Perhaps you recognize a negative result in a home Covid test.
From Sunrise County to the Universe
Perhaps you recognize a negative result in a home Covid test.
Where’s this week’s Zoom link for our Quoddy Voices rehearsal?
Then I remembered we’re meeting in person.
The thought had once appalled me. Like was this the epitome of laziness, that you really didn’t bother to get dressed for the day? Or that perhaps you’d gained so much weight you wanted something that would hang loose rather than accentuate anything?
Skip ahead to retirement and then the Covid shutdown, and I’m having to admit there have been days when I’m living happily in sweats, especially in the depth of a northern New England winter.
Sometimes I even think of it as luxury, not having to venture outdoors.
Oh, what a bum I’ve become kind of feeling!
How do you dress for everyday comfort?
Even with the masks, it was an incredible experience. Appearing live in concert usually is.
Not every singer I’ve known enjoys performing in public, a situation that can be anxiety-inducing. Yes, even chorus members suffer butterflies. Going on stage or the equivalent is a much different encounter than singing together in a rehearsal space, perhaps even in a circle facing each other.
Wisely, our part of the program was shorter than usual, reflecting the Covid-restricted rehearsal schedule and our return after two years of distancing and general inactivity. Our vocal cords were rusty and have had to get in running order again.
Even after some of the pop standards I’d sung in the Boston Revels autumn equinox affair on the banks of the Charles River, I still didn’t expect to be performing a rock hit, much less a five-part arrangement that was mostly counterpoint with some wildly shifting time signatures. REM’s “Shiny Happy People,” anyone? It’s more sophisticated than I would have believed, even with a bass part that felt, well, like playing air bass guitar.
The Wailin’ Jennys’ “One Voice” and Eric Whitacre’s “Sing Gently” were gorgeous paeans to the art of vocal music made when we unite as one, in this case including singers and audience.
There was the premiere of conductor John Newell’s five-part memorial to longtime Eastport arts inspiration Joyce Weber, “Lux Aeterna.” I hope we did it justice.
The traditional spiritual “Keep Your Lamps” was lively fun with a bouncy piano accompaniment and some fine bass lines, something that’s not always a given.
Dan Campolieta’s passionate setting of Emily Dickinson’s “Will There Really Be a Morning” gave us males a chance to sit out and just listen.
The heart of a concert is the audience, somehow completing the art at hand and making it real. I’ll add there’s a parallel with a readership for a writer or poet or a table of diners for a chef.
The arts center’s upstairs performance space seats about 120, so we were close to an audience of family, friends, and neighbors sharing our love of making music together.
How can I not be looking forward to more?
We all know the boost the Covid shutdown gave to online shopping and delivery. Ordering from the comfort of home, when everything went well, could be a pleasure. For some of us, it even meant being able to find exactly what we wanted, even after we had tried without success to find the item in a bricks-and-mortar store.
Of course, it could also be exasperating, as I discovered when a promised item failed to arrive before Christmas, even though it had been ordered more than a month before, and cancellation and refund weren’t available, due to the fine print that the product was being shipped from an independent source rather than the classy brand name. It was finally delivered in February, even after I had finally got the retailer to cancel the purchase.
As we also know, not every website is easily navigated, either.
I think about that when I look at the vacant storefronts in Eastport’s historic and charming downtown. Just what would fit in here efficaciously? Retail, of course, is the heart of it, along with a mix of offices and studios.
It’s a situation we share with many other communities, where the pleasures of being able to stroll from one option to another are countered by the expectation of easy parking. Just what do we really want or need, actually? More possessions? Services? Treats for the eyes or taste buds?
If you open a store, you’re not going to get rich at it, even though retailing requires a special insight and savvy. To be successful, you’ll also need value-added lines in ways the online rivals can’t compare. Think of the personal touch as a shopper when you’re not quite sure what you’re looking for to fix a particular problem.
Eastport has the additional complications of a small year-round population that swells in the summer, meaning the retail season can boil down to half-dozen prime weeks with a long slowdown in between.
You’ll hear people talk fondly of the old Woolworth’s or Newberry’s, with their lunch counters and swivel chairs or their extensive fabric selection or whatever, or the way these emporiums anchored the block. Not so for the dollar stores or Walmart.
I’m well into a stage of de-collection and downsizing, so I hesitate to add more possessions. Still, when I walk into a place like the Rock & Art store in Ellsworth or Bangor, I can be tempted.
Obviously, I don’t have the answer for what will revitalize the district, but my guess is that it will be an array of things not currently in our vision. Who would have thought of brewpubs a decade or two ago, for instance?
Or, as they used to say in the days of black-and-white television, “Please stay tuned.”
