoped.

The dumpster, by the way, was a new step for me. Back in New Hampshire, our carpenter hauled the debris to the transfer station in his pickup – or I burned what I could in the side yard. We even used a lot of the ripped-out sheetrock and plaster to “sweeten” our garden pH. How much would the alternative cost us, anyway?

I’ll say it was a bargain, especially considering the time that would be lost if Adam were driving that to the trash transfer station an hour away.

Adam’s selective demolition led to a small collections of old wallpaper examples. Meanwhile, a hippie-dippy yellow crab painted under some of the later wallpaper, alas, couldn’t be preserved, not that I quite wanted that. Mine was the minority vote. Still, we’d love to know the story of its creator – a kid? – and its inspiration.

More puzzling were the broken bricks in the walls and joists away from the chimneys. Huh?

Or, more impressive, finding some of the exterior sheathing is more than 18 inches wide. Try buying that today.

The fire damage was more extensive than we had imagined. Not just the historic downtown fire of 1886, charring our rafters but not setting them ablaze, but also a later chimney fire that charred the insulation off electrical wiring that we were still using.

What if the char damage on the beams and rafters wasn’t superficial but went deeper into what we assumed was still solid wood? (We were relieved to find out just how much good lumber remained inside.)

We’re left wondering. Did a fire originate in one of two wings once attached to the house and then spread to the roof? Sounds like an archaeology problem to tackle sometime ahead.

In addition, earlier carpenters here didn’t seem to do much measuring. I had to ask Adam, “So how does it feel to be correcting 200-year-old work?”

He gave me a look.

As I said, Adam set to work with determination and within a day filled the first dumpster.

Beyond the fire damage, he uncovered more knob-and-tube wiring to contend with than we had wished.

But to our surprise, Adam is not only a master carpenter but also a licensed electrician. This was sounding too good to be true.

Cover update: Sometimes minor tweaks count

One of the delights of ebook publishing is the ease with which updates can be made. It’s not like having a warehouse of paper volumes to discard in the process.

Recently, while preparing a new book for release at Smashwords.com, I revisited my novel, Hometown News, and wondered if the cover might work more effectively than it did.

I liked the cleanness of the current design and the graphic impact of the elements but questioned whether it might convey a better sense of being about the news business itself. The typeface on the cover conveys the title but nothing else. The story does play out in a moderately-sized industrial city, which also needs to be hinted at in the design.

The photo delivers on the idea of hot news and impending disaster as well as a working-class, blue-collar neighborhood, but I was curious to see if it might have more punch if it reached both sides of the cover. Or “bled” off the page, as we’d say in the trade.

The previous version of the cover did just that, but cropping the photo to accommodate the title and author type was another matter. Remember, ebook covers are essentially thumbnails to be viewed on a cell phone, laptop, or tablet computer screen.

The photo here is cropped less tightly than on the later cover. Does including a portion of the porch roof below add to the message or does it lessen the immediacy? Does the placement of my name detract from that?

There are good reasons this one went back to the drawing board.

The first cover, below, played on the idea of bucolic small-town America and fit into the series of covers of my other novels, but as you can see, there’s no promise of the coming drama within the book itself. So much for brand identity.

While this one was produced by a professional designer at low cost, I must ask myself what an artist would do as an alternative to a photo as the key graphic element. Perhaps a roll of newspaper reaching out across a steel mill and downtown? Downplaying color might allow for the title and author’s name to float over the artwork and still be readable, something that simply wasn’t working with the house fire photo.

Few newspapers have managed with a feel-good approach to community, no matter what many critics would wish. Everybody hates a fire, right? With a morbid fascination?

Returning to the design challenge, here’s where the book stands now:

The key to the redesign was having the name in a single line, like a newspaper nameplate. Thus, a different serif typeface in the new cover. Admittedly, it is harder to read as a thumbnail, but I am going with the tradeoff. I’m venturing that it will reenforce the type on a Web site’s pitch rather than run alone.

The photo, once again, bleeds off the page, delivering maximum visual impact.

More and more, I’m looking at an ebook cover as a poster than as packaging for a commodity.

What do you look for in a book cover?

We weren’t exactly living in a war zone

Starting this project was like being buckled into a big roller coaster, say the legendary Son of Beast just north of Cincinnati, or finding yourself pregnant, or so I’ll presume, either way resigning yourself to going along for the ride, wherever. Well, in either of those examples there is a destination, and we’re assuming there’s a fine outcome here, too.

I had no idea how much I didn’t know the morning Adam showed up with his tools.

Let me relate how relieved I was to learn that we could still live in our house during the renovations. Stories circulated of people who not only arranged for accommodations where their crew could live during big renovation projects but also had to clear out themselves for the duration.

Look, our financial pockets aren’t deep. We’re addressing my lifetime savings, unless my novels somehow turn out to become blockbuster bestsellers, even at this late date.

Taking more than a few deep breaths, then?

Adam hit the ground running.

At the end of Day One.

And Day Two.

Once we were underway, I was impressed by the measures that were taken to minimalize the spread of dust and debris and I would like to acknowledge those.

The zipper doorway to the second floor was the first step. And when working on the main floor, Adam erected clear-plastic envelopes he could work within. Made me think of the so-called “state rooms” on the historic schooner I sailed on last summer, where every inch was treasured. Adam’s power vac became a familiar sound.

It wasn’t the only place he was fastidious. I would never get my sawing accurate to 1/16 of an inch, especially not when dealing with an old beam underneath that was a half-inch shorter on one side.

