LIGHTING THE FUSE

It’s tune in, turn on, and take action in this tale of campus intrigue. Little does a small band in a remote college town realize its opposition to small-ante bureaucracy goes straight to the state capital. And then Washington and the Mekong Delta are another matter as the hippie movement hits tranquil Daffodil. Nothing will remain quite the same.

As the headline said:

BOTCHED DRUG BUST BACKFIRES.

When narcotics agents made an early morning knock-down-the-doors raid on the twelfth-floor of one of the high-rise dormitory towers, they turned up nothing – and were surrounded by irate residents before they could frame anyone, either.

“If you think the slaying of innocent students at Jackson State University was merely a racial atrocity,” Lakasha proclaimed, “you’re not seeing the big picture. It’s about an attack on civil rights – freedoms that belong to all of us. You don’t have to live in a big city to live in ghetto housing. Every student in Daffodil lives in a ghetto. Where I come from, we have a word for high-rise housing like these big dorms – the Projects. And the pigs who come charging into the Projects act just like those who busted in on the twelfth floor the other night. Never mind whether they find anything or not. Look, the university’s demanding that the students pay for the busted doors and busted furniture and busted walls. That’s why they call it a bust in the first place. Wake up, America! Demand the names of the ‘unnamed informants,’ the ones who were so wrong about the presence of illicit substances in those rooms. Wake up, I say! Mississippi’s closer to Daffodil than you think!”

~*~

To learn more about my novel, go to my page at Smashwords.com.

Daffodil-jnana

HIGH-TECH CONSTRUCTION

Everything that’s transpired in the 28 years since I first drafted my novel Hometown News has made me feel prophetic.

Now, of course, you have an opportunity to judge for yourself. I just wish it hadn’t taken this many years to become public.

One thing I’d like to point out involves the initial experiment I used in constructing the novel. Quite simply, I wondered if I could build a computer-generated story – no matter how distasteful the premise itself strikes me in my self-identity as a neo-Luddite and fussy literary type. Maybe it was just some of the vestige of the scientist wannabe in me?

So I created a master day-in-the-life chapter, made multiple copies to repeat throughout the story, and included up to 120 variables for search-and-replace functions. And away I went, allowing the S&R efforts to produce their own pace and variations. Not that it quite worked as I’d hoped. I found myself going back over those pages and adding new layers, softening some of the edges, adding shadows and highlights. As they say in the visuals arts, it’s quite “painterly.”

Be that as it may, one thing I’ve observed over the years is how little we typically know of many of our coworkers. There might be a favorite phrase they repeat or a piece of clothing or a distinctive quirk. And that’s it, sometimes year after year. So that part was agreeable to the S&R structuring.

As a technique, though, I’m afraid to report – or maybe more relieved – that the S&R by itself was insufficient. It did provide the core “bones” for the novel, but I did have to paint over much of it to make it more pliant and, well, human.

All the same, I’m feeling vindicated. Maybe it’s a high tech revenge for what high tech is wreaking on the workplace and surrounding community.

To check out my Smashwords ebook story, go to Hometown News.

Hometown News

AN IDEA NOTED EARLY

Not long ago, I came across this note to myself:

“Story idea: paragraph or two, repeated … one or two words changed each time, till the end provides an entirely new view.”

It’s old, probably from the mid-’70s, and yet has become the basis of several series of my poems from the last decade.

In a way, it’s also the basis of my novel Hometown News, although the repeated sections and their variations are much longer than single paragraphs.

Works for me. Wonder what else I’ll turn up.

~*~

To learn more about my novels and poems, go to my page at Smashwords.com.

ATTUNED TO THE PULSING

Back in the late ’70s I attended a weeklong interdisciplinary conference at Fort Warden State Park on Washington’s Olympic Peninsula, an event that remains a potent influence on my work and thinking. Organized by Sam Hamill, then of Copper Canyon Press, the Power of Animals seminar spanned biology, literature, anthropology, mythology, and more. Presenters included the writers Barry Lopez, Gary Snyder, Howard Norman (then just the author of a chapbook of poems called Born Tying Knots), David Lee, and an equally impressive slate of zoologists and botanists in an interdisciplinary examination of the dimensions of the animal kingdom. One highlight was a stage production from Reed College that relived some of the glorious Coyote tales of the Pacific Northwest.

In a Heartbeat

Now, with the release of my chapbook In a Heartbeat from Barometric Pressures at Kind of a Hurricane Press, I hope to return the favor. This set of poems runs playfully with wild and domestic animals of all sizes and influences as they impact our lives in real and imaginary ways.

To join in, simply click here. And remember, it’s free.

ONE LIBRARIAN’S TAKE

Perhaps you’ve heard someone tell another, “You should write a book about that,” relating to some personal experience they think would become a bestseller.

