OVERLAPPING OR UNCONNECTED CIRCLES

My daughters are quite fond of Venn diagrams as a way of analyzing situations, and lately it’s had me thinking about the Society of Friends, in an abstract sort of way. And from there, it’s had me thinking about a lot of other applications.

Let me explain.

To make a Venn diagram, you begin by drawing a circle to represent something. For example, if we’re looking at a group of people, we could draw a circle to represent families with children living at home. If a large proportion of the members fits this category, we’ll make a relatively large circle. Next we can draw another circle to represent households with children living elsewhere – say off at college or raising children of their own. There might be some overlap to show families who fit both categories, as well as no overlap for others. But a third circle of members who have no children at all would stand entirely apart. Adding another qualifier, such as “members living in Dover” or “households living under the poverty level,” would have us draw a circle that would spread over sections of the other three, and its size would reflect the amount of dual identity; often, we would shade that swath to help it stand out graphically. The emerging diagram begins to give us new perspectives on what had originally been defined by the single matter of membership, and we can begin to adjust our programs and mission to better match its needs.

*    *   *

Ideally, I’d say, Friends have assumed that the local Quaker meeting, as a community of faith, would emerge as a set of concentric rings, like the ripples radiating from a single pebble tossed in a still pond. At the heart of it would be our individual faith experience, surrounded by meeting for worship, meeting for the conduct of business, family, the body of Friends as Monthly, Quarterly, and Yearly Meeting, community, occupation, and larger society. In that, we would be in a state of essential unity or even Gospel Order.

In reality, of course, we’re much more like a handful of stones tossed out, and each of us creates a different set of ripples. They overlap for us, because we’re radiating on the same pond we call Dover Meeting, at least where I am. Conceptually, though, not all of our circles are radiating out across the water. Imagine instead that some are angled out into the air – our jobs or classrooms, for instance, or families where one spouse is active in Meeting and the other is not. This is certainly a much more complex model, leaving us many possibilities for being disconnected with the rest of the surface.

Looking at Meeting itself, and expecting the Meeting for Worship and/or the Meeting for Worship for the Conduct of Business to be our central focus, we might expect to see a host of other circles all converging on that point, to create something resembling a flower. Looking at attendance at Monthly Meeting, however, I would suggest some other model would be more accurate, and maybe some of the circles do not touch each other at all. Indeed, some people observing Friends Meetings have suggested there are circles with no overlap: Christocentric versus universalist, or social activists versus spiritual monastics – or whatever. What moves and motivates one Friend may leave another untouched. Still, where exclusivity is perceived, I would urge us to look closer, to find elements where overlap might actually exist and where the remainder of one circle might energize and support the remainder of another. I believe there we will find the key to a revitalized sense of urgency among Friends, and the ability to shake the earth for miles around.

*    *   *

The reality is that none of us identify ourselves by a single category. We apply many, and some are more important than others. For example, I’m a Quaker and also male, married, stepdad, retired from full-time employment, a published poet and novelist, a so-so baritone in a very fine chorus, a contradancer … well, it becomes a very long list and in my daily actions, some of my interests overlap with those of others I encounter.

My wife and I love those parties that mix three or four circles of very interesting people and then seeing the interaction that ensues. When it works, everyone seems to come away enlivened and enriched.

In a way, that’s part of what I’ve been trying to do with the Red Barn. Yes, I do try to rotate the entries among my 11 categories each month or so – American Affairs, Arts and Letters, Home and Garden, Newspaper Traditions, Personal Journey, Poems, Poetry Footnotes, Personal Journey, Postcards, Quaker Practice, and What’s New. But in reality, there’s a lot of overlap. The Home and Garden projects often stimulate the Poetry, while Newspaper Traditions often reflect American Affairs, yet Arts and Letters may emerge from my Personal Journey or Quaker Practice. And Postcards, meanwhile, reflects whatever shows up in the camera. Hopefully, each reader, initially attracted to one category, may soon be following the others.

See how our circles overlap? Or, for that matter, even enlarge.

GOING PUBLIC

Writers and artists who work alone may know the feeling. It might even fit composers, playwrights, and screenwriters. A piece looks quite different in manuscript or the studio than it does in a small-press journal or small gallery. It looks different, again, in galley proofs for correction or an exhibition. And it’s altogether different in full-length book publication or a major museum.

We could even consider all of the varied emotions that accompany these stages.

When the published novel’s in my hand, I’m not even sure I’d recognize its having any commonality with the manuscript or drafts all those steps earlier.

