PLAYING WITH CROWNS, LIKE IN CHECKERS

Last week, I wrote about relearning Spanish and the tree of Crowns the online Duolingo course uses.

As I’ve been earning Lingots for rebuilding those, I’ve had a series of sessions where I’m presented with a sentence or phrase to translate and a set of mosaics or buttons to choose from, one word on each. It’s kind of like a Magnetic Poetry Kit, except that you have to click on the word you want.

In the first hour of my day, my mind wants to run off in whimsical directions.

Here are a few examples.

Approved answer: The girl wants sugar on her apple.

Rejected answer: The girl wants sugar on her husbands.

(Or just a sugar daddy?)

Approved: Are you going to school today?

Rejected: Are you going downstairs today?

(There are days we don’t want to get out of bed, right?)

Approved: I want to go to the movies with my friends.

Rejected: I want to go to the movies with my girlfriend.

(Except that she doesn’t like the action-adventure stuff we do?)

Approved: I always go to work by bus.

Rejected: I always go to work by duck.

(There’s an opera about a guy who goes to work on a big swan. I’d settle on a big yellow duck, wouldn’t you?)

Approved: Do you have to work today?

Rejected: Do you have to speak today?

(Some days simply speaking is a lot of work … especially if it’s in Spanish. That’s the polite explanation. The other one is “Firme la boca,” I think.)

Approved: We don’t open the messages.

Rejected: We don’t open the refrigerator.

(You never know what’s inside.)

Approved: We are buying a car.

Rejected: We are buying a brother.

(Hope he’s worth it.)

Approved: My husband never gets up with me.

Rejected: My husband never gets up on me.

(That would lead to a lot of words we haven’t learned yet.)

Approved: I want a modern kitchen.

Rejected: I want a modern husband.

Also rejected: I want a modern dog.

(Oh, don’t even try to make the connection. Puleeze!)

I START MY MORNING WITH SPANISH

For the past two years, a daily online language class has opened my day. The practice began shortly after the annual sessions of New England Yearly Meeting of Friends, where repeated happenstances with our guests from Cuba had me realizing how much of my high school Spanish I’d forgotten.

Well, a lot of my recall also got tangled up in my college French, but that’s another story.

A conversation with my elder daughter, the linguist, convinced me to try a free online refresher course via Duolingo, which some of you probably know of. The high school text I’d carried since 1964 soon went into the trash – it was terribly dated.

So I rise, usually before dawn, brew some full-bodied, fair-trade Cuban-style coffee beans we get at Costco (they’re like espresso but better), and head off to my laptop in the attic for a half-hour of language learning. Let’s say that at that hour, I make a number of stupid mistakes. I’m still groggy.

A few months ago, the powers-that-be behind the free course decided to alter a few things. It’s inevitable when it comes to anything computer, isn’t it? So instead of seeing something like “You are 67% proficient in Spanish” on the home page, they were taking a different tack. Most startling was that my Crown Level had decreased significantly. Look, that was something that would occur if I missed a few days of practice, but I had been faithful. I felt robbed.

That’s when I started thinking about some of the motivating factors the Duolingo brain trust applies.

The first is something they call Lingots – kind of like Monopoly game cash you can hoard, like me, or spend on things like commentary or idioms. If you do 10 uninterrupted days of study, you’re awarded Lingots – one point when you hit the first 10 days, two more at 20, three at 30, and so on. You can also wager some of yours for other accomplishments. Look, it’s stupid but highly addictive, especially when you reach 150 straight days. That’s 15 Lingots, hombre.

The Crowns, meanwhile, are part of a “learning tree” Duolingo has for advancing. When you start a language, you begin by clicking on a little button labeled “basics,” do the required number of lessons within it, and it soon turns color. You earn a Lingot or two and move on to the next, maybe “articles” or “vocabulary.” Eventually, all of them – 30 to 50, maybe? – change color and you go back to raise each of them to the next level.

