AND NOW, FOR A COVER!

Thanks to everyone who responded to my earlier invitation for comments regarding a few possible covers for my newest novel.

The survey ended in mixed results and prompted some heated in-house discussion, ultimately sending me back to the drawing board for a more compelling design.

Just what do we want as a cover, anyway? Are people’s faces a help or a distraction? Does a jacket work best if it somehow reflects a scene in the story, as my earlier mock-ups attempted to suggest? Or is reaching for a less constrained, emotional reaction more effective?

What’s Left

As you see, I’ve opted for the later. Here the image invokes a sense of being broken out from a protected shell and falling through space. It’s also appropriate for a family that owns a restaurant – food being a theme running throughout the story. Will this cover encourage a browser to open the book to discover, in effect, just what happens to the yolk? Where it will land?

That, of course, is my goal. To see if it fits, go to Smashwords, where you can order your own Advance Reading Copy for free. The offer will expire after 90 days, when the first edition comes out at $4.95, so act now.

Your early reactions will be most welcome in preparing for that release.

PRELUDE & FUGUE 28/

an elephant with flowers painted
around the eyes and painted toenails

four zebras sipping water

*   *   *

luxurious green tent on safari white bone
ornaments through noses armed for the hunt
and cocktails already served
three African bushmen in a field of wrinkled flesh
eyelid (the elephant) the rain
is needed, sticky or no sticky (unlike the rhino)

zebras, black and white in a splash of vibrant green
with netting over the bed
luxurious green tent on safari white
bone ornaments through their noses
armed for the hunt and cocktails
already served three bushmen in a field
of wrinkled African flesh, an eyelid (the elephant)
the rain is needed, sticky or no sticky
(unlike the rhino) zebras, black and white

in a splash of vibrant green            with netting
over the bed’s luxurious green safari tent
white bone noses armed for the ornamental
hunt cocktails served by three bushmen
in an African field of wrinkled eyelids needing rain
sticky or no sticky the elephant (unlike the rhino) or
zebras, black and white in a splash
of vibrant green netting over the bed ornaments

beasts leaping from dust into a tropical river
before a tiger atop a car spirals between
four zebras sipping water the way
a camel’s nose runs ahead of its mouth:

the hairy trunk and mouth of an elephant, so spotted
forages on hind legs, trunk and tusks upraised to the tree

the elephant with flowers painted
around the eyes and painted toenails
still leaps from the dust into a tropical river

a camel’s nose runs ahead of its mouth from hind legs
upraised to the tree in front of the tiger
atop a car of spiraling spots

the hairy trunk and mouth with flowers painted
around the eyes guarding four zebras sipping water
and the foraging beasts leap from dust into the river
running ahead of its mouth

a camel on hind legs, the tree painted with flowers
and toenails a feeling of life finally coming together

atop a car, four zebras leap from the dust
into a hairy river and forage
a feeling of life finally coming together these days

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

ESPRESSO FIT FOR THE GODS

With a holiday touch.
With a holiday touch.

Vittorio’s in the North End is famed for its espresso and pastries. With Mercury as one of the coffee makers, you can see why the neighborhood is also renowned as Little Italy.

Boston is a rich and varied destination – the Hub of New England, or the Universe, as they used to say. Living a little more than an hour to the north, we’re well within its orb.

CURTAINS

to embrace something with the wisdom of the final round

people crowding the boulevard in Baltimore
to watch Robert Kennedy’s funeral train pass
overhead

in that portrait of seven famed figures
Annie, turned to stone under a blue-jay feather

how that small town in snow looks more like Pennsylvania
or Midwest
than New England

Blake, the Muggletonian and lithographer
the surviving Beats portrayed
as Ginsberg tying a shoelace

would see something with the sharpness of the first time

all that baroque light over a cathedral altar
the cumulus effect
enveloping a solo deer

naked
in the garden
awaiting snowfall

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

PRELUDE & FUGUE 48/

with fiddles and crows
tracing a map of yellow leaves

*   *   *

on a map of frosted snow
three crows with their fiddles
in the crown of their living

of a rock face map, frosted snow
three crows with their fiddles
in the crown of their living rock face

on a map, frosted snow, three crows
with their fiddles in the crown
out of their rock face, tracing some life

 atop scree, another one at the bottom, wintergreen

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

QUINCY MARKET IN LIGHTS

Thousands of lights.
Thousands of lights.

Each year the city of Halifax, Nova Scotia, commemorates its gratitude for relief Boston extended in the aftermath of a deadly harbor explosion in 1917. The Canadians deliver a large Christmas tree, which is then erected and decorated in the heart of Boston.

The lighting itself is quite an extravaganza, as I learned the first time my choir participated in the event at historic Quincy Market. Imagine seeing yourself on the Jumbotron while you sing.

Boston is a rich and varied destination – the Hub of New England, or the Universe, as they used to say. Living a little more than an hour to the north, we’re well within its orb.

A perfect combination.
A perfect combination.

SPIRAL SHELL

reading the inscription on your tombstone

an abandoned road soon becomes impassible
except on foot or horseback

dumplings, broiled, steamed, and fried involving pork, chicken,
Chinese cabbage, tofu. more ginger and any amount of
garlic, scallions, bamboo shoots, and water chestnuts

a bronze bespattered snake
coils elegantly
through an alligator-skin sandal

nothing funny about us, just practical and direct

“maker dressing toe,” she

she was so bold

a mechanical hand made of maps and a yardstick
SHAKE

Edward Steichen’s portrait of Leopold Stokowski in profile

a human heart just one shade redder

a place to savor and crave

mechanical dancing dolls
shaving pennies

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

PRELUDE & FUGUE 50/

sprawled on the floor, a barefoot bride without makeup

*   *   *

along with a martial arts master sprawled out
on the floor a barefoot bride without
makeup everyone you knew thought
it only a fragile joke and then

you pulled the trigger: blood runs
toward the tub drain what made you think
I had any clue what was afoot? martial arts student
sprawled out on the floor, a barefoot bride

without makeup, everyone thinking it only fragile
joke blood running toward the tub drain what
made you think I had any clue what was afoot?
a martial arts master sprawled out on the floor

a barefoot bride without makeup everyone you
knew thought it was only a fragile joke
blood runs toward the tub drain? what made you think
I had any clue what was afoot?

kick higher, kick higher
from the floor

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

CAKEWALK

a trio of Asian dancers

a topless dancer in a red mask
squats with a white banner

a ring, as wholeness
allowing the hole
that opens opportunity

white laundry in autumn yellow

have enough for us, the good steward

tide marsh as a frosted tangle

the luxurious interior of a log cabin with plank floors and rag rugs

an old-fashioned downtown with springboard

harvester in corn surrounded by golden foliage

while I start

packing for the extremes
of Florida and Lake Michigan
in winter

after our first weekend
briefly, the duration of that leap

perchance a woman more serious than me
should be packing for

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

PRELUDE & FUGUE 49/

to lovers who were never quite present

*   *   *

good-bye in the night who never were lovers
repeatedly saying good-bye in the night
who never were lovers repeatedly saying
good-bye in the present night who
never were tubercular contortions or squiggles
good-bye tubercular squiggles to lovers’ night
repeatedly saying never quite contortions
squiggles repeatedly saying good-bye
to lovers never quite tubercular night

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.