Category: Personal Journey

NAMING THE CHANGES

~ Jnana Hodson ~ 2 Comments
My fondness for mountain laurel goes back to my days of living in the ashram in the Pocono Mountains of Pennsylvania. There, the undergrowth of the forest was filled with these blossoms in season.

Over the years, my own spiritual practices have undergone many changes. Even in a tradition like the one I’ve embraced, seemingly free from the annual routines of a liturgical calendar or outward emblems, there appear cyclical changes mirroring those of the seasons. Cycles, too, like those of progressing from childhood and parenthood into retirement or release. In Salem Quarterly Meeting in Ohio, the session each Fifth Month meant rhubarb in the applesauce. See it as sacrificial and special.

There are times of struggle, doubt, and distrust. Times of whirlwind passion and excitement. Times of discovery. Times of drought or deep winter, relying on what’s brought out of storage. Times of renewal and recharge.

This has manifested as periods where I’ve been able to dedicate significant time to meditation, solitude, travel in ministry, prayer, Bible study, research into history and theology, organizational service, teaching, correspondence, or writing, as well as to regular disciplines such as fasting or physical spiritual exercise (the hatha yoga sessions or even wilderness hiking). Emphatically, however, one would predominate while others would likely be absent or greatly diminished. In addition, they would be strongly impacted by the events of my daily life itself – whether I was single, married, divorced, or “in relationship,” my hours and nature of employment, my friendships and faith community, my driving patterns through the week.

The result of all of this would be a crazy-quilt tapestry or a ricochet trajectory if it weren’t for a spiraling within it. That is, over the years, various periods and interests begin to overlap one another, creating a kind of harmony or accumulated depth. My asparagus bed in New Hampshire has roots in my experience of asparagus along irrigation canal banks in Far West desert three decades earlier. A dog sitting through Quaker meeting here is a reminder of dogs sitting through predawn meditation sessions in the Pocono Mountains, or of the cats aligned on the scaffolding outside the windows, as if they, too, were deep in concentrated worship. I read a particular Psalm and see the passage taking twists I hadn’t perceived earlier.

In my own life, my childhood was filled with natural science, hiking, and camping, each with its mystical visions and moments. Adolescence led into politics, classical music, opera, and writing complicated by unrequited sexual yearning. Without romantic companionship, a Lone Ranger journey. Rejection of existing creed while ensconced in church office was followed by flight into atheism and hippie excess landing, inexplicably, in a yoga ashram with its Hatha exercises and sustained meditation. From there, into Quaker practice, though of the ABC – or “anything but Christ” variety. The ashram lessons were applied here, in circles of deepening prayer life. By steps, I moved toward Christocentric and Plain speech, and an especially faith fervent language. Among the Wilburite Friends as well as Mennonites, especially, I came to wrestle within Scripture while similtaneously undergoing repeated Dark Night journeys and questioning. Turning to therapy, I wondered if anyone could come along with me through all of this. By now I was no longer meditating to get high, or transcend, but rather to center down to the Seed. Here, with all of its committee work, I was engaged in a religion that combines mystical experience with social witness and activism. In a nutshell, then.

Each swirl also stirs up something from before. What failed in earlier marriage or relationships reappears. What has been left unfinished is not left entirely behind. What has been shredded remains to be woven. I heard this opera in its entirety a hundred times. Have I ever heard this note before?

I moved from the Midwest to the East Coast and back before heading on to the Pacific Northwest in what seemed an epiphany but instead shattered amid volcanic eruption and devastation. I left the wilderness for another kind of wilderness, back across the Midwest to the East Coast. The pendulum, as they say. Here, I now see life as both linear and circular – that is, spiraling. The spirit requires flesh, or is it that flesh requires spirit? Seasons include times that are full or overflowing, and times that are barren or dry. I now welcome the questioning that is not hostile is both essential and healthy.

My first spring in the orchard, I expected all of the trees to blossom simultaneously. They don’t. The apricots and cherry petals give way to plums, pears, and peaches. The apple blooms arrive last, when others are already gone.

Experiencing a new place through a full year or repeated years provides a much different understanding than a tourist gets – even one who spends several months there. Relocating requires a year-and-a-half to gain familiarity with the new surroundings – to get beyond the obvious, to establish friendships, to be oriented with the elements one finds essential or special. A favorite restaurant, a woodland pathway or place to swim, a boutique or gallery.