Realizing I really did need to get some regular physical exercise last winter, I finally caved in and ventured into the senior center for fitness class twice a week. It took three friends to nudge me into it, and it’s embarrassing to have to admit what 50 years of neglect have done to my body. I’m a long way from my yoga glory. Well, I’m also the only male in the circle, not that it inhibits the lively, enlightening, and laughter-riddled banter that occurs while we’re plodding through the routine. Their hour-plus dialogue could fill a hit sit-com or bestseller novel, if only I could find a plot. Well, much of the running commentary there is also about ailments afflicting folks in the community, sometimes leading to offering rides to their specialists or food deliveries – what I’ll call “good gossip.” And, oh yes, I much prefer to refer to the place as the Old Firehouse, skirting around the stigma of “senior center.”
That has me recalling an aside years ago when our managing editor told of a phone call he’d received from a reader complaining about being referred to as elderly.
“How old are you,” my boss asked and was told 78. “I see,” was the best he could respond with.
After that, I always struck “elderly” from news copy, along with “little” from child or kid.
Getting older is a multistage passage, most notably with the skin and stiffening joints, but the physical changes are only part of the experience.
One part is an awareness of being on borrowed time. Even when I was editing obituaries, I noted how many of the deceased were younger than me, and that was a little more than ten years ago.
Moving around the country has lessened some of the impact of aging, since I haven’t had to watch us grow older together. My high school classmates, for instance, will always never be more than 18 in my mind. Ditto for others left behind, they’re all frozen in time, even the few who are still in correspondence.
So another part is hearing that more of these colleagues of my generation are passing – a situation akin to personally knowing more people who have had been diagnosed with Covid and the recognition that it’s not just multiplying “out there” somewhere – that is, knowing only the abstract – but close at hand.
I recently posted two memorial minutes of Friends I worked with clerking Dover Meeting and have been reflecting on others in my Quaker circles.
Now I get word of the passing of an esteemed reporter who was six years younger than me, and somehow it hits more than those from the workplace who died earlier. To my surprise, it has nothing to do with how close we were in our daily interactions. (He and I weren’t, apart from a comment or two in passing. I should note that he produced “clean copy,” requiring little editing, and that meant little interpersonal friction.)
In his case, I think the blow comes as a sense of an end of an era. He carried institutional weight in covering the New Hampshire’s political scene and soared nationally during the first-in-the-nation presidential primary. With the decline of newspapers in general, his replacement at the statewide Union Leader will never achieve such prominence or influence.
I had no idea how we’d sound as an ensemble or even whether I’d measure up. Officially, I’ve been a member of the choir more than a year now, but all of that time, we gathered only on Zoom. We soon learned to mute ourselves for even the warmups, and our director did accomplish a miracle in taking our individual home-recorded stabs at two pieces and blending them into a virtual performance that wound up sounding better than we had any right to expect, especially considering my horrid best efforts. I simply assumed he used only the finest voices in his studio note-by-note studio wizardry while mercifully sidelining the rest of us or at least me. I wouldn’t say that any of the other pieces recorded before Covid really offered a clue of what we’d be like now.
So Monday night was a kind of debut for us, our return to weekly live, in-the-flesh rehearsals at the arts center, nary a laptop in sight.
When we sat down in our semi-circle, just 15 of us, I had reason to be dubious. For starters, like the population in general around here, our median age skewers topside. Voices do change as they age. For another, a small body like this leaves no room for error, each member is more exposed and requires more precise breathing than we’d face in a group of 50 to 80, as I’d been privileged to have before. Five individuals were absent, all with decent excuses. Twenty can make for a fine professional chorus, but we’re amateurs of varying degrees.
I’d already met one of the basses and knew of a third, the one who can hit notes four steps lower than I’ll ever manage even with a heavy cold. And then, praise be, I was introduced to a fourth section member. Go team!
We were all masked as a Covid precaution, but even after ordering special singers’ coverings, we had no idea how freely we’d be able to breathe and enunciate.
I didn’t even know how well I could follow our conductor. You get adjusted to different styles of leadership and expression. On Zoom, he was always trying to juggle a keyboard, a score, maybe a screen-sharing insertion or a recorded track, plus beat time and throw cues to the little squares at the top of the screen while we wound up a half count off the beat as a consequence of delays in transmission or electronic hiccups.
All that was now irrelevant. Taa-taa! The time of launch arrived. We got our first pitch and then the upbeat, and when we opened our mouths and uttered the first notes, everything melted gloriously. And that was just in warmup exercises.
When we turned to the pieces we’ve been practicing at home, we were joined by a pianist who had already impressed me with a recent recital. Our director could turn his full attention to leading us cleanly and expressively. Yes, his mask prevented his mouth from conveying the words, but not every conductor does that anyway.
