Somehow it’s happened.
I’ve lived in this house longer than anywhere else.
Along with this tickety boo woman.
You never know what we'll churn up in cleaning a stall
Somehow it’s happened.
I’ve lived in this house longer than anywhere else.
Along with this tickety boo woman.
As I said at the time …
And you think I’ve raised a lot of questions already? Just wait till I begin pondering my wife! I’d start there, if I thought I could make any sense of it without all of the previous history and experiences, good and not so good. Yes, she and I both believe it would have been much better if we’d met, say, 12 years earlier … We would have been younger and more flexible, in many ways, than we were when our lives enmeshed. Or did I mention there are many parts of this getting older I just don’t like, all in addition to balding? She’s a most remarkable woman, incredibly talented and frustrating, highly opinionated and conflicted, too. We’ll just have to see where this all goes, especially in the transitions we see coming ahead.
Enough! What I am simply trying to do here is look under or around the all-too-often light give-and-take you and I have enjoyed and known, this time to more clearly see and identify the “differences” you so early noted while I so blithely remained ignorant or in denial. Through everything, though, you remain very special, mysterious, and yes, magical, in my life.
After all of this, for the record, it’s not snowing here – yet. And I’m off to the office, again.
As one funeral director ended our call on a night when I was the obituary editor a few months ago, “Stay well” – or better yet, as I’d add, “Stay faithful to all you are and believe.”
Fondly and ever gratefully yours.
As I said at the time …
The image is simple enough, and direct: a sunfish transferred to paper, a child’s project in dull red poster paint. The specimen, found on a beach, measures fourteen by seven inches – larger than most of the fish caught back where I’m from, but nothing remarkable here. It has long, prominent spiny dorsal and pelvic fins (the anal fin’s much smaller), and a rather compact caudal, or tail, fin. While much of the scale pattern is apparent, it’s difficult to tell about pectoral fins. The gills and eye, however, are thick paint, and a band of dots runs most of the length of the body to the tail. The mouth, of course, is agape with a small, receding lower jaw. It’s the roundness of the profile that kindles my imagination – at least rounder than the way I would draw a fish or design a machine for the water. As soon as I acknowledge the underlying circle, it becomes drawn out, like a balloon pinched apart by two fingers.
Sometimes I picture a fish encased in a suit of mail armor, though I know that’s hardly the case. Rather, the intricacy of the interlocking exterior – like shingles on a house, rather than brick or stonework – fascinates my landlubber sensibilities. As I stare, the image becomes concave – the fattest part of the body, because of the scales, has the most openness, the least paint. Still, there’s no anticipation the fish will suddenly turn, either in attack or in flight.
I suppose that roasted over open flames or fried in a skillet, a meal might emerge. It’s larger than a typical trout, after all. The child behind the painting, however, now refuses to eat seafood of almost any variety.
The nature of fish is as mysterious to me as the array of the night sky, and to my mind far less mechanical than the knowledge of hooks, bait, spinners, and water depths prized by devoted fishermen. Jesus promised, of course, to make us fish for people, a far more elusive objective than any school underwater.
The paper itself has yellowed and crinkled, as I have.
When I was asked to write a newspaper column two or three times during my senior year of college, I chose – out of the blue – to call it “A Corinthian Column.” Maybe it was just a quirky play on words, crossing the distinctive Greek architectural element with a then very vague sense of New Testament or even prophecy. At the time, my faith was somewhere between agnostic and logical positivist – and vehemently anti-Vietnam war and, to a milder extent, anti-Christian. Yet when someone asked, “Where do you think you’ll wind up, as far as religion goes?” I blurted, “Probably something like Zen-Quaker” – this, when I had little idea of either practice or, for that matter, the way that becoming a yogi a few years later would lead me here in the radical Christian sphere.
