THE PRIEST’S WIFE

The celibacy expectation for their priests and monastics leaves many Roman Catholics perplexed when they hear of the married ministers of their Protestant and Anglican/Episcopalian neighbors. Sometimes this is seen as a question of whether a pastor is able to focus all of his attention on the work of the church without the distractions of family life – or, on the other hand, the ways that family service enriches his ability to understand and counsel the members of his congregation.

(Yes, I’m aware of the male pronoun there – we haven’t touched on the matter of the ordination of women in many of those Protestant and Anglican/Episcopal churches, contrary to Roman Catholic strictures.)

While the focus is usually on the pastors, the condition of their spouses is typically overlooked. Are they fully members of the congregation or are they somehow set apart? They’re definitely in a spotlight and held to a higher standard than the rest of those in the pews. In addition, many congregations assume the spouse – usually the wife – will function as an enthusiastic unpaid full-time employee of the church, either as an unofficial co-pastor, minister of music, choir director, secretary, or some other visible role. Whatever the ultimate definition, it’s a high-stress situation to fill. Not all marriages survive. As one former pastor told me, “My wife said she married me, not the church.” For him, to take another pastorate would have led to divorce.

To add insult to injury, they’re rarely accorded any open recognition of the duties they fulfill, much less given a place of honor. Their husbands are typically addressed as “Reverend,” for starters. As for the wives, though? Only Mrs.

In contrast, the Eastern Orthodox introduce a fascinating alternative. While the priesthood is reserved for males only, they are allowed to marry – if they do it before ordination. The last year of seminary, according to the story, is a time of intense courtship. (Otherwise, it’s celibacy.)

As for the wife? In Greek circles, she’s accorded the title presbytera in English, drawn from priest or elder. Among other Orthodox, similar titles from their native tongues.

Of course, now I’m wondering how it plays out in practice.

CURTAINS

to embrace something with the wisdom of the final round

people crowding the boulevard in Baltimore
to watch Robert Kennedy’s funeral train pass
overhead

in that portrait of seven famed figures
Annie, turned to stone under a blue-jay feather

how that small town in snow looks more like Pennsylvania
or Midwest
than New England

Blake, the Muggletonian and lithographer
the surviving Beats portrayed
as Ginsberg tying a shoelace

would see something with the sharpness of the first time

all that baroque light over a cathedral altar
the cumulus effect
enveloping a solo deer

naked
in the garden
awaiting snowfall

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

PRELUDE & FUGUE 48/

with fiddles and crows
tracing a map of yellow leaves

*   *   *

on a map of frosted snow
three crows with their fiddles
in the crown of their living

of a rock face map, frosted snow
three crows with their fiddles
in the crown of their living rock face

on a map, frosted snow, three crows
with their fiddles in the crown
out of their rock face, tracing some life

 atop scree, another one at the bottom, wintergreen

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

SPIRAL SHELL

reading the inscription on your tombstone

an abandoned road soon becomes impassible
except on foot or horseback

dumplings, broiled, steamed, and fried involving pork, chicken,
Chinese cabbage, tofu. more ginger and any amount of
garlic, scallions, bamboo shoots, and water chestnuts

a bronze bespattered snake
coils elegantly
through an alligator-skin sandal

nothing funny about us, just practical and direct

“maker dressing toe,” she

she was so bold

a mechanical hand made of maps and a yardstick
SHAKE

Edward Steichen’s portrait of Leopold Stokowski in profile

a human heart just one shade redder

a place to savor and crave

mechanical dancing dolls
shaving pennies

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

WANT DO YOU WANT FOR QUARTERS?

All the fat girls in town
had congregated in this Laundromat
to giggle at a skinny hippie.

When they sat, mouths agape,
stomachs bulged more than their breasts.
Everywhere, there’s a pecking order.

The manager in her blue scarf and coat
fluttered in to chase neighborhood children out.
“They mess the place up. I don’t want them.”

Kids, kids, kids, she muttered
raking in quarters – all this bitterness
robed in garments of honey and bees.

As for me, another day,
another dollar, down the drain.

To continue, click here.
Copyright 2015

WITH THE LOCO IN LOCOMOTION

My awareness of the importance of forested trails of my own sanity and balance has evolved slowly. I see two parts at work here.