I suspect the experience for performers – especially those in groups – goes another direction. The rehearsals build a teamwork that’s carried forward to an audience. Could there even be occasions when the finished result is less satisfactory than some points beforehand?

We talk about a creative process, but I’m left acknowledging there are many.

END OF THE LINE

Maybe the last of the high-visibility newspaper chiefs was Dave Burgin, an abrasive, volatile, but brilliant editor who began his legendary career at the New York Herald Tribune in 1963 and then went on to head a dozen-and-a-half major metropolitan daily newspapers, most of them already in their death throes, ranging from the Washington Star to the Orlando Sentinel (his one big success story) to the Dallas Times Herald to the San Francisco Examiner (where he was fired – twice) to the Oakland Tribune. Of course, it’s hard to leave a lasting impact if you don’t stay long in any community.

Still, one boss I had always returned in amazement after a visit with Burgin. Said he was the only person in the entire business with a real vision for a future or the changing needs of younger readers, along with the reasons they were avoiding newspapers en masse. He, too, saw the value of the weird comic strip “Zippy” for his Bay Area readership and was willing to run it page-wide on Page A2. Not that it would fly quite the same in Dallas.

One of his lasting bits of wisdom was the question, “What do I have in the paper today that will bring a reader back tomorrow?” I’ve looked at a lot of newspaper copy with that question over the years and felt we were missing the answer.

Actually, it’s a good question for a lot of businesses. I think it’s even a matter of getting down to the basics.

FREE OF THE ENTOURAGE

Most newspaper writing and editing is done is large, open newsrooms rather than small, private offices. It’s amazing to think anyone can actually concentrate and work amid the surrounding mayhem, especially when the scanner is blaring police and fire dispatches and the television’s on overhead. (Well, I took to streaming opera and music by living composers to blot out that hysteria.)

Still, a few management-level editors had offices, and we’d get visitors who’d head there or to the conference room for private meetings. Usually, the men would be in navy blue suits, along with a woman or two in high heels. That is, they’d arrive and depart as a team. Since New England Cable News also had a presence in our newsroom, I’d sometimes get a phone call from my younger daughter, the political activist. “Do you know who’s standing behind you?” No, I hadn’t looked. I was too busy working. And she’d call out the candidate’s name.

Not that they were all politicians. Sometimes they were business executives or lobbyists of one stripe or another. Even the writers and artists seemed to travel in packs. And often a face would look familiar, but I couldn’t quite place it. Let me add that many of them look quite different in person than they do on video.

Late one afternoon, though, I looked up from my terminal and noticed a dignified solitary personage striding into the room. He was taller than I’d suspected but the face was one I soon identified. David Broder, a Washington Post columnist my college professor had called the best political reporter in the country decades earlier, an evaluation that remained dead right.

I didn’t interrupt with a greeting as he walked past. Respected his space and thinking. But I was far more impressed than I’d been by any of the celebrities who had posed behind me.

RAT-TAT OSCAR

The title of a chapter in Bill Adler Jr.’s Outwitting Squirrels says everything: “Know the Enemy.” (My copy was a Christmas present, one of many squirrel-related items the family wraps and presents me, in their own vein of humor.) While Adler’s focus is on the difficulties squirrels cause bird feeders, including me, the bush-tailed mammals can be a homeowner’ nemesis – “tree-climbing rats,” as one friend insists – causing a number of fires as they gnaw through wiring and insulation. Ditto for the electrical utility.

In combat, however, one side can begin to resemble the other: their actions and thoughts parallel and overlap. A canny devil may even earn respect.

Many of the poems in a series I call Rat-Tat Oscar poems originate in my encounters with squirrels as part of my second marriage – evicting them from the walls of the house, from their raids on the bird feeders and garden, and eventually from the haunts in the barn – and are spurred by my wife’s quip, watching me transport them away in a Have-a-Heart trap, that I was operating a squirrel taxi. They can drive a man to madness or violence.

The poems also draw on annual Christmas letters to friends and family over two-and-a-half decades, turning the encounters to a would-be squirrel’s perspective. Of course, my wife and children will also insist I’m often more than a tad squirrelly.

Surprisingly, there’s not a lot about squirrels in mythology. Maybe the most prominent one is the Norse Ratatoskr, along with a handful of Native American stories. Maybe they had as much trouble making sense of squirrels in the universe as I do.

OPA!

The Friday and Saturday of every Labor Day weekend here features Dover’s Greek Heritage Festival, which is much more than a fundraiser for the Assumption Orthodox church.

