Take a ride on this new ‘Subway’

Today marks the publication of my newest novel, Subway Visions. It’s an ebook at Smashwords.com.

It’s a thorough reworking of my earlier Subway Hitchhikers, a work I first drafted back when the hippie movement seemed torn between heading in two directions.

One was out into the countryside, where you could hitchhike with ease in most places.

The other was back into the cosmopolitan center city, where you could get around on an underground subway network. (I loved the double meaning of underground, by the way – the idea of counterculture going back to, what, Dostoevsky?)

I wanted to bridge that gap.

Nearly a half-century has passed since that early manuscript took shape. It was eventually published in 1990. A lot has transpired since then.

There’s not a lot about hippies in the new book, for one thing. And there’s no longer a need to sketch out other facets of the broader narrative, now that Daffodil Uprising and Pit-a-Pat High Jinks are available.

The revised story now focuses on Kenzie’s monthly three-day forays into the Big Apple from his perch in the hinterlands to the north. These trips soon center on his jaunts to study with his Tibetan Buddhist guru in a derelict tenement in Manhattan’s SoHo district.

Getting there, of course, means taking the subway, and each venture takes him further and further into surreal realms – many of them rarely seen by the average commuter.

The revised story also builds on Kenzie’s new friends, especially Holly as a fellow Buddhist and, later, T-Rex as a legendary tagger.

The book – like the others in my Freakin’ Free Spirits cycle – is meant to stand alone, though the novels altogether form a larger, overarching narrative.

Let’s just say it’s a wild, comic ride.

Be among the first to read my newest novel.

Coming to the culmination of Great Lent

In his “Note on the Religious Tendencies” published by Liberation magazine in 1959, the Zen Buddhist and poet Gary Snyder remarked, “The statement common in some circles, ‘All religions lead to the same goal,’ is the result of fantastically sloppy thinking and no practice.” His very next sentence is equally startling. “It is good to remember that all religions are nine-tenths fraud and are responsible for numerous social evils.”

Well, the essay is largely a defense of the beat generation, and he was an American studying in monasteries in Kyoto. I wonder if he’d admit today how much social progress and learning have come about through religion, too. That could make for an illuminating debate.

I did hear him once mention that on the Buddhist spectrum, Zen starts at one extreme and Tibetan tradition at the other, but that as followers of each advance in their practice – as he said this, his outstretched arms began to sweep over this head – they eventually approach and then cross places. Just as his arms were doing. Go far enough, of course, and each would land where the other one had set forth.

Without going into detail, I find a lot in common there when it comes to Quakers and Eastern Orthodox on the Christian spectrum.

The one is plain, even austere, and very much centered in the present. The other is visually and tactily rich, accompanied by an accentuated awareness of mortality and death.

As regular readers of this blog are aware, I am a Quaker who’s been fascinated lately with Greek Orthodox life. It doesn’t all spring from questions arising as I drafted and revised my novel What’s Left, either. Besides, Cassia’s family wasn’t all that observant of their native faith, even if members were toying with the Tibetan Buddhism her father practiced.

Admittedly, few Americans know much about either Quakers or Orthodox Christians, despite their impact on the larger society. Ditto for Buddhism.

Today is an especially important day for the Orthodox.

Continue reading “Coming to the culmination of Great Lent”

AND NOW, FOR A COVER!

Thanks to everyone who responded to my earlier invitation for comments regarding a few possible covers for my newest novel.

The survey ended in mixed results and prompted some heated in-house discussion, ultimately sending me back to the drawing board for a more compelling design.

Just what do we want as a cover, anyway? Are people’s faces a help or a distraction? Does a jacket work best if it somehow reflects a scene in the story, as my earlier mock-ups attempted to suggest? Or is reaching for a less constrained, emotional reaction more effective?

What’s Left

As you see, I’ve opted for the later. Here the image invokes a sense of being broken out from a protected shell and falling through space. It’s also appropriate for a family that owns a restaurant – food being a theme running throughout the story. Will this cover encourage a browser to open the book to discover, in effect, just what happens to the yolk? Where it will land?

That, of course, is my goal. To see if it fits, go to Smashwords, where you can order your own Advance Reading Copy for free. The offer will expire after 90 days, when the first edition comes out at $4.95, so act now.

Your early reactions will be most welcome in preparing for that release.