Food as religion

Perhaps you know the counsel, “’Eat to Live,’ rather than ‘Live to Eat.’”

Still, a big change has occurred in America in the past half century. While the impact of organized religion has declined, a quest for a rich, even exotic, cuisine has flourished. As I posted a few years ago, dining out became the major fine art form of our time, rather than music, theater, film, or dance.  It’s the ethereal experience, the sensual transcendence, that’s the goal – ultimately, subjective rather than objective, heightened by long exposure to the field. Examples? Just look at the restaurant and wine reviews, along with their arcane or cryptic dialect.

Well, that also takes it into the realm of spirituality and religion, too, although that might also temper the feasting with periods of fasting. Maybe all of the limitations that have popped up, usually for health reasons or weight control, fit in here. It has been said that you can’t read the life of Jesus without getting hungry – there’s food or a food event at nearly every turn. (As a rabbi told me, that’s because Jesus was Jewish and in social settings, you always wind up with something to nibble in your hand.)

I’m left wondering how this translates to the home kitchen. Cooking skills, by and large, seem to be less universal than in the past, and time to devote to food preparation usually comes at a premium. Is takeout a kind of sacrificial nod to the food gods?

One thing I will say in all of the transformation. Thank God for the microwave oven.

In the comfort of my own home

Oh, the joys of online streaming! In my case, music, classical and jazz. Or when everyone else is up visiting, what we’re watching on the big screen. The one I call the wall of death, when it’s black with nothing on, or even when it’s blazing action blood, aliens, car crashes, and meaningless gore.

Yeah, I love having my beloved circle spending time in this place that’s ultimately theirs. For now, it’s like our extraordinary tides. Hopefully, I can roll with it.

Call me a fuddy-duddy, one living in a remote fishing village with a lively arts scene on an island in Maine, but that doesn’t mean I’m isolated from what I might be dialing in on the radio in Boston or New York, much less attending live. I have an ear on weekly orchestral concerts or Metropolitan Opera, for starters. And we do have some incredible live performances here, musical and theatrical, just less frequently. Oh, my, do we! Many of them are only eight blocks from home, an easy stroll.

Well, the opportunities for ethic food deliveries are another matter – even pizza. Things you might take for granted. But that’s offset by things like fresh scallops, which you’ll never eat anyplace else.

I’m not so sure how I’d feel about all this if I were exiled to some small place in North Dakota or the Upper Peninsula of Michigan, by the way. But this really feels like home.

One thing for sure. I had no idea this was my destination, back when I was in college back in Indiana. But I really have no complaints, other than trying to keep warm through deep winter.

Not to get too sentimental, but …

What is life without memories?

The most tragic part of Alzheimer’s is what happens when one crosses that threshold and leaves the connecting memories behind.

Quite simply, stories – and storytelling, one way or another – are essential. Stories are, after all, ultimately memories within human existence, no matter how fanciful or mythical.

How else do we remember where we are in the universe? Or even why?

There are good reasons we swap stories, from pillow talk on.

Cutting to the core about Wagner

Is the German Romantic opera composer the biggest successful egotist in the history of art? (He couldn’t even compose an effective symphony, yet look, he couldn’t trust anyone else with a libretto, either.)

He was definitely stuck in a Madonna/whore complex regarding women and, more specifically, women within further Roman Catholic entanglements like relics and grails and a sword or spear or two. Where was Freud? Talk about symbolism? It all gets pretty lurid, even before we get to the serious limitations regarding his immortals. I wouldn’t call them gods, exactly, but rather something more like today’s tainted celebrities and political hopefuls. What losers! So badly dressed, at that.

He definitely wouldn’t have gone for today’s fashion supermodels, either. Everything in his world is hefty, leading to some of the most sumptuous music ever. Seems nobody ever asked how he really felt about his mother. Give me some more sumptuous scoring, please.

And yes, he goes way over the top, including the seemingly endlessly boring stretches of boredom.

As Mark Twain said, he’s not nearly as bad as he sounds.

Not that he can apparently help it.

But then, as critic Alex Ross has elaborated, he’s also the foundation of Hollywood, from the plots and scenery all the way up. Think of the thousands involved in each movie and then the music.

For years now, I’ve been explaining opera as the movies of their time. Turns out to be more accurate than I imagined.

What cans’t thou say, in the midst of a popular concerto for the umpteenth time

The probing question by seminal Quaker George Fox, in a setting totally foreign to his comprehension, leads to the mystery of what makes something constantly new after any so many encounters.

Say a route you retrace daily. What do you discover for the first time today?

A spouse or a child, even more so.

And yes, a passage of Scripture or music.

Or whatever else is on your plate.

When accent marks count

Learning a foreign language includes acquiring an awareness of subtle distinctions. Oh, we really can have pity on anyone trying to navigate English as a second language!

Here are ten things I’m finding in Spanish.

  • Bebe / bebé … He/she/it drinks versus a baby.
  • Papa /  papá … A potato versus Daddy.
  • Mamá / mamaMom or mommy versus breast.
  • Esta / está … “This” versus he, she, or it is.
  • Si / síIf versus yes.
  • Hablo / hablóI speak versus he, she, or it spoke. In other words, that accent changes both the person doing the speaking as well as the tense.
  • Que / quéThat versus what.
  • Él / elHe versus the.
  • Sé / seI know versus reflective pronoun for he, she, it, even you.
  • Cómo / comoHow versus I eat.
  • Sólo / solo … With the accent, it can also mean “just,” in addition to “only.”

Of course, I don’t have those accent marks on my English keyboard or cell phone. Things can get really tricky when I’m trying to reply en Español.

