BUT TO KNOW OTHERWISE

In this environment I encounter many birds I can’t yet identify: stellar and Clark jays in addition to magpies, much less the common raven I’d thought a crow. Meanwhile, the cardinals, warblers, and finches I knew back east are memories. Even this landscape contradicts my usual referents.

The mailman delivers a long letter from a friend who confesses that sometimes an hour passes before he puts his first word down on paper — something I’d never guess, for his lines flow so naturally. I assumed they originated effortlessly. But to know otherwise?

Don’t force it, as Kokopelli cautions. Wait for the energy to gather.

Keep the pathway clear.

For more insights from the American Far West and Kokopelli, click here.

HEARTBEAT

she’s the one with the comb and scissors

the fruit of my womb

for her thirteenth birthday
she wanted a rented limousine
six hours, unlimited mileage, to sashay

through the Mystery Cafe “where murder
is always on the menu” but even then
adjusting our calendars was the killer

maybe I’d appreciate the suggested list
to just pull the trigger
against Mother Nature and Aging

what I was fit to tap out this evening

please stay tuned or advise with directions

crazy for lovers

Adam and Eve at puberty, separated by a large apple

a red candle-lit cloud kiosk on Copley Square in Boston

let you peruse the 

apple perched on a suspended steamer trunk

a map of European geology free of political borders

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

PRELUDE & FUGUE 39/

a dingy moored on still water
dancing to Bix tonight
in front of the boulder and island

*   *   *

in front of the boulder and island
moored on still water
spires, houses, and the brick millyard
red between granite

a dingy in front of the boulder and island
moored on still water spires,
houses, and the brick millyard

red between granite
a dingy
in front of the boulder and island
moored on still water

spires, houses, and the brick millyard
red between granite
a dingy

dancing to Bix tonight in a blue lake
against mountains reflected foliage
along a green river moose drab
on a sandbar amid dancing to Bix
tonight foliage along a green river
in a blue lake against mountains moose
amid reflected sallow dancing tonight
foliage along a green river, Bix on a sandbar
looking down from the hill in blue
lake against mountains dancing
to Bix tonight moose dun foliage along
a green river sandbar in blue mountains
against moose reflections looking down the hill

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

UPDRAFT

This is desert. And logging country, too, where the best place to find loggers is in a bar, any bar. Just listen.

“When I’m real loose, I like t’dance t’country-westron music. Out seven nights a week, then a month without any. Can’t work anyplace but woods. Done everything but hemlock. Started skidding horses in Colorado. Now driving a diesel Ford. Not much time for thinking. Slick roads, sharp corners, dumb ladies in the way.”

Here’s how it works, as Kokopelli and I play along.

“Aim a load down logging roads and then highway t’ the mills. A thirty-, fifty-mile stretch each way, four to six times a day while the CB chatters.

“Every spring when the ground’s too wet, the Forest Circus shuts ya down, the heavy equipment breaks the roads.

“That’s our vacation, three months off, taking unemployment.

“Head for Hawaii, Reno, or Vegas. There’s no money in mud. So ya take care of yard work, fix the house, prune the orchards.

“Successful loggers have expensive hobbies like race cars or airplanes. Mechanics, anyway.

“The drought will cut our pay in half. They’ll keep us out. Fire hazard.”

As they say.

Kokopelli tells me doors define a room, more than walls and roofs. Tells me to see their potential. An opportunity to spy or exit at will. Or interrupt. Doors with keys invoke power. Ownership. Think of all the doors in Versailles.

For me, the greatest freedom comes outdoors or while playing a dance with Kokopelli. Now the cat wants out.

Decisions are doors, too. Take style and size. Standardization leads toward smallness. Once, they were French-doubled or twelve-feet tall. Bronze portals to cathedrals. Red doors and oak doors. Lacy castings for an office. Frosted glass at the bank. Now they’re internationally uniform. The small millwright goes under, as well as local characteristics.

When the cat went out, my wife came in. Everybody seems to like her. But I see her other side, when she’s really destructive. I want to scream.

Instead, I blurt out, “To hell with the dark stupidity of their Christian indoctrination! Bring on wild goats! Pan pipes! My roaring conch will shake the walls of this slumber!” I have no idea what prompts that thought. Why Christian, other than the fact it’s the predominant religion in this country? Just where would a person start without any teaching? Most likely, I meant dogma, which I see repeated with only a superficial understanding. But that could apply to any faith tradition, couldn’t it? So just what am I fleeing? And what do I really hope to find?

Maybe it’s a door. Or a corridor. A cavern. A current of water. A trail. A strait gate with a narrow way.

Choose one. And then enter.

I want full awareness. Experience, rather than theory. Ecstasy, especially. For whatever reasons, I veer away from the Judeo-Christian prophetic stream and toward the shamanic traditions, wondering whether the Siberian word shaman arises from the Pali samana, for holy man. I accept the argument that meditation grew out of primitive hunting, the waiting for the game, the belief that game is supernatural, requiring supernatural aid. I must remember to thank the trapped bear, if the time comes. “Boy, do the local elk hunters have a lot to learn,” I whistle — me, who’s never gone hunting.

Kokopelli raises one arm as if he’s holding a rifle. Then, with his other hand, he pulls a trigger. I think he felled what he wanted.

“Yes, hunting antedates farming,” I whisper to no one but him. “See that, Cain and Abel!”

Maybe that’s why I’ve come so far west, just to see the sunrise.

