DESPITE MY USUAL OBJECTIONS

~ Jnana Hodson ~ Leave a comment

I’ve previously posted on my distaste for art that cloyingly celebrates artists as geniuses. Too often, I simply find these to be self-pandering and incestuous, even before we get into the reality that many great artists are seriously defective humans, at least in their interpersonal relationships.

But I’ve found myself swept up in two music-related video encounters that prove the exception to the rule.

The first is Amazon’s 10-episode sweep of Mozart in the Jungle, which despite my initial misgivings of the heavy sex-and-drugs emphasis, moved on into an often surreal criticism of the classical music industry as well as a fantasy of its artistic and life-enhancing possibilities. Equally impressive, its increasingly engaging characters are refreshingly cast warts and all – knocking ’em off their pedestals despite their sycophant handlers. I’m anticipating a second season.

Likewise is Dustin Hoffman’s top-flight directorial debut, the 2012 movie Quartet, set in a retirement home for musicians on a lavish British country estate that is in financial peril. Here, the real drama pivots on issues of aging and relationships sustained or damaged over the decades more than the concert hall or opera house itself. Success, as we see, often comes at a high personal cost.

What I love about both entries is the way the stories can be extended to universal experience rather than setting the musicians apart as an Olympian class. Indeed, the charismatic young conductor of Mozart, Rodrigo, moves repeated to take music to the streets and working-class neighborhoods – his people and roots – with magical turns in the idiosyncratically constructed story.

Here’s to people, then, as they are, no matter their field. And to the down-to-earth insights and discoveries we share along the way.

LEONARD SPRINGS: WHAT’S HIDDEN UNDERFOOT

~ Jnana Hodson ~ Leave a comment

One set of my poems of return, discovery, and loss is centered on the Leonard Springs which were hidden a half-dozen miles from the university I attended in my first sustained leap from my native Ohio.

On my return, we lived at the edge of town rather than on campus, and the springs were in a ravine just over the edge of our view from the kitchen. Few knew of their existence. Now, as I find online, they’re a public park and treasure.

~*~

Much of southern Indiana sits atop a thick limestone bed, some of it quarried for the construction of large-scale buildings worldwide. Over the ages, the bedrock has been riddled as slightly acidic water chiseled passageways and cave systems below the ground surface. Learn to read the landscape with this awareness and you come to recognize the widespread karst features, including sinkholes where cavern roofs have collapsed – some could easily hide a large truck or even a barn. There are also the sinking streams that vanish back into the earth as well as open mouths concealed in fields and forests that would swallow an unwary trespasser. So this hardness is laced with underground mystery and motion.

I already possessed some familiarity with this terrain from childhood camping and hiking trips, and had even crawled through some small caves in nearby state parks. Commercial caverns had also instilled an awareness of the otherworldly character of underground chambers and passageways. But this time, as I now lived off-campus on Leonard Springs Road, far to the other side of town, I was newly married and free to explore. After residing and laboring in the foothills of Upstate New York, the Pocono Mountains of Pennsylvania, and the flats of what had once been the Great Black Swamp of northwest Ohio, I had come back to Bloomington as a research associate. This sojourn would be all too short – a little more than a year and a half, though not by design – but long enough to acquaint me with the hardscrabble backcountry and its peculiar character.

Our garden sat in one sinkhole, and our waste water probably flowed into another (there’s no accounting for our landlord’s septic system). While I’m not a caver (as many spelunkers prefer to be called), I did become intrigued by the meandering channels beneath the meadows and woodlands beyond our house. From what Roger Pfingston writes more recently of his neighborhood on Stouts Creek, a similar locale a few miles to the north, I can suspect that much of the Leonard Springs terrain has since been ripped up and developed into housing.

What I leave, then, are field notes of the layering I experienced then, and a testimony. The poems in Green Repose present these. For your own copy, click here.

Green Repose 1

DON’T EXPECT SYMPATHY

~ Jnana Hodson ~ 2 Comments

With a cap placed on the city’s major source of tax revenue, Dover’s public services have been stressed. The library, for instance, is closed most evenings as well as early Saturday afternoon and all day Sunday. The public schools are in trouble, as you hear from parents, students, and teachers. Street repairs are often on a long list, along with other infrastructure upkeep and improvement. City hall had a leaky roof that went years to replace – there were buckets in the auditorium to catch the rainfall. You get the idea.

So City Council’s decision to accept a $240,000 Homeland Security grant to purchase the police department an armored truck – the description sounds like a flying saucer on wheels – does nothing to suggest common sense in high places. In fact, it’s salt in the wounds.

Does the police chief really expect public sympathy next time he’s trying to avoid staffing cuts and layoffs? Think again. And rely far more on those officers on the street than that armored truck, ever.

STRANGER THAN SCIENCE FICTION

~ Jnana Hodson ~ 2 Comments

The Ballistic Engineered Armored Response Counter Attack Truck my little city will be getting from Homeland Security – presumably to fight domestic violence and riots rather than international terrorism – is described as a personnel carrier that can transport at least 10 police officers (who knows about regular folks) and comes equipped with gun ports on each side and a rotating center hatch.

Get that, Darth Vader? I assume it has blinking lights all over as well. And maybe steam or fog pouring from under.

Yes, the Department of Homeland Security has been playing Santa Claus with its Law Enforcement Terrorism Prevention Program.

This decision does nothing, of course, to make me feel any more secure. Quite the opposite, actually. I hate to think what might happen if this vehicle gets out on the streets. Or bullets start flying. Or worse, it falls into the wrong hands.