Or from that point you can simply do a random set of practice questions. Oh, but that option doesn’t win you a lot of Lingots.

What I really want at the moment is to hit a thousand in my account. Hoard them, in fact. Es muy loco, verdad, but it keeps me going.

And then I move on to the latest manuscript in progress or check up here at WordPress. Both in American English.

TIME TO BLOW THE DUST OFF A FEW STACKS

As my wife and I started listing what’s keeping us busy these days, we were both surprised to find that one thing – one important thing – was missing.

What we both realized is that regular reading … as in books … had been pressed out of our schedules.

Instead, we’ve been doing bits and pieces of reading online. It’s just not the same as luxuriating in a deep volume.

How about you?

REWORKING A TEXT

When several of our lifeguards were complaining about their high-school term papers and having to meet the length requirements, I decided to show them a couple pages of my novel in progress, the book that’s emerged as What’s Left.

They were blown away.

It wasn’t any different from what I’ll assume all serious writers do. Just look at the examples in the Paris Review’s acclaimed author interviews. I remember my own shock at the first few I saw – what, we don’t write flawlessly the first time? Oh, the folly of youth!

Well, nowadays we don’t always work from typescript or even printouts – what I showed the teens-to-whom-I-fully-trusted-my-life had now become the exception. I should have photographed some for posterity but instead trashed them during a purging of my studio under the rafters.

Few readers imagine how thoroughly a serious writer or editor will rework a text – major sentences, even paragraphs, are struck out, new words and notes are scribbled everywhere, even fresh pages of inserts are taped to one side or the other of the page.

Tell them this is from the fifth or seventh revision of the manuscript, they’re even more incredulous. The discarded material is a flood compared to the drop or two they struggle to compose.

As the saying goes, inspiration goes in the first draft, genius comes in the revisions.

As we might add, if one’s lucky.

COMING OUT OF SEMI-SECLUSION AFTER BEING IMMERSED IN REVISIONS

Writers work in many different ways.

Some sit down and write two hours a day. When I read that in interviews, I used to think, “What slackers!” Only later, when I realized how much other work needs to be done to sustain that, did I revise my opinion. Research, reading, and correspondence are also crucial parts of the job. For many professional writers, you can add teaching to the list – it can be what really pays the bills.

Others charge up and then lock themselves away for an orgy of keyboarding. Say, two weeks to two months of doing nothing else. There are tales of some writers in the old days who would rent a hotel room for a week or so to do that – they must have had a very nice advance and known exactly what they were setting out to do, it seems too short a time for me these days.

When I was working full-time, my method was rather piecemeal. I’d plunge into writing heavily one day a week – it helped when my four-day workweek allowed me three days off in a row, though I paid for it with that double-shift each Saturday. The rest of the week I put in a couple of hours each day for keyboarding and the supporting labor.

That schedule, in fact, led me to concentrate on poetry much more than fiction, though the budding novels typically got their attention on my vacations and holidays. Looking back, it was a rather schizoid existence.

Since retiring, a major shift has happened, and I’m just now seeing its impact. I’ve been able to immerse myself in drafting and deeply revising a work, to live with it more thoroughly.

I’m going to blame Cassia, the voice of What’s Left. Working with her was unlike anything I’d attempted before. The focus shifted from her curiosity about her father’s past to a close examination of his photos and the family he discovered to, finally, Cassia herself and her siblings and close cousins – the Squad. The spotlight went from being on what happened to the individuals themselves. It was no longer action-driven but character-driven.

That, in turn, led to a similar reworking of my other novels, often with Cassia in effect sitting beside me. Again, unlike anything else I’d done before.

Doing this, though, has involved a lot of semi-seclusion. I’m definitely ready for a change.

THE LONGEST GRASS AND THE SEARCH FOR A WORKABLE ITINERARY

Back in my college days I came across a column by a magazine writer who was retiring. He mentioned something he had recognized early in his career, that if you want to be a writer or a serious reader, you need to get comfortable with having the longest grass on your street. (An editor is something of both.)