There are seasons for a person of faith, from winter to spring elation and then into fullness, dryness, struggle, or disillusionment. To harvest, perchance. Marriage? Family? Children? Extended into joy, compassion, humility, appreciation – one begins observing and naming.

The turning point in my own journey came when I accepted a new name.

ROSES AND THORNS

~ Jnana Hodson ~ Leave a comment

In any relationship, it is difficult enough to know one’s own actions and thoughts completely or accurately, much less the other’s. Misunderstandings are inevitable – “You promised,” “I never said that,” “Why didn’t you phone?” “I did what?”

The gaps become especially obvious during a breakup. Like a mirror that smashes to the floor, the image comes apart. Spider webs span gaps. The reflection distorts. Here, silences – the interstices of what is unseen or left unsaid – become as important as what is harshly trumped or cruelly enacted. Sometimes, it appears that figures previously hidden by the mirror itself now become visible; even motions that had been observed but dismissed return with ominous significance. Excuses no longer suffice.

Moreover, if one partner has been cheating, the mask itself now drops away. Some misunderstandings, it turns out, were intentional. “I know I said that, but I never meant it.” Stones, then, are finally thrown directly at the looking glass, and through it. A hammer is held in the fist.

“Do you love me?” becomes a meaningless question. Petals fall from long-stem roses given as an expression of passion. In the fractured mirror, even blossoms shatter.

And then there’s the personal complication. As Diane Wakoski of the Motorcycle Betrayal has observed: “I suppose part of my adult fascination with American adolescence is that I didn’t live one, except in very scattered ways. I was, all my life, trying to escape my … background. … Thus my lifelong snobbery about highbrow things.”

But there’s no escape, now, is there.

BECOMING A CHARACTER

~ Jnana Hodson ~ 1 Comment

Everyone where she was from said simply, “Oh, that Anna! She’s a character!” But they’d never say why.

I met her long after she’d moved east, and sensed in her a deep spiritual presence.

Still, when it came to opening her memorial service, I couldn’t refrain from mentioning her identity as a character. What emerged in the next hour was quite a lesson.

Afterward, as I drove home from New Jersey, I embraced this mandate: we have the first 40 years of our lives to get our act together – and the next 40 to become a character. If we can. If we’re worthy.

SEASONS OF THE SPIRIT

~ Jnana Hodson ~ 1 Comment

To perceive a spiritual journey as Seasons of the Spirit acknowledges how much of it is out of our own hands, like the weather. We yield to the Spirit and are guided by it, to the extent we are faithful. “Which Spirit is thee speaking of?” I hear echoing, a memory of elder Mary Hawkins of rural Ohio before she counseled me of other spirits, such as anger and jealousy and so on. For the record, then, this is what I now call the Spirit of Christ – specifically, the Light and Life addressed in the opening chapter of the Gospel of John. You may define your encounters as you may. My interest here is with an experienced connection with the Divine and a heightened awareness of its manifestations among us.

While everyone talks about the weather, few openly discuss religion. Too often, those who do raise the subject seem unwilling to listen, at least openly, and their arguments are cast along the lines of dogma or creed. Again, my focus is not on what we have been taught about faith, but what we can say about its workings in our own lives. When we can get past the formulaic responses, a discussion of religious experience allows us to search some of the deepest desires and fears of human existence. It can also unleash extraordinary social reform, as we might see looking through history, or be constrained to do the precise opposite.

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To speak of Spirit in this manner requires us to search for the ways it becomes embodied in our lives and our world. That is, how it takes flesh. What is abstract reveals itself in concrete decisions and actions, as well as thoughts and emotions.

MUG, MORE THAN A CUP

~ Jnana Hodson ~ 2 Comments

Seems I’ve always been a coffee lover, as far back as those “coffee milks” our Gran used to serve my sister and me on Sunday afternoons. Maybe that’s why I still prefer mine café au lait – half milk heated with a liberal dose of sugar or sweetener.

For decades now, my days have begun with a round of hot coffee, often abed – yes, how blessed I was after remarrying, when my wife would appear with the perfect mug when I needed to awaken. And how much I lament how that ceased, in part because the office rejuggled my schedule, meaning she never knew quite when I would be rousing.

For someone in a faith tradition that eschews rituals, I have to admit where they really appear – and be willing to acknowledge anything that’s an addiction, as well. (Remind me to take a coffee fast in the next year, OK?) Yes, maybe the editors of one poetry journal had it right when they admitted they were devotees of the Goddess Caffeina. (Oh, she has temples everywhere.)