Decades later, being nominated to serve as clerk of our meeting had me feeling a similar sense of embarking anew. I could list a hundred reasons why I shouldn’t be clerk. First confession: my motto tends toward “Just do it,” and I worked under relentless daily newspaper deadlines. Either way, this means my patience easily wears thin in many Quaker business sessions. Process? I also wish we had a better system of upholding of our community than committee work. Even so, here we are, all the same.
In the interim, Corinthian Column abbreviates to “C.C.” – the same as Clerk’s Corner. When I set out, I intended to draft some short pieces for the congregation’s newsletter – holding each to just three paragraphs – for upcoming issues. Collect random thoughts on our practice, especially. Maybe even without much (overt) theology. So here’s what happened, Friends. Rarely did it hold to just three ‘graphs, though I usually kept it under a page of copy.
What has surprised me is the way these became pastoral letters after all, much the way the Apostle Paul did, in his own letters to the Corinthians. Yes, I largely avoided the theology, unlike Paul, though I address it elsewhere. The effort of living as a community of faith is interesting enough, as it is.
~*~
You may have guessed many of those newsletter items have now resurfaced in one guise or another here at the Red Barn. My intent this time is aimed at encouraging your own spiritual exploration and growth and possibly even some mutually enhancing discussion of how one tradition can infuse new life or understanding for another.
I love hearing of similar encounters from other directions.
As I wrote to a long-lost friend at the time …
Maybe it was the James Tayler concert broadcast from Tanglewood at the end of August, as I sat in the newly accessible and lighted loft of my barn and sorted through some files that had been long packed away. Maybe it was the martini that accompanied it. Or maybe it was simply an aspect of a larger interest these days, of simply trying to figure out how I wound up here after what’s often seemed a zig-zag journey through some rather disparate circles across the continent – a route that’s included divorce, a broken engagement, and finally a second marriage approaching 10 years now.
What I felt was a keen appreciation for you, especially, and Maggie and Ise, wondering how your life has prospered and, hopefully, deepened. Glenn got in touch with me a few years back, when he and Mary moved to a cabin in the New Jersey woods … and she didn’t drive. Am not sure she does yet, either.
At any rate, thanks to the Internet, I find two versions of your name both at the same address – can’t be too many who earned their law degrees where you did or started practice in that year. So here’s hoping.
If nothing else, I ought to thank you for introducing me to The River. Or should I say the ritual of repeated returning to The River for periods of introspection and, pardon the pun, reflection? That year of the Susquehanna; later, the irrigation canal bank in the desert orchards of Washington State and then three years along the Merrimack here in New Hampshire. Or the Cocheco, with its waterfalls that drop down just before passing through a stone arch in the big brick mill in downtown Dover. These days, it’s also the Atlantic, especially when my older one’s managing the seaside motel. This has been my summer for discovering the night ocean in all of its moodiness and mystery.
And now, revisiting my journals (which didn’t even start out to be journals, as I discover) as well as letters from the period has been eye-opening, and often delightful. What I remembered as being an essentially depressed period for me was filled with a lot of wonderful encounters and growth. To say nothing of humor, especially Maggie’s. And there’s so much I had forgotten, or that turns out to be different from my memory. More than ever, I think our Hawley Street (and subsequent apartments) would have made a better sitcom than Friends. Nor could anyone have played you better than you. Maybe Cosmo Cramer would have portrayed me. As for Glenn?
Life these days is, I must admit, even fuller, but that’s a long story. My wife’s an incredible woman who’s off seeing an architect at the moment about moving a charter school to the ground floor of one of our old mills, a lovely space overlooking the bend in the river where ships used to dock. (Right now the school’s on the fifth floor next door, with some amazing views of the town.) It’s just one of her (unpaid) jobs as chairman of the board. … Such as it is.
I’m hanging on, glad to have a union card, and wondering how much longer the entire industry can continue to give away the product online. Professionally, it’s been grim all over. Without planning to do so, about 24 years ago I made the decision not to continue in the management ladder but return to the ranks – something that’s allowed me to focus instead on my own writing, Quaker practice and leadership, and a personal life, including New England contradancing and choral singing, on occasion. And homebrewing, at least until we redid the kitchen. Etc.