It’s been a powerful – and to me, helpful – image.

Studious reading and writing require large chunks of time and concentration. Sacrifices have to be made. Quite simply, you can’t hope to do all the things everyone else does … or seems to do.

With my wife back in the workplace (and me now retired from paid employment), she’s looking at the list of things she’d like to see done to keep this old house and our big garden in shape. As that editor was saying about the grass?

A few weeks ago, I revisited some notes I had made in looking forward to retirement. It was embarrassing. I had always anticipated this as a time I could finally devote fully to my literary and spiritual callings rather than as a time to kick back and indulge in a life of leisure. (No golf clubs or even tennis racquet on my horizon.) Still, even then, I felt challenged in trying to find a balance for all that I wanted to accomplish. Frankly, these plans looked like boot camp for a senior citizen. Rise at 5, sit down to meditate, exercise, and hit the keyboard for three hours. That sort of thing.

What my theoretical charts didn’t include was housekeeping and the like. And then when I did retire, I hadn’t anticipated taking up daily swimming in the city’s indoor pool or online Spanish lessons or weekly choir rehearsals in Boston.

As for the big household projects like painting or ongoing repairs or time in the mountains to the north or at the beach to our east? Fuhgetaboutit, as a New Yorker would say.

I GOT BLOWN AWAY, FOR A WIDER ADVENTURE

My plan for this year has gone far off course. How about yours?

No, I’m not talking about New Year’s resolutions. I gave up on those decades ago. I’m talking about real business.

My goal had been to spend much of my time pushing the visibility of my new novel, What’s Left, first as an Advanced Reading Copy (available for free) and then as the First Edition.

Days after posting the ARC, though, I was sidelined by a cardiac event. That led to down time during recovery and rounds of testing and seeing doctors, plus getting adjusted to the new meds and undergoing nearly three months of cardio-rehab exercises three days a week at the local hospital.

Oh, yes, let’s not overlook the Healthy Heart diet, a kind of perpetual Lent. My favorite fallback foods – cheese, eggs, and butter – are now essentially off-limits, except as stealth ingredients. (I’ll admit looking at that egg yolk in the book cover photo with a degree of longing. The whites just don’t carry any rich flavor. I really miss my cheese omelets.) Let’s say still trying to find a way to eat sufficiently is proving elusive.

I was already intending to do a light reworking of the four novels that formed the back story for What’s Left, but a Christmas-present biography of Richard Avedon fed into a sense that I needed to have a clearer sense of Cassia’s father as a photographer in those volumes. Even though I’d worked with some of the best photojournalists in the business, newspaper work is only one corner of the larger photography field.

As I set about what I thought would be a simple retouching of those works, Cassia, the central figure in What’s Left, took over. Quite simply, she had me examining the earlier works through her critical eyes and sarcastic perspectives. She can be bossy, and she insisted on major revisions that required far more hours than I’d expected. She really wanted them updated, and I’ve tried to comply.

As I began recasting him in line with her dictates, I had that sensation of pulling a loose thread or opening Pandora’s box or that notorious can of worms. The changes at hand required major surgery to form a better fit with the newest book.

I promise to relate just what happened in future posts, but the labor did plunge me into something resembling seclusion.

On top of that, though, some early reactions to the ARC led to another reworking of the new novel to make it easier to read. Sentences got shortened, contrary to my own love of long lines, and as much as I liked not having any quotation marks in the story, I yielded and inserted some for greater clarity. Again, time-consuming but hopefully worthwhile in the end.

Then it was back to drastically slashing and reworking the remaining earlier tales. In the end, the pruning led to substantial new growth. Can I confess to being very proud of the results? They’re much different and more substantial now.

And then, at this point, I briefly thought I was finally back on my intended track. I was wrong.