There were rough edges and other imperfections, but there was also a palpable feeling of support through the presence of each other and a certainty that we can accomplish what needs to be reached in time for two concert performances a month from now.
It’s exciting. Making music with them was one of the big reasons I had moved to Eastport. I liked their repertoire, akin to what I’d done in Boston, and I like the fact I can walk to our performance space. Learning something new about music, my own abilities, and us as a community is invigorating.
What are you especially enjoying as we come out of Covid restrictions?
Birthdays happen, Covid precautions or not. Please remember to remove the mask before lifting the bubbly to your lips or trying to blow out the candles …
(By the way, I’m wondering if that “?)?” is a first in the English language.) (Along with opening a writing in a parenthetical mark.)
To the point: After all of this time Zooming, specifically, I’ve finally found a visual background that works for me, almost a stage setting.
In our new old house, my workstation is in what’s also my bedroom rather than somewhere up in an attic. In common with many New England homes, there’s no closet, so when the laptop’s camera is in its usual, sharp focus, my hanging clothes are in full view.
How embarrassing. Or candid. At least I’m not naked, in all my senior-citizen glory.
I’ve played with several photographic backgrounds as alternatives, but they do use up valuable bandwidth, sometimes even interfering with the signal or pixilating my face, and they get wonky if I so much as twitch.
Moving myself and the said laptop to another room gets complicated, especially when I need to reach for a book or paper (back in the earlier room) for reference. New lighting conditions are an additional consideration.
Do we all need a stage manager or producer or even a dramaturge working on our behalf, much less sound engineers? I hope not!
So the solution, where low-tech me is? Voila! Or amazement. I chanced upon the “blurred background” option on the Zoom toolbar and like it. In fact, it can even look dramatic, keeping the focus on (drumroll, please) me. Maybe I’ll keep it.
As long as we’re on the subject of Zoom, does anyone else find conversation or dialogue unnatural and awkward? There’s hesitation when we’d simply join in and then jump out contrasting to talking over each other because we have no eye contact or other non-verbal cues regarding each other. There are times I’m sure I come off cold simply because I’m stepping back to listen yet other times I no doubt seem rude piping up the same moment others do, like drivers all trying to enter an intersection at the same moment.
By the way, I do think our faces are appearing in a less harsh light than we did earlier in this transition.
For a while, it seemed we were all at less ten years older, children excluded. We looked ghastly.
I’m also discovering there are many people I recognize more by the sound of their voice than by their faces. Maybe it’s a consequence of joining a new community in the age of Covid, but there is a world of difference between individuals unmasked on my computer screen and masked (or not) somewhere out in public, often miles out of context.
How has your Zooming changed? Any advice to share? Or off-the-wall particulars?
It had to happen, especially after the euphoria of last summer. The return of Covid only intensified it, especially when family and friends came down with it. A letdown was inevitable. The summer people are gone, and Eastport nearly resembles a ghost town.
So here we are.
Cabin fever. The winter blues. The blahs. Even if I weren’t up here living alone, building new friends I can’t quite drop in on yet. Zoom meetings go only so far. Ditto the radio. At least choir practice is resuming, even if we’ll still be doing it online.
Further dampening my spirit was finding myself stuck on breaking through on the next steps for the book. I don’t want to take up new projects till I see this one over the next few hurdles. So I keep nipping away at the edges.
Some nasty weather had me not wanting to leave the house at all, sometimes several days in a row. If only the place weren’t so cold, indoors and out. (And the fuel oil bill comes as a shocker, as does the electrical. Just for me, mostly.)
By now, I’m getting tired of my own cooking. There aren’t a lot of options up here that are better, either. One night I headed down to the brewpub for a cup of zesty soup or an imaginative panini by our resident culinary angels, aka Bocephus, only to find they’ve departed to his relations in Spain for a month. Well, they’ve earned that part and just might return with a supply of smoked paprikia for my wife. Fingers crossed. Otherwise? A boxed Newman’s Own pizza from the IGA managed to suffice.
Obviously, I’m not the only one under this cloud.
The high school actually had a Cabin Fever Week before their winter break, and since I’d be up there anyway for that hour of indoor walking ‘round the gym, I thought I’d follow along.
The arts center’s Sunday afternoon free series has been a lifeline – if only we could all take off nearby for more.
By the way, I was wrong about the last of those near-zero overnight lows. We’ve had a few of them return, but on the heels of some highs in the 40s and 50s. The trick is to not believe spring is just around the corner, even if you see a robin hopping around on repeated days.
What’s getting you through the depth of winter?