More recently I’ve begun to question whether it’s really the coffee itself I like. That is, I can drink it black. And, yes, I also demand dark coffee – the darker, the better. I even like Starbucks, though that has nothing to do with my years in the Nevergreen State. (Remember, I lived in the desert side of Washington state.) No, I realize when the mug’s turned cold, my beverage tastes a lot like the cartons of chocolate milk we used to purchase in the elementary school vending machine – the ones that cost us a nickel. So maybe it’s that chocolate underpinning that grabs me.

Is it possible that even at six-foot-two, the chocolate stunted my growth? We can’t blame the coffee, now, can we?

ON THE PICKET LINE

~ Jnana Hodson ~ Leave a comment

As I said at the time, carrying a picket sign, after all those years as a professional journalist, crossed a barrier. We don’t take sides, in public, so what does one do in a labor impasse? I realized this is what my younger stepdaughter, the political activist, called a “viz,” for visibility event, and that we could add more posters to our sticks, to create a “totem pole.” I also recalled a Friend, speaking of driving along and seeing a vigil and then stopping and opening his car trunk for the sign he always carries, just so he’d always be ready to join in anywhere. There was something liberating in this, even if it was an “informational picket” rather than a straight-out strike line.

Now, having retired from the profession, I sense another opening. A return to an earlier calling. My entering journalism, as a public witness and service, is restored to its original prompting of advocacy and reform, before it was confined by corporate media – the very bottom-line organizations right-wing critics overlook when they accuse “liberal media” of, well, reporting both sides. Maybe I’ll become a Quaker agitator, after all. (As the retiree activist, I might say: Thank you, Megan. And Iris. Especially.)

ON TURNING SIXTY … FIVE!

~ Jnana Hodson ~ 4 Comments

The milestone demands some acknowledgement, or at least a hard assessment of my life to date. To be honest, when I graduated from college, I hardly expected to survive past my mid-thirties, and the way things were going, maybe I wasn’t far off the mark. On the other hand, I never anticipated the turns this journey has taken.

For one thing, I rarely thought of journalism as my lifetime career, but rather as a steppingstone to something else. While the field could be exciting at times, getting caught up in the management side of the business took a toll, and the more recent downward spiral of the professional publishing industry in general is downright frightening.

I had envisioned myself either returning to my hometown and writing for a newspaper that no longer exists, or else working in the heart of a large metropolis with its range of concerts, galleries, lectures, and theater, possibly after going back for a law degree. Of course, neither way opened, but the ashram route did. And I, who started adulthood somewhere between agnostic and logical positivist, was now on a spiritual pathway that would lead me to Quaker practice.

As I look back on my adult life, the only thing that has made sense has been this spiritual evolution. Each of the geographic moves, ostensibly in pursuit of a career, actually introduced the next step in an expanding faith and practice. Now my generation is having to move into places once filled by the “mighty old oaks” who came before us – the most troubling aspect being that we are, all these years later, still the younger members of Meeting or, for that matter, much of literature and the fine arts.

The craft of writing has itself has taken its own curious twists within this; while the poetry and fiction have often arisen in the discipline of keeping my skills sharp in the face of the daily grind, and thus have often veered toward the “experimental” side of literature, they’ve also served as a tool for investigating the unfolding experience – something quite different from trying to “create” a poem or story. Examining a situation honestly and directly, rather than trying to be ironic, cute, entertaining, or ideologically correct, is one of the consequences; on the other hand, you’re constantly measured against some standard of innovation. It ain’t easy, balancing the two.

Nevertheless, I’ll confess to a lot of remaining frustration. All of the unfinished work before me, for instance, or the difficulty in achieving successful book-length publication, despite having more than a thousand poems and short stories published in literary journals, at this point, on five continents. On a more personal level, I could look at all of the social skills to be fostered, to say nothing of a round of grandparenting, should that happen.

Even so, as I told my wife a few months back, I have nearly everything I’ve wanted, though it resembles none of what I imagined. The crux here is in being receptive and grateful, which proves surprisingly elusive when we’re in the middle of the usual swirl.

*   *   *

This is something I wrote for myself at sixty. And here it is, with a few tweaks, five years later. Just as applicable.

