One of my favorite passages in all of poetry comes from Howard McCord’s “Longjaunes His Periplus”:
A chest of maps is a greater legacy than a case of whisky.
Followed by:
My father left me both.
Like my younger one, I’ve always been fond of maps. My bedroom wall was lined with tacked-up National Geographic charts, which tended to sag in our humid summers.
I was reminded of this the other morning when I was looking for a Boston street map, just in case I lost my bearings. Yes, I could have gone to the maps at Yahoo or Google. Even looked for the satellite views and all of the scary ability to snoop that goes with it. I couldn’t, though, use a GPS, neo-Luddite that I partly remain.
So I opened the drawer and here’s what I found (I won’t give you the years, though many are from the early ’80s):
Connecticut.
Pennsylvania (Exxon).
Seacoast (New Hampshire).
Idaho.
New Jersey.
Sierra Club USA.
Pennsylvania (official).
AAA USA.
Long Island/New York City.
Saugus Iron Works.
Maine.
Historic Bath.
Delaware.
Audubon Flyways.
Walking Tours of Bath.
Strafford County.
Dover (0ne of a half-dozen varieties).
Maudslay State Park in Newburyport, Massachusetts. Has a great stand of mountain laurel overlooking the Merrimack River.
University of New Hampshire campus.
Museums of Boston.
Gonic Trails.
Doctors Without Borders global view (two copies).
Portsmouth, New Hampshire.
Paul Revere House in Boston.
Manchester, New Hampshire.
Vermont.
New Hampshire (one of several varieties).
National Geographic the Making of New England and another of Canada.
North Cascades.
Mount Rainier, including trails.
New York City subways (two versions, three maps).
Brunswick and neighboring Maine.
National Geographic Endangered Earth.
Virginia.
White Mountains trail guides.
Mount Agamenticus.
Lamprey River.
Pawtuckaway State Park.
Trumbull County, Ohio.
Baltimore (two versions).
Britain and Ireland.
Mohegan Island.
Historic New England properties.
Maryland.
Lake Champlain Ferries.
Maine State Ferry Service.
Ipswich, Massachusetts.
Portsmouth-Exeter-Hampton etc.
York (Maine) Water District trails.
Minute Man National Monument, a series of sites in Massachusetts …
They even take me places I haven’t yet been, as well as back to some old favorites. All without leaving the house.
And that’s before we get to the drawer of topographical maps, especially those from my Cascades years. Or the books and atlases. Or the genealogical maps, Guilford County, especially in those files.
Oh, the memories! And you want to tell me they’re obsolete? Fat chance!
In drawing on the hippie era, I realize how many different strands there were to the movement. Mine happened to lead into a yoga ashram, and though we were drug-free and celibate, we were also at the crossroads of a lot of the hippie action.
As I ponder the era, I also realize DL’s journey in those pages could just as easily turned toward underground violence, had he joined one of the cells of bombers targeting military research operations in frustration, and that version of the story probably would have had commercial publishing cachet. But to me, it would have been dishonest.
More meaningful to my vision is the comment by Mari (River Mama 5) to an earlier posting here:
Amazing how many different views there are. … Hippies to me were quite different. To me, it gave birth to great changes in our society. … I am quite thankful for … the back to the land movement and the Calvary Chapels churches that came to exist during this time. I came to know Jesus Christ in one of them.
They also pioneered living a simpler life … showing compassion to others. Taking care of this gift that is our planet. The “hippies” in America, were great artisans. As a weaver, quilter, and knitter, I look back at this time and find myself inspired by the way creativity roamed free among this way of living.
This is the side I wish to nourish and celebrate. And thank you, Mari and all the others, for sharing.
Everything that’s transpired in the 28 years since I first drafted my novel Hometown News has made me feel prophetic.
Now, of course, you have an opportunity to judge for yourself. I just wish it hadn’t taken this many years to become public.
One thing I’d like to point out involves the initial experiment I used in constructing the novel. Quite simply, I wondered if I could build a computer-generated story – no matter how distasteful the premise itself strikes me in my self-identity as a neo-Luddite and fussy literary type. Maybe it was just some of the vestige of the scientist wannabe in me?
So I created a master day-in-the-life chapter, made multiple copies to repeat throughout the story, and included up to 120 variables for search-and-replace functions. And away I went, allowing the S&R efforts to produce their own pace and variations. Not that it quite worked as I’d hoped. I found myself going back over those pages and adding new layers, softening some of the edges, adding shadows and highlights. As they say in the visuals arts, it’s quite “painterly.”
Be that as it may, one thing I’ve observed over the years is how little we typically know of many of our coworkers. There might be a favorite phrase they repeat or a piece of clothing or a distinctive quirk. And that’s it, sometimes year after year. So that part was agreeable to the S&R structuring.
As a technique, though, I’m afraid to report – or maybe more relieved – that the S&R by itself was insufficient. It did provide the core “bones” for the novel, but I did have to paint over much of it to make it more pliant and, well, human.