Well, that’s a sketch from this end. I hope you’re in good health, feeling accomplished and fulfilled, and maybe even content. I would love to hear from you, however briefly – and maybe even give my wife an independent account of our by-now ancient history.
Best regards …
To wake up one day and sense you’ve built whatever big projects you would – a newspaper, a house or business – from now, the focus would be shorter, more along the lines of maintenance or preservation. What we might now consider middle-age, actually, rather than elderly – and sit back, sip wine on a porch or in the garden. Grandchildren, rather than children, likely. Life, at its crown.
I keep wondering, even though I’m officially retired. For one thing, the income’s short of expectations. For another, there’s so much work remaining. What would it feel like, to finally be caught up?
When my private-time writing returned to poetry shortly after relocating to New England three decades ago, my attention turned to this unfamiliar place where I was now living. Quite simply, it felt much different than any of my previous locales, and the spirit of specific locations has always been a central concern in my literary ventures.
My personal writing has often been a way for me to assemble thoughts and impressions. In many ways, it’s the way I work through a problem or gain focus on an issue. So when it came to the exercise of looking at my new environment, I soon envisioned a set of poems along the line of a monthly almanac or even a calendar of words rather than color photographs.
I’ve long had a fondness for those large monthly calendars anyway, and by the time I got serious in pushing the almanac, I had a good selection of images to draw from as additional inspiration. Just what images does the region conjure up, anyway?
That’s when New England’s famed Winged Death headstone engravings came into play, and each month began to compress the overlapping centuries this corner of the United States embodies – more so than other parts of the nation, at least.
New England also has a strong tradition of authority and dissent. The Puritans, after all, came to these shores in their dissent from the Church of England, and Samuel Gorton, Roger Williams, Anne Hutchinson, and their followers in and around Salem, just north of Boston, were soon challenging the Puritan hegemony before being banished, in waves, to Rhode Island. Early Quaker firebrands were soon adding to that upheaval, and that’s included in my spiritual legacy.
What emerged from all this is a craggy, even Baroque, collage that reflects the evolution of the Yankee character in its landscape of harbors and mountains. It’s now available as a free PDF as my latest Thistle/Flinch edition. To read more, click here.
One of my favorite passages in all of poetry comes from Howard McCord’s “Longjaunes His Periplus”:
A chest of maps
is a greater legacy
than a case of whisky.
Followed by:
My father left me both.
Like my younger one, I’ve always been fond of maps. My bedroom wall was lined with tacked-up National Geographic charts, which tended to sag in our humid summers.
I was reminded of this the other morning when I was looking for a Boston street map, just in case I lost my bearings. Yes, I could have gone to the maps at Yahoo or Google. Even looked for the satellite views and all of the scary ability to snoop that goes with it. I couldn’t, though, use a GPS, neo-Luddite that I partly remain.
So I opened the drawer and here’s what I found (I won’t give you the years, though many are from the early ’80s):

And that’s before we get to the drawer of topographical maps, especially those from my Cascades years. Or the books and atlases. Or the genealogical maps, Guilford County, especially in those files.
Oh, the memories! And you want to tell me they’re obsolete? Fat chance!


While I’ve never gotten wrapped up in my wife’s fascination with gingerbread houses, my contrarian nature has embraced the idea of making an annual gingerbread LIGHT house, and here’s one result .
For the recipe and the templates, especially if you want to go for fancier results, check out this story, recipe, and assembly directions. (It’s not the only gingerbread lighthouse at Coastal Living, by the way, in case you’re really adventurous.)
The model was based on the Whaleback Light just downriver from us, so I feel it’s an extra special touch. And the gummy lobsters and gummy sharks, along with the candy rocks for the lighthouse wall, were purchased from Yummies just beyond the Kittery Outlet stores. That can be a destination for Maine visitors all in its own.