LONG-DISTANCE MEMORIES

~ Jnana Hodson ~ Leave a comment

In the email age, the personal letter has become a cultural artifact. Here’s what might be an example from someone or another wandering, perhaps in a private desert of Sinai.

*   *   *

Greetings on this sunny but nippy Valentine’s Day! How much nicer it would be to still be abed, next to you, both of us pleasurably sated and, well, how do you like your coffee? (A local roaster makes a savory version it markets, tongue-in-cheek, as Charbucks – “You told us you like it dark.”) But now, does that mean I have to untie those silk scarves? Or go find those tiny keys again? (Dream on, old man!) Here I am, on the first full day of my fifty-first year (gads, even saying that feels a bit like coming over the first crest on the Cannonball wooden coaster at Canobie Lake!) trying to recover from another grueling double-shift Saturday at the office – the weekly 9 a.m. to 10 p.m. no-letup newspaper editor’s nightmare. So I decided to stay in from worship this morning to try to catch up on some personal affairs, including setting down that letter I’ve been composing in my head the past several weeks – and which, now that I’m at it, I can’t even begin! Which thread should we pursue first? (Fact? Or fiction?) Yikes!

Suppose we should start off by saying how much I’ve once again enjoyed all of your confessions of the journey of the emerging psyche. One of the remarkable things you are doing is giving voice to experiences in a rite of passage for a generation coming of age but who remain so incredibly tongue-tied.

One of the incomprehensible elements is the psychological pain so many teens and young adults in America carry – this, from a generation that has received more physical comforts and leisure than any other in history – food, education, fashionable clothing, shelter, cars of their own. You admit the “emotional demons, trying to survive in the face of my fragile nerves and emotions.” I wonder how that involves the essential nature of being a creative person, someone drawn to the arts, who craves a deeper experience and more fulfilling explanation of life than the material/materialistic surface can ever provide – and how much reflects a very serious and deep breakdown in American society itself, one in which the pursuit of individualism at all costs and the ever-accelerating accumulation of more and more wealth and power in fewer and fewer hands simply leaves fewer openings for most of us to come together as meaningful community. Positions that once allowed genuine opportunities for decision-making and personal expression – like the local bank president or newspaper publisher – are now just mid-level bureaucrats. And physicians and surgeons are just beginning to be sucked up in this process, thanks to HMOs or hospital conglomerates. (As one was recently quoted: “I used to be a physician. Now I’m just a health care provider.” Or as I sometimes say, not entirely in jest: “I used to be a newspaper editor. Now I’m a copy processor.”) The field – and life opportunities – have certainly changed since I set forth, and not for the better, I fear.

So pains, yes.

Wish you were here.

30

~ Jnana Hodson ~ 5 Comments

Sometimes it’s hard to believe how much has changed since I entered the field of journalism four-and-a-half decades ago. Even as a high school student editor, I was engaged in a craft that was pretty much as it had been for the previous eight decades, in the long shadow of the introduction of the Linotype machine. We could see ourselves rooted in an even longer tradition of newspapering arising in the handset type era before that. Think of the New York Times dispatches during the Civil War. Printing was still mostly by letterpress, even though the newer offset method with its superior reproduction of photographs was making inroads. Every other week, I would trot down to our printer’s with our latest round of stories and pictures, get correction proofs a few days later, and then release the edition for publication.

We were quite limited in the typefaces available to us. I wanted what was then an elegant new typeface that our shop didn’t own — Times New Roman. Hard to believe how ubiquitous it’s become, or how much further we’ve come as well. But he did have Caslon, which became one of my favorites — in part because of its use in the Sunday editions of the New York Herald Tribune. And Bodoni, in part because of its indestructible nature, was the standard headline choice; try finding it on your computer selections these days. Photos were another matter altogether, as were student photographers. Polaroid shots were a radical leap into the future, and usually far more reliable. Polaroid?

Writers, of course, used typewriters. Not just reporters, but almost everyone except for the select few writers who could still write in longhand and have a secretary or typist service transcribe the results. Secretaries? Typewriters? Typists? And what often astonished me was how antiquated the typewriters in most newsrooms were — clunky old uprights, unlike the elegant (and electric) IBM Selectrics I’d see while passing the local jeweler’s, where they were rarely used. (Unlike those of us who were writing for a living.) The Selectrics, I might add, came into newsrooms later, only with the advent of text scanners, which was a huge setback for the written word. But that’s another rant.