Temptation led me to pick up the draft of one secretive unpublished novel, and it nagged at me. Based on one of Cassia’s future father’s troubled girlfriends who appears in one of those older novels, it dealt with issues I need to understand more fully. That, in turn, prompted two months of obsessive work that still demands extensive tweaking, even if I never show the manuscript to anyone else. Let’s just say it’s personal, even embarrassing. For now, I’m hoping to put it aside so I can get down to where I wanted to be in February. Maybe now I can get back on mission?

Anyone else feeling way behind schedule?

I’d still like to hear how others manage their time. Any tips?

HOW DO YOU DECIDE WHAT TO DO NEXT?

At the rise of Quaker worship one week, I asked if anyone present didn’t keep a to-do list. I mean, these are all busy people, nearly three dozen of them … and that was on a slow day.

I was shocked when a half-dozen hands were raised. I still want to know how they do what they need to do, daily and on a larger horizon.

How about you? Do you keep those lists – and, if so, how do you arrange yours?

Or if you don’t, how do you keep yourself on task? Especially the big picture items, rather than what some call “putting out fires as they pop up.”

I’m all ears. My lists never seem to dovetail, and it’s still driving me nuts.

AS A FOOTNOTE AT THE TABLE

I wonder if the longstanding tradition of morning cleansing of marble steps at the front door in many inner city neighborhoods of Baltimore has survived the stresses of two-income families or single-parent households? Who knows when it started or in how many other locales it’s also practiced. This has been a custom of row houses, connected to each other – blue-collar communities, in fact – and not of detached suburban housing. And that makes the foremost difference.

These poems consider what women do and preserve – though not always exclusively. Yes, I’ve known women who bale hay or decipher monastic manuscripts, and I’ll also admit men can know nothing of bearing children or nursing. Yet, somehow, many women seem most at home around the kitchen, even if it’s nothing more than a teacup or a picnic. Even her garden, should she be so inclined, seems to extend from that table or the alchemy of her oven. And that goes for flowers, as well as vegetables and berries. (Remember, though: not all mothers and daughters can stand to be in the same kitchen at the same time, though they both be masterful cooks.)

Looking back on Baltimore, I remember my next-door neighbor, each morning in season watering the black locusts between our houses and the street. Maybe she did her stoop, as well. But the trees, which seemed to have always been there, were beautiful and timeless, as if spreading their own table.

Returning 1

~*~

For the poems, click here.

WAY BEHIND IN THE YARD AND HOUSEWORK

In the cardio aftermath, I was generally laying low, apart from my immersion in some serious revisions of my previously published novels.

And then? I looked at the window and saw an outburst of green – on the trees, especially. I had a sharp sense of having lost a big chunk of time.

We had some hard storms this winter, and some major branches came down from our trees. We were lucky they missed hitting roofs, cars, or outdoor furniture.

Still, it’s meant a lot of cleanup, and there’s more work to be done with a chainsaw.

The gardens, too, are behind schedule. I never got to the beach to collect seaweed, back before the seasonal out-of-town parking ban kicked in. Hauling those buckets and extracting the collected bags from the car trunk takes exertion, beyond what’s considered safe during recovery. I mean, I’d hate to take a nitroglycerin pill at the beach while working alone.

Nor did I get to some interior painting and picture-framing, as planned this winter. Some? There’s a lot.

We are watching some big changes downtown, especially where the city is carving away a hillside to extend our riverfront park and open space for new housing as well as open direct access to a hilltop park above, which is also being expanded and developed. This development, which crept up on me while I was recovering and not heading down that way to the indoor pool, will greatly enhance the central focus of the city.

Downtown is also undergoing the razing of an old retail block to make room for a five-story retail and worker housing structure. It will also eliminate what’s been an annoying traffic obstruction.

Glad I’m back in action. Wonder what else I’ve been missing.

Me at the compost bin at the far corner of our lot. Every year I empty the finished compost, which gets worked into the garden beds, and reload it with more leaves and the like to start over. Producing a full bin of compost takes at least five times that volume of raw material.