It’s more a community-wide FUN-raiser, with traditional food (the teenage workers in the kitchen, reflecting the instruction of patient grandmothers, is something I wish we had in our own congregation), conversation and mingling, cultural displays, crafts for sale, and best of all, live music and dancing.

But oh, my, am I really there dancing in that YouTube clip? All the dancers wearing white aprons, by the way, had dashed out from the kitchen, taking a break before returning to the cooking and cleaning. But, heavens, I still look like a New England contradancer. Lighten up! I really was having fun, but I’ll promise to stand straighter and smile more this time. OK?

STROKE OF GENIUS

“Do we have any cream rinse?” I asked, heading for the shower.

“The WHAT?” replied the chorus.

“You know, the stuff you put in your hair after you’ve used the shampoo.”

“Oh! You mean the CONDITIONER! They haven’t called it cream rinse for decades.”

Yeah, that stuff. There I go again, showing my age. Only to be corrected by my wife and kids.

Actually, I have to admire someone’s marketing savvy, however far back. Cream rinse, introduced to me by my first lover, always sounded like an indulgence – a luxury, superfluous but comforting. (She did have silky hair.) But conditioner? Now that sounds like something you might need to counter the, uh, harshness of shampoo. Not a luxury, but a necessity, making it all the better for marketing and sales.

Just goes to show the power of one word, doesn’t it.

MORE ANCIENT HISTORY

As I said at the time, there I was, actually, admitting that about now, whenever that was, it would be nice to find a big chunk of time to work on some new poems. Hadn’t done diddly since my week in the Maine woods, back in October, years ago. Had a big project lined up, the first draft already keyboarded – but other projects intruded, including a book-length prose manuscript I tried launching with a holistic Certified Public Accountant. Most of that volume was already written, but getting her input sometimes felt like pulling teeth. Figured that one would occupy my “writing” space through May. And then it went nowhere.

Was also trying to master the new computer means that my reading time was spent mostly with those fat manuals – good thing they’re indexed! Wished I could get those damn AOL logos off the bottom of my screen, too. I shifted over to Mindspring – for now, at least. And one more thing to master, in time, this e-mail process! (Well, I was already doing my checks from the terminal, and had a lot of the genealogy input. Transferring old 5.25-inch floppies in WordPerfect 4.1 was now possible, thanks to a drive a friend installed a month ago, but very time-consuming – a lot of garbage had to be removed with S&R, a big job when you’re handling drafts of novels! I expected to be nibbling away at that well into the autumn.)

As I was telling a certain woman in the midst of all this:

OK, you do have me reading the celebratory Poppy Z., at least in snippets as I find time. A month or so ago, I turned to one of the Goths in our poetry circle and mentioned there was an author a ‘zine editor-friend of mine out in Chicago raves  about, and somehow one piped up, “Oh! Poppy Z. Brite!”- so there you have it! (My friend, by the way, is in N’Orleans for Fat Tuesday and some recovery time thereafter – but I sense it’s part of a much bigger story I shan’t touch on just now, except that it looks like all the nasty fallout.) What impresses me most with PZB right now is how masterfully she handles dialogue – especially with seemingly inarticulate people. How evocative it is! (Envy time.) Since you have been smitten by N’Orleans (as, somehow, has a colleague at the office – again, another story), I must recommend an astounding novel by John Gregory Brown, Decorations in a Ruined Cemetery, which kept me up most of one frigid night in that cabin in Maine – as logs roared and sizzled in the fireplace – a box of Kleenex by the finale is advised, too – a real vortex of history, place, and those realms of caring for others that sometimes can never be spoken directly. By the way, did you catch the Streetcar Named Desire opera telecast on Public Television? Andre Previn’s music somehow intensifies an already sizzling text, and the casting would do Hollywood great. Less than a week after it was aired, I found myself spending an afternoon with a Cajun welder and his wife, whom my companion for the day had told me was involved with another man. Talk about things that cannot be spoken directly!

At any rate, much of your prose delves into matters that are generally not spoken directly – especially by a woman and by one who is still at an age when they are fresh! Matters of sexuality immediately stir up conflicts – lust versus love, power balances and reversals within relationship, passions/desires/dreams, promises and betrayals, egos, appetites, aging, vulnerabilities, layers of intimacy or distancing, pleasure/pain dimensions, possessiveness/freedom, giving/taking, nurturing/devouring. And that’s before we even touch on money, time, labor, wealth matters – the stuff that triggers most divorces – or questions of child-rearing or larger family interactions.

My, how much we had stirred up at the time! And how much lingers …