Typewriters introduced their own traditions, especially on deadline. Reporters would finish the first page of a story with the line, MORE, and then begin their next page with a slug line for the story, say CITY HALL, followed by the notation, TAKE ONE or ADD ONE, and then continue. This would go on for however many sheets of paper were needed until the story was finished. And then the reporter would add the line: 30. Perhaps as — 30 — or #30#. But always thirty.

And that’s even without mentioning the carbon copies. (The what?)

We can argue where that tradition began, but it was universal in the trade. If the reporter was working on a breaking story, the first page could be sent to the copy desk, be edited, and even sent to the composing room while the rest of the story was being drafted. A headline could be written and set in type, for that matter. Minutes counted. The first part of story could even be set in hot lead type while the reporter was working toward the ending.

Editors, meanwhile, would be writing headlines using an elaborate tradition of their own. These were all valued skills. And the result mattered.

Sometimes, I can almost smell the newsroom where I became a professional, thanks to Glenn Thompson. Or his advice about keeping a journal. Or some of the others since. Still, it’s hard to believe how far I’ve come over the years.

These days, a news story comes as a single take. A computer file you scroll through. We paginate on a large computer screen, designing a page for publication. All of the highly skilled typesetters, compositors, engravers, proofreaders, and more I admired — and who provided me a safety net — are long gone. Am I getting misty?

There’s an additional reason. When it’s come to my professional career in journalism, the time has come to write:

30

WILL THE REAL ME PLEASE BRAND UP

~ Jnana Hodson ~ 3 Comments

Branding, we’re told, is everything. It’s not just marketing, or even just a product. It’s the whole lineup. A slogan for differentiating one Big Box Store or high-end boutique from another (including everything inside). Even academia wants a label as a way to file a writer or artist away for easy reference, however awkwardly into one slot or another. It’s ultimately a word game, with or without an actual referent. But what if you’re a misfit, as many truly are?

In literature, the labeling relates better to those who stay within a genre or stick to a manifesto or particular technique or remain in a specific locale – an Oklahoma gothic mystery crime writer, for example – than to my favorites, especially those whose work ranges over many subjects and forms and continually grows. Likewise, I’m bewildered by how often the labels applied to them are downright erroneous, if not simply glib. Or matches one part of their output while ignoring all the rest.

This turns up repeatedly when I attempt replies for those who wish to pigeonhole me. I do what I do. The writing goes where it goes, and the revisions follow. I try to be faithful. So far, I’ve been a part-timer and non-commercial. Neither by choice, but both by fidelity. My opportunities for literary writing (in contrast to the daily journalism that’s paid the bills) have never been that easy or as sustained as I’d wish. I’ve envied those who set out knowing the direction they would pursue for a lifetime, those whose work presents a continuous focus and tone. Especially those who mature as they progress, rather than repeating a facile formula.

Looking back over my poetry and fiction from across the years – and, for that matter, across the continent – I’m struck by the ways so many of the pieces differ, at least outwardly. How varied the subject matter and approach. Here I keep intending the plainspoken, direct, clearly focused piece, and keep winding up with Mixmaster compounds and distillations. Maybe my mind’s rarely that unified; instead, a multitude of mental and emotional activities have kept occurring simultaneously and the most I could hope for is some convergence. Besides, so much of my writing has arisen in some opposition to my daily employment, with all of its own dulling repetition – my writing keeps veering toward the “experimental” fringe, if only in reaction to the daily grind of news stories and headlines. Or, in the past decade, obituaries. Through much of my adult life, I’ve felt torn and uprooted, from Ohio and Indiana to the East Coast and then Washington State and back again. To say nothing of my love life and social environment. The nature poems stand in contrast or discord with the police blotter love poems or, in turn, with my current home setting. That, before I even consider my fiction or the genealogy or Quaker expressions.

(Have I performed the daily journalism to pay the bills while I pursued my literary endeavors? Or had I pursued the literary work as a way of keeping my journalism skills sharpened? What started as one wound up the other, and then shifted back again.)

The writing, in turn, has been an attempt to bring some understanding to all the eruption I’ve experienced. The turns in the road, the setbacks, the advances. A quest for understanding and, if not clarity, some meaning or permanence. I tend my personal journal because I forget so much, and often record observations I will not comprehend until years later. Am baffled, because I have yet to define my mission with a label that sells. Write, then, to discover myself in this morass.

Still, I’m open to suggestions. If you can.