But just as there’s light, there’s also darkness. Trust and distrust.

List the names of deities. As for a supernatural trickster, Mara or Maya seems to relate to Satan, who in turn relates to Coyote. Now for Pan!

Arcane teachings. I consider delving into palmistry, followed by astrology, Tibetan texts, more deeply into Tantra, and back through meditation. If only my paying job didn’t requiring more and more of my time, I might pick up the thread from hunting, tracking holiness through food traditions. The balance of feasting and fasting. The importance of prohibitions as strengthening the ability to say NO as well as reinforcing a group identity. “So what kind of vegetarian are you?”

Kokopelli reminds them this is desert. If it weren’t for irrigation or berry-picking trips to the high mountains, you’d starve.

For more insights from the American Far West and Kokopelli, click here.

ALSO FLOWING TOWARD THE MERRIMACK

just a warning, of Concord, revolution or dancing
the bridge or the barn, different eras
come, swim across the pond, watching
a commuter train race along the wooded hilltop
a shot, yes, by the river a bronze Minuteman regards now
with its great writers buried in its bosom
maybe you expect a great calm while packing
or overlook the state prison and traffic rotary
pressed together, “a port of entry and departure”
all of these pages, yes, being “bubbles in our wake”

~*~

the temple wall folds
to the green river
of migrating salmon

its unbroken factory façade
springs from gravel
not here or there

with the neon lights, if you would
export calico
or denim
from a carp pool

To continue, click here.
Copyright 2015

MONUMENTAL ERRORS

As I would have said at the time: Note to folks living below the Mason-Dixon Line: It’s time to remove the Confederate monuments. They look too much like a sore loser.

Let’s remember, those shafts (at least the ones I’ve seen) have to be offensive to every descendant of every slave in America.

Think of all the German-Americans who never erected Kaiser monuments in honor of their dead kin. Japanese-Americans who could have placed Hiroshima/Nagasaki reminders. Italian-Americans, with Mussolini railroad efficiency. Vietnamese, Native-Americans, French?

It’s one thing to respect the dead, but this has felt defiant. From my view of history, it was a rich man’s war fought by the poor who continued to suffer poverty long after. Including many of my ancestors.

Now, what do I make of the statues of Civil War soldiers found on every town green in New England?

The wounds linger, don’t they.

HOT TUB ORACLE

I never intended to live there as long as I did, in the rented townhouse in what I sometimes called Yuppieville on the Mountain. But it must have suited me during that decade of waiting and searching, my anticipating true love and a long-desired relocation into permanence. Besides, it was convenient to the office. Admittedly, I enjoyed using the whirlpool in the clubhouse, soaking in the hot water while watching snowflakes drift down on the other side of the display windows; besides, at that time, the complex was still surrounded by woodlands. Lest it sound too idyllic, let me also acknowledge the dumpster parked beside my unit was frequently overflowing.

The poems in the resulting collection arise in that experience of transient proximity, which has become so much a part of the American landscape. The poems themselves are a kind of side street from other works I was drafting and revising during this time. Still, they make me examine what was right in front of me, all the same.

The series closes my collection, Rust and the Wound. To read the free ebook, click here.

LOOKING FOR WIDER CONNECTIONS

My wife, meanwhile, has her own perspective. “Many people think this valley can prosper in isolation, but let me tell you, the local museum indicates otherwise. It’s filled with Pennsylvania long rifles, Ohio flint, a New Hampshire stagecoach, antique cars from Michigan, pianos made in Indiana, Connecticut pistols, even Illinois farm implements. Everybody came from somewhere.” In her case, South Carolina.

Taking her up on the invitation to tour the exhibits, my wife paid special attention to local Indian basketry and beadwork. “Over time, their artistry was pathetically stripped down to resemble coloring books,” she told me afterward. “The gift shop sells greeting cards from Iowa and crafts from what the sales clerk said was ‘Berea, Virginia.’

“Virginia? I replied.”

“The college there.”

“Oh, you mean Kentucky!”

“‘Kentucky, then,’ she said, as if it’s all the same.”

I understand the scowl. “I notice, around here ‘Easterners’ seem to come from such ‘seaboard’ states as landlocked Nebraska, Kansas, and Illinois.”

“That’ll be news to them,” she grins. “Bet they never thought of themselves as Easterners, either!”

Infinite misunderstandings continue, tit for tat.

“Even so,” I say, “this is big sky and cowboy spreads. Even these treeless foothills ignite something in my airy nature. I hope this elation never ends.”

An elation, at least, when I’m out of the office.

I look forward to tonight’s gig with Kokopelli.

For more insights from the American Far West and Kokopelli, click here.

BRAINCHILD

a feathered and furred woman
bare shouldered, face painted white
black mouth and black exaggerated eyebrows
a black veil over her face

where is the balm?
the salve for stinging nettles?

potted plants on a white mantle

a bowl of sprouts atop a handwritten note
spread over a blue napkin

richly patterned fabric
behind a waxy flower

a pile of Valentines

reeds and songbirds
home is a refuge or should be

a bar of soap wrapped in pale-tea ribbon
a hole cut in a painting left open with crossed ribbons

two men in an open briefcase, as dolls torn apart
so many screws and nails and tense threads
for connections

a barn owl in front of a red barn

a red house with shiny metal roof in the woods

red hen, red comb, red alarm

Bright day in the valley

Lincoln’s Indiana legacy
in a place that couldn’t support a used bookstore

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.