Do note, a lot of unsung artistry goes on in projects like this. As well as a lot of weird shit, done by rank amateurs, those whose weird decisions you discover along the way. Long ago, on projects on our little city farm back in Dover, we realized there are many, many very good reasons for modern building codes and for the inspectors who ensure they’re followed.

Also appreciated were the health measures of venting the upstairs or wearing earplugs and a face mask. Our previous carpenter, back in Dover, discovered the hard way about the alternative, hearing loss, and maybe the lungs, too. I don’t know what to advise about plumber’s knees, either.

By being able to be present when all this was happening, I did get to follow the action. I’ll hope you, too, finding that entertaining.

Hard to believe, but it’s really happening

With a sense of despair regarding the roof project and our lack of a contractor on the horizon, we went ahead and set about erecting raised garden beds for what would be my third summer of dwelling here. We would try to leave some space for a contractor to get at the house, should we ever, ever, find someone.

During one of the inevitable conversations with passers-by while installing the garden and its fencing, a trusted neighbor mentioned that she had just had some carpentry done by a former student, someone who had returned home after living and working away. She gave us his name and phone number, and an introductory conversation followed.

Yes, he could do the project, and he thought in could start at the end of August. I was startled when he said that was the upcoming August, not a year off. Could it truly be?

Naturally, there were delays while he wrapped up some other commitments, but we did find ourselves in a stunned state of disbelief when work finally began in earnest at the beginning of this past October. We finally had a contractor who not only showed up on the morning he promised, but also on the dot of the hour.

He hit the ground running, methodically, precisely.

At the heart of our big project is a new roof on the house. Not just the asphalt shingling, which itself has needed replacement – we could have found someone to do that – but the actual shape of the supporting rafters themselves. To gain much-needed interior space, the walls on the second floor are being raised. That structural work’s the complication. And how, as you’ll see.

When we were considering making an offer on the house, we were told to check out the rafters for signs of charring, a consequence of the 1886 fire that destroyed the canneries, wharves, and downtown. Sure enough, ours was one of the homes suffering damage though left standing.

A few weeks before starting on the renovation, our contractor stopped by with his mentor slash consultant for a closer look. More concerning, from their point of view, was the lack of a ridge beam. The rafters from each side were simply mitered together. In addition, they were further apart than current coding would permit.

Our project would be taking place in two phases – the back half of the roof last fall and the front half in the spring. Without a ridge pole, there was nothing to hold up the remaining half and nothing to support the new raised framing.

You’ll discover where that leads.

 

We were on hold – as in stuck – even with our money shrinking in the bank

Our gloating over our timing of selling our previous house at the giddy peak of a hot market soon darkened when we realized two nationwide tides were running against us as we tried to move ahead in our current dwelling. One was the soaring price of construction materials. The other, as inflation kicked in, was the erosion of the purchasing power of our working nest egg.

If it were only me here, I could pretty much survive quite nicely in two rooms. One of them was what I came to call my dorm, the quarters where I slept in one half and wrote in the other. The second chamber was the kitchen. That left our north parlor, with the video screen and two sofas, and the south parlor, as a guest room and storage.

When it’s been two of us, the space situation became more problematic, especially with just one small bathroom.

We still didn’t need the upstairs for much, except when others visited. We certainly didn’t want to pack in too much storage until the new roofing and reframing were done. Everybody we approached about the overhead project was booked out a year or two ahead, and most of them declined to commit to another. One who promised to the job then backed off for a season, so we waited, only to be ghosted in the end.

Whether it was just me here or maybe four of us fulltime, the overhead work and much more needed to be done. It couldn’t be put off forever.

In the absence of a dependable contractor, we did inch ahead on a few fronts.

One was a large garden shed that cost us half-again as much as it would have a few months earlier. I can joke that it’s my new barn, though it’s not red and is much, much smaller than the namesake for this blog. Still, it’s surprising what a difference it makes – almost like a garage without parking for a vehicle or two.

Another concern was a classic wood-burning cookstove that occupied the heart of the kitchen and was an inefficient supplemental heat source. Besides being a major weight on our sinking floors, it had a stovepipe feeding downward into our surviving chimney, which was also used by the furnace, a violation of current building codes. I saw the stove as a both fire and health hazard. It had to go. Distinctive it was, both as a liquor cabinet/bar and as a fun place to stash junk food and other treats for visiting family to raid, I’m glad it did find a new home, as I explained in Chief Doe-Wah-Jack’s Pride and Joy, June 10, 2022.

And then, as you may have followed here last year, we went ahead with some raised garden beds. I do wish you could have tasted some of the harvest, and I’m happy to repeat that the ravenous deer around here did not penetrate our improvised barriers, unlike the previous summer at the community garden.

Living in these conditions has carried a sense of camping. You know, as in not quite permanent. I haven’t even described our makeshift kitchen setup or the rain dripping inside windows or the cramped, windowless bathroom.

All the same, I can say I’ve never felt as much at home as I have here. Maybe that has something to do with the abundant natural light in the first-floor rooms. Or maybe with my life in general. Or maybe the lingering good vibes of Anna M. Baskerville. Or more likely, all three.

But that couldn’t go on forever. Repairs and renovation needed to be done, if only we could find an available superman. I mean, this is my fourth winter in this place and I wasn’t the only one aging. I could sense it in the walls, too.

Hope I’m not sounding whiny.