Neither of them, however, actually reads books, even if they expect others to do so.

Sometimes one of these individuals actually does crank out the manuscript and even self-publishes it (not that self-publishing is intrinsically wrong, mind you – just that one needs to be aware of the perils that route takes, whether it’s in the traditional bound paper editions or in the newer digital ebooks).

A neighbor came across one of these paper versions a few months back and decided to ask a librarian acquaintance for her reaction. After reading a page or two (often that’s all it takes), she sniffed: “This reads like somebody who doesn’t read books.”

How telling. How telling, indeed, even before we get to the swollen ego.

 

NATURALLY, AT LAST

The Barometric Pressures author series at Kind of a Hurricane Press has just published In a Heartbeat, a set of 20 of my poems arising in the animal kingdom. As you can imagine, I’m delighted. Let me roar and crow, if you will.

The set occupies a much different tone and style of my writing from what you’ve previously seen. It ranges from television cartoon characters to ancient mythology as it traces our interplay with our fellow animals across the earth, under the sea, into the air, and throughout our imaginations.

Here's the cover.
Here’s the cover.

This 35-page echapbook is available free from the Barometric Pressures author series at Kind of a Hurricane Press.

If you decide to print yours out, you might even want to select a fancy paper to make your copy unique.

Let me add, that way I’ll be even happier to autograph yours when we meet. But first, for your copy, click here.

JUST A ROLLING STONE

Lately, thanks in part to a great yard-sale find, I’ve been revisiting a lot of Bob Dylan and realizing how many phrases that pass through my head originate in his lyrics. Or at least the ones that also have a musical line. I came to him in late ’62 or early ’63 and was a loyal fan until he went electrified and left the activist and folk scenes. Count me among the contingent that felt betrayed.

OK, I’ve come to recognize and even admire a lot of significant material he wrote in the years since. The man could turn a phrase, for certain, even when he was drawing heavily from others.

The line, “Like a Rolling Stone,” had me wondering about its relationship to the naming of the band and the rock magazine, all three products of the ’60s. Did the song prompt the other two?

Turns out the band was formed in ’62; the song, ’65; and the magazine, then a tabloid newspaper, November 9, ’67. But, in another twist, the band took its name from Muddy Waters’ 1950 “Rollin’ Stone.”

As for the popular phrase, “A rolling stone gathers no moss,” the line points to John Heywood’s 1546 translation of the Roman-era Pubilius Syrus. So it’s been rolling around for some time.

~*~

Also from the ’60s was my discovery of the common Pennsylvania road sign, “Beware of Rolling Rock,” along with the brew. I suppose looking at the connection between those two would be like asking which came first, the chicken or the egg. Or even why the chicken crossed the road before or after.

 

BREAKING THE STEREOTYPES

She never did drugs, and she married a soldier. She was a faithful mother and wife. She doesn’t even know the smell of marijuana, and she talks to her legislators rather than standing in a demonstration.

But in my book, she’s still a hippie. There’s no question where she falls on the granola-heads to fundamentalist spectrum.

I’d give you my reasons she’s a hippie, as far as I’m concerned. But I bet you know others who are something like her. So I’d like to hear some of the qualities you perceived that help us break the stereotypes, at least when thinking of hippie.

A WORLD QUITE ALIEN TO MY OWN

As we watched the movie (let’s withhold the title as being irrelevant to my point), I was struck that these were not characters I would – or could – ever draft. Even if I’d managed to conjure up the range of members of the extremely dysfunctional family, they wouldn’t be believable, arising as they do from a world quite alien to mine. (Not that my family didn’t have its, uh, dysfunctions.)

It’s an awareness I’m having with increasing frequency – or at least maybe it’s just a heightened recognition. It involves not just family dynamics, either, but extends to a perception of romantic attractions or destructive people in the workplace or political office and beyond.

In the case of this particular movie, each character was appalling in a distinctive way and played to perfection by a top-line cast, which only added to my admiration of the scriptwriter’s achievement, one author to another.

Could it be I’m simply becoming more and more aware of how wide and varied our world really is?

 

CONTINUING SHADOWS OF THE HIPPIE EXPERIENCE

Look at a lot of the bikers or some of today’s teens and you can see they’re carrying some of the hippie legacy. The long hair, especially, and the desire to be as free as Gypsies. But something there doesn’t quite fit, either.

Too much military, for the bikers – the peace vibe ain’t there.

As for the teens, I don’t see the playful side that accompanied the late ’60s and early ’70s, along with all the desperation. Even the drug use seems different, maybe purely numbing rather than mind-expanding.

I’ve already mentioned some of the hippie streams I see continuing. But I haven’t said much about the darker side. I’m open for some suggestions and comments here. Feel free to weigh in. Anybody still picking up hitchhikers, for starters?