All the same, I’m feeling vindicated. Maybe it’s a high tech revenge for what high tech is wreaking on the workplace and surrounding community.
To check out my Smashwords ebook story, go to Hometown News.
Back in the late ’70s I attended a weeklong interdisciplinary conference at Fort Warden State Park on Washington’s Olympic Peninsula, an event that remains a potent influence on my work and thinking. Organized by Sam Hamill, then of Copper Canyon Press, the Power of Animals seminar spanned biology, literature, anthropology, mythology, and more. Presenters included the writers Barry Lopez, Gary Snyder, Howard Norman (then just the author of a chapbook of poems called Born Tying Knots), David Lee, and an equally impressive slate of zoologists and botanists in an interdisciplinary examination of the dimensions of the animal kingdom. One highlight was a stage production from Reed College that relived some of the glorious Coyote tales of the Pacific Northwest.
Now, with the release of my chapbook In a Heartbeat from Barometric Pressures at Kind of a Hurricane Press, I hope to return the favor. This set of poems runs playfully with wild and domestic animals of all sizes and influences as they impact our lives in real and imaginary ways.
To join in, simply click here. And remember, it’s free.
The Barometric Pressures author series at Kind of a Hurricane Press has just published In a Heartbeat, a set of 20 of my poems arising in the animal kingdom. As you can imagine, I’m delighted. Let me roar and crow, if you will.
The set occupies a much different tone and style of my writing from what you’ve previously seen. It ranges from television cartoon characters to ancient mythology as it traces our interplay with our fellow animals across the earth, under the sea, into the air, and throughout our imaginations.
Here’s the cover.
This 35-page echapbook is available free from the Barometric Pressures author series at Kind of a Hurricane Press.
If you decide to print yours out, you might even want to select a fancy paper to make your copy unique.
Let me add, that way I’ll be even happier to autograph yours when we meet. But first, for your copy, click here.
It’s now been 12 months since my first ebook appeared at Smashwords – a list that now presents six of my novels and a full-length poetry collection. That’s in addition to my poetry chapbooks appearing at other presses.
First, I want to thank all of you for your support and encouragement. What you’re seeing is the fruition of a lifetime of writing that’s now, finally, coming to light. I cannot imagine trying to write seriously without a desire to share it with others – especially when I hear you tell of ways it speaks of your own experiences or sparks related memories.
I also want to acknowledge the fact that these are not works I could write today, not for a decline in ability but rather because each of us evolves and changes over time. My energies, inspirations, perspectives, and focus are different now than they were 10, 20, 30, or 40 years ago. I look at these works and find much that is wonderfully baroque or surreal or passionately intense and realize I’m in a much different sensibility today – yes, I’m happy to have these souvenirs from the journey, these touchstones and treasures, but they come from my younger years and their visions and even the different companions who shared my life back then, in contrast to the household I cherish now. More than ever, I’m ever-so-grateful I set aside the time over the years to draft and revise then, rather than waiting for my retirement years as so many wannabe writers do.
Let me just say there’s much more coming in the next 12 months.
After a break for the month of December and the usually recovery in January – what, with the holidays, it’s hard to keep up much of anything else – I’m back with an enterprising schedule of ebook releases at Smashwords.
They’re not all novels, either.
Here’s hoping you find something engaging and exciting.
Continuing this month’s survey of Books Read, here are a few more entries:
Maria Tatar, ed.: The Annotated Brothers Grimm. As one who’s come to treasure the grittier sides of both Native American mythology and Biblical texts, I’ve long wondered about the earlier versions of the stories collected by the Grimm brothers and, as the notes to this volume also discuss, their French parallel Charles Perrault, especially with his Mother Goose. At last we’re getting glimpses into those unsanitized roots, in large part thanks to the work of Tatar and others. The introductory pages by her and A.S. Byatt make the volume worthwhile on their own, as they examine the fine line between folktales and mythology and recognize that these are really wonder tales, full of magic and harsh reality, a kaleidoscope of rapid presentation where fairies rarely have a role. The mentions of versions having Gretel as a trickster, Rampunzel as not realizing her weight gain is pregnancy, Little Red Riding Hood performing a seductive striptease, Snow White’s pricked finger blood as her menstruating or deflowering all add powerfully, as does the sense of polyphony in the overlapping voices. Although reading all of these close together can be a bit much, it does allow the patterns to emerge: sibling rivalries where the youngest and seemingly dumbest child is in reality blessed, and so on. As for the surrounding forest, where is it in the urban reality? The ghetto? The cellar under the apartment house? The subway? Another volume I’ll be returning to frequently.
Philip Pullman: Fairy Tales From the Brothers Grimm. Reading Pullman second gives the astute reader a sense of what a translator can add or omit. As a famed writer himself, he admits to taking liberties at times, drawing on similar tales and the like. You can see the differences from the very outset, with “The Frog King, or Iron Heinrich,” which Tatar begins, “Once upon a time, when wishes still came true,” versus Pullman’s “In olden times, when wishing still worked …” His translation is often more direct and less tradition-bound, and often has a deft detail or insight that is simply brilliant.