It’s enough to suggest that too many bureaucrats in some high places have been watching too many weird action movies. Or are they really just 14-year-old male adolescents?

PUSSY WILLOWS

~ Jnana Hodson ~ Leave a comment

Nothing has demonstrated to me how varied growing conditions can be, even in a small plot, more than the six pussy willows we planted our first year here. Some of it is the amount of light each receives, and some, how much water. The soil itself varies widely as well.

One of the sprigs died within a year. One, planted where we thought we had a natural spring at the head of the Swamp, has proliferated – so much, in fact, we must harvest drastically early each spring to keep it from becoming a full-blown tree shading the garden.

After a decade, two others, in the berm along the sidewalk, were finally established enough to begin lopping off budding branches.

The last one, close to the house, is no bigger than when it was first planted.

My wife is always elated by the soft gray budding. I remember both my third-grade teacher, who brought them into the classroom, and the Japanese artists and poets who laud the seasonal marker.

We have so many we give them away, at work, at school, at Quaker meeting.

One March, yes, I still remember so many crows in flight while I cut pussy willow against an incredibly blue sky. Those artists and poets are right.

BEAR CATASTROPHE

~ Jnana Hodson ~ 5 Comments

Dover City Council voted, 7-1, Wednesday to accept a $240,000 grant to purchase the police department a BearCat.

This ‘cat, by the way, is not the least bit fuzzy – in fact, the name is an acronym for (get this with a straight face, if you can – its pomposity says everything) a Ballistic Engineered Armored Response Counter Attack Truck. That is, an armored vehicle for a city of 30,000 mostly average Americans.

More galling is the fact that the grant comes from the federal Homeland Security department. Are they trying to tell us international terrorists have put us in the bull’s-eye?

It’s really ridiculous.

A hearing Tuesday, with very little advance notice or public input, paved the way for Wednesday’s abrupt vote.

This is not how democracy’s supposed to work, especially at the local level. Some of us are feeling steamrollered by that truck. And steamed up, as well.

FAREWELL TO THE SWITCHBOARD

~ Jnana Hodson ~ Leave a comment

At the office, we had the farewell to the switchboard operator who’d been replaced by the new phone system – someone who had been there when I arrived two decades earlier.

Oh, the weird calls we’d get, the ones she usually screened yet some still managed to slip past her.

The woman from California, “Can you tell me what state New Hampshire’s in?” and I wanted to reply, “How the hell did you get this number?”

All of the ones wanting to know my opinion, as if it mattered.

Or the drunks or the individuals convinced of this conspiracy or that. Especially late at night.

As the publisher told one, “What do you think this is, a call-in radio show?”

Listen. We’ve got work to do, rather than yap. Piles and piles of work.

~*~

Oh, my, the telephones! They become a chorus of their own in my novel, Hometown News.

Hometown News

FROM THE FLAT GRAY FIELDS

~ Jnana Hodson ~ Leave a comment

As I said at the time …

Standing in the blank fields of Ohio … gray March … the utilitarian cemetery … beside my mother’s grave, knowing soon my father, too, would be planted here.

As it turns out, not as soon as I envisioned. He recovers somewhat. Several years later, I return to the spot, this time with my sister. We explore more, find other great-great-grandparents buried in a cemetery two or three miles away – not at all where I previously thought.

This time, I begin to appreciate the section numbers of township maps, as I place my ancestors’ farms, how often they abutted each other. How many, only a mile or two from this spot, back when these lands were mostly forested.

A native, a student at a then-new state university, a journalist who worked on three of its daily newspapers (each in a different quadrant of the state), I’ve spent a third of my life in Ohio. Married there and, a few years after returning, divorced; nearly married there again, too. Many of my ancestors, I’ve learned, settled Montgomery County in its first decade.

Yet, reviewing my creative writing – the poetry, fiction, and essays – I find little that’s directly about Ohio. Curiously, those few passages typically appear in pieces about other places – Indiana, Washington State, the East Coast. What instead becomes apparent is the fact that my roots remain, complexly and paradoxically, embedded in Ohio. Unavoidably, in my years as an exile, much of my writing comes out of those Buckeye origins. Whether my years away have been the result of forced expulsion (job market, especially) or of self-chosen escape, I nevertheless carry inevitable values, images, and expectations that are not just Midwestern, but more distinctly, those of the Miami Valley. As I’ve delved into my ancestry, moreover, I find also a forceful sub-current of dissenting religious practice and witness in overlapping Dunker (Brethren), Quaker, and Mennonite farming circles planted there – and to these, mysteriously, it would seem, I’ve returned in new settings.

Surveying material currently available for submission turns up very little with even the word “Ohio” in it. (Some fiction, essays, and genealogical writing need more revision before their release.) The five poems enclosed (an offer of first North American serial rights for work you select) do, however, spring deeply from the state – not just the land, but also the emotions. Maybe it’s a sense of the lovers, who were also Buckeyes. Maybe the awareness of mechanical work and objects. Maybe the crossroads nature of the state, looking west (in one poem, the prairie that stretches into Illinois) as well as east, to Baltimore and New York (as in “oysters”) or even, as stated, England. Maybe the underlying naïve outlook that becomes vulnerable to betrayal. Or the dreams of acting (hints of Broadway or Hollywood). Whatever the combination, something of the state is compressed into the fabric of these pieces.

Here’s hoping they work for you.

~*~

For the record, they didn’t.