WESTERN HARVEST

With its cloudless skies, it could be an ideal agricultural cornucopia. If you had water.

~*~

In other climates, you commonly overlook the element of space, unless looking into the heavens on a brittle night. You observe objects, and space becomes the measure of distance between an object and you, or else some arrangement of objects. In contrast, desert appears more as a vacuum — a juxtaposition of surfaces, of sky and earth extending outward not to some imaged convergence (such as the perspective point where the twin rails of a train track become one) but rather away from any focus, and thus outward around both of the observer’s ears. Here, space itself becomes obvious, as if turned upright, like a wall in your face. So often in life, what should be most obvious is the hardest to see. The spider is on the window; the spider is on this page.

~*~

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Kokopelli 1

BASIC TRAVEL

There are many approaches when it comes to travel. Some folks like the big cruise ships. The Jet Set, well, flies off to chic-chic hot spots – and skips everything in between. For more down-to-earth vagabonds, there are camper-trailers and the like, and a whole range of campgrounds geared to their needs. Add to that bus tours and trains or the ol’ family car or even a bicycle or motorcycle.

And the destinations can be just as varied – from big cities, foreign countries, mountains or seaside, resort or casino, dude ranch or nature preserve, family or friends.

That’s even before we throw in factors like snow (either to escape or use for skiing) and sunshine.

My preference leans toward the back pack in one way or another. When I was “on the road” covering 14 states in sales, I used to call my valet bag a businessman’s back pack, for good reason. On my own, I’m likely to be using my sleeping bag, too, so you get the picture.

Maybe now that I’m retired I’ll even get back to some backpacking in the nearby White Mountains. We’ll see. I learned the lessons well as a Boy Scout.

 ~*~

Back Pack 1To go further, click here.

IRRIGATED BLOSSOMS

Making the orchards bloom was a labor of irrigation. No matter how fertile the volcanic soil of the valley, water was the missing element man worked to provide.

~*~

There’s good reason the rattlesnake-infested, corrugated humps encircling the orchard valley are pale brown: they receive none of the snowmelt impounded from late March into July in the high mountains. Agencies release and distribute that water through blazing summer into October. Green agriculture parallels the river and irrigation canals, defying the tough, roasted inclines above, where sagebrush and bunchgrass stroke tawny eternity. In this compass, wind rarely precedes rain. Beyond lucrative strips of orchards, the principal agriculture involves herds or hay; because of irrigation and unfettered sunlight, five mowings a year are common; bales are trucked to dairy cows and pleasure horses on the rainy side of the tall mountains. Desert has few chickens — and no pigs to speak of. Somewhere out there, Basque shepherds elude the heat. Forests begin at the top of high ridges observed fifty miles distant.

~*~

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Kokopelli 1

 

TRIANGULATIONS

As I said at the time …

So you’re moving out – congratulations! For one thing, it puts you on much firmer ground when you do commit to a live-in relationship – rather than jumping from your parents’ care into the care of another. Yes, your parents are much more liberal than mine were, but I too was forced to spend my first year-and-a-half of college at a local commuter school (fortunately, it had an excellent English department) and to live at home – something that deeply stunted my emotional growth. Getting away to Bloomington was a lifesaver, even if I wound up in political science and urban studies instead.

Well, I have another reading coming up Tuesday, same venue. This time, plan to read one poem – a longpoem in thirty-seven sections. Should take just under an hour. A piece that was nearly published by a highly regarded press twenty years ago – and was withdrawn because of deep cutbacks in federal funding for the arts. When I began to submit sections to journals a couple of years back, acceptances quickly followed. Now, to get the full piece out!

So here I am, wishing you could be with me in that smoke-filled room – have you on as the next reader, in fact, unless I gallantly step aside to let you wow them with an extended reading of your own. Or, more intriguing yet, share the stage, alternating pieces. Yes, I like that!

Oh, yes, you start to apologize about talking so much about him and that love poison. But I wonder, unless we are blessed enough to have a fulfilling life with our initial childhood sweetheart, whether a great deal about any current affair is actually an attempt to work out the failings of the previous hot fling. For one thing, we really do become attuned to the other person’s touch, timing, interests, movement – everything that makes him or her distinct. Nicolas Mosley, an English novelist, has argued that every coupling is actually a triangle – or more accurately, two triangles, with each partner having a side affair, a past, a demanding career, or whatever attached here. I’d agree.