First is the aspect of locomotion. I could begin with the fact I’ve never been an athlete. As a youth, I delighted in speed — as in running or riding a bicycle — or in swimming, with its parallel of flying suspended in space. But I’ve never enjoyed the repetition of exercise for its own sake, gym class was a bore, and team sports have largely eluded me. Since I existed largely within mental activities, such as science or the arts, the idea of doing something that involved a mindfulness to my own body in motion did not register with me, at least until I took up yoga after college. I could add to this a recognition that I’ve also been filled with nervous energy and general restlessness. Sitting still — and focused — is something I’ve had to learn in the course of practicing meditation and attending Quaker meeting for worship.

Second is an encounter with natural history. Somehow, at an early age, I was introduced to geology, birding, tree identification and the like. I’ve also been interested in maps and map-making. Human history, too, which often turns up as discards in places returning to the wild.

What I’ve come to appreciate, though, is largely an esthetic response in walking through places of repose. If forest trails are the symbolic ideal here, I must admit they are not the only examples. Walking miles along the Atlantic on the outer Cape Cod shoreline, for example, serves well (although walking on sand always presents an effort) or trekking above treeline or through wild meadow can be heavenly. Even a stroll through a wooded cemetery or a city park can be recommended. But I speak of forest because of its timeless nature, in both senses of the phrase; this is what this land would remain at climax, forever. Everything is in balance or harmony. There are, of course, seasonal changes, but these are within a rhythm or cycle of returning, much like the movements of a symphony played over and over. Somehow, this begins to merge with the rhythm of walking, which itself begins to pace my own thoughts and emotions. Nothing too rushed, too overwhelming: everything, one step at a time. Uphill or down, all within reach. Walking along a city street or even a country highway can induce some of the step-by-step rhythm, but the balance is off: traffic rushes past, always as a threat, especially at intersections; there’s too much commotion or stimulation; my soul’s not at rest. Look around and notice all the trash and discard, all the waste as a social illness. The wilderness, in contrast, is continually healing. “Come to the woods for here is rest,” John Muir counseled. “There is no repose like that of the deep green woods.”

For more insights from the American Far West and Kokopelli, click here.

PRELUDE & FUGUE 50/

sprawled on the floor, a barefoot bride without makeup

*   *   *

along with a martial arts master sprawled out
on the floor a barefoot bride without
makeup everyone you knew thought
it only a fragile joke and then

you pulled the trigger: blood runs
toward the tub drain what made you think
I had any clue what was afoot? martial arts student
sprawled out on the floor, a barefoot bride

without makeup, everyone thinking it only fragile
joke blood running toward the tub drain what
made you think I had any clue what was afoot?
a martial arts master sprawled out on the floor

a barefoot bride without makeup everyone you
knew thought it was only a fragile joke
blood runs toward the tub drain? what made you think
I had any clue what was afoot?

kick higher, kick higher
from the floor

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

ALWAYS SOMETHING

1

a decrepit mess / pit

put them away

a cat, a dog, an auto executioner
gone, finally, by dawn

desperate houses plunked down in rock face
where will everyone live?

2

Warren Farm’s disastrous pick-your-own corn experiment
DeMerritt Hill Farm now owned by New York City refugees
who need to make the mortgage

while I’ve planted

blueberries, raspberries, asparagus, pussy willow,
rosa rugosa
the laurel and rhododendron that didn’t survive
all mine, all the same, within some inexplicable current

3

gentleness versus meanness
anger (I’m angry all the time)

RITUAL
versus
SURPRISE

Wild Willy’s still closed on Sundays

To continue, click here.
Copyright 2015

 

BUT THAT’S NOT EVERYTHING

in the median strip of Route 17 just north of Pennsylvania
Paula and I found a road map of Fayette County, Tennessee
“you wanna talk about getting lost?”

all these vehicles entering a busy traffic circle
are just a matter of shuffling cars . as the matron confided,
“Harry and I used to go down to Buffalo” to do this or do that

careening along curving roads, I saw the moon
swallowed and released over mountains . “she’s
a nice girl who does well in school, but that’s not everything”

or we could have just stopped at a
BAR DINING ROOM
flashing in orange and green neon

To continue, click here.
Copyright 2015