Matchmaker, matchmaker, please take a bow

My novel Pit-a-Pat High Jinks gives good reasons for Cassia’s future father to celebrate once he’s finally met her mother, as he does in my novel What’s Left. She quickly becomes the love of his life, and they’re well matched.

Do you know any couples who were brought together by a sage introduction from someone who knew them both well?

~*~

Greek migrant woman at the close of the 19th century or the beginning of the 20th. How many of her customs continued?

Reasons I still love type on paper

Well, compared to ebooks and all this digital reading.

  1. I can caress it. Yes, even the texture and weight of the paper itself.
  2. Admire the spine on a shelf.
  3. Frame a page and mount it on a wall. (I’m thinking of a broadside, especially.)
  4. There’s marbling in some old editions, and end-papers. Nothing like that in ebooks.
  5. Underline and make notes as I read, enhancing the engagement.
  6. A sense of timelessness. Unlike a computer crash.
  7. Open an old book and there’s a special aroma. Hopefully not mold.
  8. Reading one works better at the beach, in full sunlight.
  9. Easier to find errors when correcting galleys or drafts.
  10. It really does feel finished.

The Achilles heel in Quaker culture  

When the Quaker movement swept through the English-speaking world and a bit more in the mid-1600s, it saw itself as primitive Christianity restored from before the time apostasy set upon the church – that is, sometime before the Nicene Council of 325 CE.

In theory, nothing could have been simpler or more welcoming than what they presented, an alternative Christianity for all, though in practice what emerged was often more difficult than many could follow, even before the disciplined rules of conduct set in.

I could lay out many of the obstacles to continuing the faith over the generations, even admitting that I wouldn’t have survived the lifestyle restrictions during much of that time, but more recently I’ve been seeing the most insidious impact was in the curtailment of emotion.

Yes, Friends were often seen as gentle and kind, but it came at a price. The Quaker culture that evolved, quite simply, suppressed any expression of anger – which was usually seen as leading to violence, which Friends abhorred – but only in recent decades has there been an acknowledgment that emotions don’t go away, and suppressing the expression of one curtails an open experience of the others. Burying anger, in fact, festers as depression, which can be glimpsed in the memorial minutes of many of the “weighty Quakes” of the past.

While moderation in daily life and meekness were encouraged, they could be performed thoughtfully or habitually without being deeply felt.

I’ve heard instances of old Friends’ reluctance to show emotion.

Greeting a son returned from wartime service with a handshake rather than a hug, for instance. My own family, several generations removed from its Quaker and Dunker (Brethren) roots, was similarly restrained. And, as has been said, the Hodsons didn’t know how to have fun. (When students at one Quaker school asked to have a fun activity, the elders had to withdraw to ponder the peculiar request and then came back with a proposal to paint a widow’s barn. An old Brethren, asked what he did for fun as a child, was perplexed by the very notion and finally replied he guessed it was bringing the cows in each evening.)

Then there’s the sly comment that passed among young Friends in the 1970s, asking if we knew why the old Quakers were so opposed to handholding. The answer? It might lead to premarital intercourse, not meaning sex but rather conversation.

There are also stories, usually told within families, of the individual who would never, ever, express anger only to have an offense fester, leading to deeply hurtful reactions in convolutions much later. You can guess, the baffling ex-mother-in-law, after the divorce, that sort of thing.

Not all birthright Friends, I should add, are so conflicted. Many I’ve known have been among the most loving individuals in my acquaintance.

But in looking at the decline of the faith over its history, I feel an awareness of the psychological undertow needs to be acknowledged, especially as we face the future.

Religion, as I see it, always has work to do to bring each person to a fuller experience of life.

What are your favorite Christmas hymns and carols?

Frankly, I can do without all of the secular holiday music, or at least most of it. I want something less contrived and commercial. Even Tchaikovsky’s Nutcracker score wears thin.

I’m not entirely insensitive, though. Here are ten I enjoy singing, especially in a choir.

~*~

  1. People, Look East: this 1928 Advent carol by Eleanor Farjeon is a joyous accompaniment when making preparations ahead of Christmas.
  2. In the Bleak Midwinter: I want to think of this as a plaintive folksong, but the words are by Christina Rossetti and the music’s by English master Gustav Holst. It catches the blue side of the approaching winter, but also the hope and comfort to be found therein.
  3. Once in Royal David’s City: If you can, go for the fully celebrative midnight mass with a full pipe organ and all five verses sung in the Anglican style that alternates soft and loud.
  4. There Are Angels Hovering Round: It’s an old call-and-response hymn that seems to have hundreds of verses, if you want to keep going. There’s no escaping the sense of togetherness when you’re singing.
  5. Fairest and Brightest (Star of the East): I first heard this in a recording by Kentucky folksinger Jean Ritchie, but it also works in formal arrangements. The text is a protest song befitting the suffering classes of the story.
  6. Nouvelle Agreable: by Swiss composer Jean-Georges Nageli, the bouncy music almost sounds like Mozart though even Native Americans near the Arctic will sing and dance to it, too. (Check it out on YouTube.)
  7. La Valse Cadienne de Noel: words and music by Jeannette V. Aguillard. What, you don’t waltz during the Twelve Days of Christmas?
  8. Traveler’s Carol: A traditional Catalan carol of coming together for the holiday. We use English by Susan Cooper in an arrangement by George Emlen.
  9. The Coventry Carol: a haunting sense of Herod’s slaughter of the innocents and of the crucifixion to come infuse this lullaby.
  10. The Old Year is Dying: a cheerful Welsh piece to welcome the New Year. Again, New Year’s Day falls in the Twelve Days.

~*~

What are your favorites?