Now, if you decide to hop on that bus and head off to some escape, what can I do to lure you here? (Just phone ahead, to make sure I’m not seriously involved with a very jealous girlfriend by then.) As I was saying, how do you like your coffee? Ever gone contradancing or English country dancing? And you wouldn’t be the only person in this neck of the woods dressed in black and stainless steel or exhibiting striking jewelry piercings, unlike New Orleans. In fact, a number of years ago, Donald Hall once wrote that there’s something Gothic about New England. I was living in the desert of Washington State when I read that, and it intrigued. Even more so, now that I’m living here. But that’s another conversation.

Well, it’s my turn to be up way too late – and to write disjointed stuff. Hope it makes sense. Now, for me, off to engage in, hopefully, some sensual and sensational dreams of my own. Care to bet if you’re starring?

Keep sizzling!

~*~

Olympus 1For a free copy of the complete American Olympus, click here.

THE BIG TREES

I still miss the Douglas firs and the Western red cedars. In their maturity, they stand tall – not quite to redwood stature but still impressive, especially when they’re massed together or the clouds roll through the branches.

Close your eyes and let the aroma present another unforgettable impression.

Maybe off in the distance of night you’ll hear the singing.

~*~

Mountain 1

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CANYONS OF DESIRE

Follow the rivers, then. Some lead into the mountains and form the “passes” to the high breaks in the crest line. Others lead out the other way.

You can also follow the currents of your passions.

~*~

Having come to the desert, we now know the fuller value of water. Something simple, essential. No one can live without it. The list of necessities is a short one; the possibilities of embellishment, endless.

There are rivers on every map you rely on. Sometimes when I walk out into the expanse, I encounter one. Sometimes, one deep enough to block my way. And then I turn to the page for a bridge.

Or, better yet, call out for my buddy, Kokopelli.

~*~

Kokopelli 1For a free copy of my newest novel, click here.

 

NATIVE INSPIRATION

Dwelling at the edge of a large Indian reservation, I found it impossible to ignore a vibration in the earth itself of their spirit.

Had I remained there a few more years, I no doubt would have collected turquoise-and-silver jewelry, the work of many Native masters.

Sometimes I still see their inspiration in the stars, though. Especially on a clear night. A very clear night, at that.

~*~

Mountain 1To see how it’s inspired my collection of poems, click here.

NORTHWEST OASIS

Three hundred sunny days a year in a fertile land may seem like Paradise.

But it’s surrounded by desert. And every irrigated ribbon of orchards was a relief.

~*~

In rain on Mount Cleman, sage and conifers become cloud wisps treading updrafts. Black talus glistens. The mountain’s so quiet that what seemed important hardly matters any more. Boulders float past the relics of the lookout, elevation 4,884. Step away. Over the edge, where black scree cascades, the carbon rods and oxidizing metal loops and plates of electrical batteries from some previous decade are now scattered among elk and deer scats. On downed trees and furry branches, too. A battered coyote skull stares up between shellrock. The mountains gasp repeatedly in their wrinkled embrace of limbs stretching out from the forest. Cupping vistas of orchards and rivers, the desert yawns.

~*~

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Kokopelli 1

 

RUNNING THROUGH CHEATGRASS

The grass grew tall in tawny tufts. One bunch here, another over there. Sometimes in the company of sagebrush.

~*~

Here a man will learn to pace himself more steadily. To watch for the rattlesnake, especially at river’s edge. To recalibrate his vision to the American Far West, where natural beauty assumes such spectacular proportions few notice the thinness at hand. The spider will teach all this. Clarity, like the desert itself, strips away to essentials. Sweeps away clutter. In what appears sparse, the man will gaze for episodes of miniature grace. Even elegance.

~*~

Kokopelli 1For a free copy of my newest novel, click here.

MORE THAN TWO SIDES

I’m tempted to say there are two sides to the mountain – a wet one and a dry one. Or even the side you see and the one you don’t. Or what’s ahead of you and what’s behind.

But none of that’s quite accurate.

You could, for one thing, be standing on the summit.

Or you could realize it’s one continuing side, like a Mobius strip, to explore. Even in your mind.

~*~

Mountain 1For a set of related poems, click here.