Nicholson Baker: The Size of Thoughts, U and I, and A Box of Matches. Back in high school, hearing a teacher proclaim that all fiction is based on conflict, set a challenge for me: can a novel work without any essential conflict? Baker comes close here with his Box of Matches, set as daily reflections before sunrise one January, as he lights a fire in his fireplace (hence the matches) and drinks coffee — the closest he comes to conflict, in fact, may be the struggle of making coffee in the dark, a consequence of his decision to keep the lights off. Lovely meanderings through the minutia of daily living. U and I is his notorious paean to John Updike, full of deliberate misquotes that reflect the ways of time on the memory and wonderful confessions on the joys of reading and the trials of writing. (I’m happy to see I’m not the only writer who has a lifelong admiration for a great model, or at least an adult lifelong admiration.) The Size of Thoughts, meanwhile, is the perfect volume to end this month’s collection of readings. Each of its quite varied essays follows a topic through a wandering net based on thinking itself. Of special importance are his pieces on the loss of learning that occurred when university libraries junked their card catalogs and his 148-page investigation of the other meanings of “lumber” as they evolved in the antiquity of English poetry. As the second essay begins, “Each thought has a size, and most are about three feet tall, with the level of complexity of a lawnmower engine, or a cigarette lighter, or those tubes of toothpaste that, by mingling several hidden pastes and gels, create a pleasantly striped product.” If you’ve sensed something similar emerging through this month’s discussion, just remember, The Size of Thoughts mentions many, many fine books in passing. Just in case you’re ready to read more.
Continuing this month’s survey of Books Read, here are a few more entries:
Martha Paxson Grundy: Quaker Treasure. Having known Martha since we were both active in Ohio Yearly Meeting (Conservative), and watched her subsequent service in the broader Quaker organizations, I find my admiration upheld in this 2002 Weed Lecture given at Beacon Hill Friends House in Boston. As she observes, unlike evangelical Protestantism, where the emphasis is on personal salvation, the Quaker treasure is its emphasis on the shared experience of the Prophetic Presence. In that, we nurture and guide one another in a living faith.
Jancis Robinson: How to Taste: A Guide to Enjoying Wine. Designed as alternating pages of Theory and Practice, this volume was a 2000 update of a 1983 book by a British wine authority. She does a clear job of introducing the differences in the ways we taste, and of linking that to the language of wine, complete with a decent glossary. Also helpful is her survey of grape varieties and the wines they produce, both in France (where they assume geographic names) and around the world. As she speaks of international wines, however, the book dates quickly – Washington State and Argentina, especially, have come a long way since. Even so, an excellent reference book.
Kim Stafford, ed: William Stafford on Peace and War. A profound and moving selection of poems, journal entries, interviews, and published excerpts focusing on Stafford’s pacifist faith and witness. Well worth returning to repeatedly.
Sheldon Morgenstern: No Vivaldi in the Garage: A Requiem for Classical Music in North America. In this rather strange memoir by an orchestral conductor best known for his role in establishing the Eastern Music Festival on the campus of Guilford College in Greensboro, North Carolina, some of the best pages examine the strengths and weaknesses of boards of trustees in the non-profit world and, at times, the ill-informed consultants they sometimes hire. Yet he doesn’t shy away from gossip, skewering some of the big names and their inflated fees while lavishing praise on his buddies and students. While he repeatedly dismisses his teacher, Thor Johnson, I suspect he overlooks positive aspects; in contrast, one friend of mine, who had been a regular substitute in a major symphony orchestra, said Johnson was the best prepared conductor he had played under. And while Morgenstern has little fondness for contemporary music, which is the core of American classical composition, he appears ignorant of our rich Romantic-era legacy, which I think is essential for American repertoire in the future. I’m left wondering just how much of this is sour grapes from an almost-ran.
Tamar Adler: An Everlasting Meal: Cooking With Economy and Grace. After living more than a decade with a wife who’s a cooking genius and two daughters who follow in their mother’s wisdom there, my own kitchen skills had largely atrophied. To be honest, I’ve never had her knowledge and seemingly intuitive sense of using herbs and spices, and preparing anything I think they’ll be eating becomes inhibiting. Still, now that I’m freed from the office and commuting routine, the time has come for me to pick up some of the meals preparation each week. Nevertheless, it feels like learning from scratch, especially after the Pellegrini readings. So when Adler begins with a chapter “How to Boil Water,” I thought I’d be on the right track – like Yehudi Menuhin learning to play violin all over again as a young adult. Wrong! She quickly veers off into a much different realm of cooking, one loaded with onions, anchovies, and beets (three of my least favorite ingredients ever), and soon seemingly slapdash in all directions. This, from a woman who admits ineptitude when it comes to making bread. In the end, though, this will likely be the volume I keep returning to as we make the best of our garden produce through the season. She has me largely rethinking meals and routines – this, coming from a Midwestern kid whose idea of dinner revolves around a slab of meat, or some substitute in the vegetarian variations. Rice, anyone?