A LITTLE TRASH TALK

The SUV pulls out from in front of a neighbor’s house and tosses a plastic iced-coffee cup, straw, and lid onto the elderly woman’s driveway across from me as I’m weeding.

I retrieve it, put it in our recycling bin.

So they want a clean interior?

It’s not their vehicle that needs purging.

Oh, Lord, help us!

NO, HISTORY CANNOT BE ERASED

“Fellow citizens, we cannot escape history,” Abraham Lincoln wrote to Congress in December 1862.

Wednesday night, in her impassioned and reasoned impromptu plea to her colleagues in the South Carolina House of Representatives, fellow Republican Jenny Anderson Horne broke through a logjam of tactical delays so that her state – and the entire South – might finally address history.

We’ve long heard the argument that the War Between the States (there was nothing civil about it) was over states’ rights rather than slavery – a bogus case, at best, when one considers the 1857 Dred Scott v Sanford Supreme Court decision that stripped Northern states of their right t0 defend the human liberty of escaped slaves. No, the South decisively denied states’ rights. Or at least its powerful slaveholders did, when they wanted.

Like Horne, I have Southern roots – not as many or as distinguished as hers, but enough to make me aware of the complications Southern whites faced. On my father’s side, the North Carolina Quaker identity long meant opposing both slavery and the bearing of arms. Theirs was a difficult witness, long before the war and in its destructive aftermath. And I have a copy of the memoirs of another family member, my great-great-grandmother’s uncle, an Ohio farm boy who died from wounds in the Battle of Stones River, one of the deadliest outbreaks in the war. My mother’s side included slaveholders and soldiers, mostly Confederate, along with a wealthy individual not enlisted who gunned down isolated Union troops he ambushed as a guerrilla – one who was apparently hanged, not that we ever heard that story. Instead, it was always my great-great-grandfather’s long walk to deliver the last message of a comrade to his family – the journey that planted the family in Bowling Green, Missouri.

Still, I’ve long been offended by the flying of the Confederate flag. Its intention has been all too blatant … and racist. Period.

If you want another view of the cost of slavery on the South, black and white, look up Wendell Berry’s essay, The Hidden Wound, arising in his own childhood in Kentucky. He saw through any pretense of honor masking at least one prominent citizen.

Most remarkable in Horne’s speech was her readiness to move beyond family identity. As she told the Washington Post after the vote, “It’s not about ‘Oh, my great-grandfather was killed in the Civil War and he gave his life.’ That’s not what we are here to talk about. What we’re here to talk about is what’s in the here and now. And in 2015, that flag was used as a symbol of hatred.”

As she emphasized, “We’re not fighting the Civil War anymore. That war has been fought. It’s time to move forward and do what’s best for the people of South Carolina.”

All the people.

What a contrast to Rep. Michael Pitts, a white Republican, who had told the House earlier in the debate: “I grew up holding that flag in reverence because of the stories of my ancestors carrying that flag into battle.”

Maybe he should have heard the “into battle” part more clearly – battle against freedom for all. Battle, however indirectly, against his black neighbors, as well, and not just the North. And often in battle against the poor.

More telling for me was Rep. Eric Bedingfield, also a white Republican and defender of the flag, in his declaration: “I have wept over this thing. I have bathed this thing in prayer. I have called my pastor to pray for me,” before adding, “You can’t erase history.”

No, you can’t. The history is the war’s over – and the Confederate flag lost. Put it away. Look at the full history, then, black and white, rich and poor. As much as I love genealogy, it fits into a larger story — and rare is the family chart without shame or guilt or human failure somewhere.

History? The Confederate cause has been accurately described as a rich man’s war fought by the poor. I still wince reading of the brutal torture of pregnant women or the elderly at the hands of the Home Guard – in North Carolina, at least, comprised largely of men owning 20 or more slaves and thus exempted from Confederate Army service. We need to break out of the prevailing mythology or fairy tales and instead open out on the wider story stripped of its masks.

As for the prayers, you and your pastor weren’t listening – Moses could tell you about slavery in Egypt and the way Pharaoh’s losing army was swept away in the Sea of Reeds (or Red Sea). Maybe there are good reasons Cairo never bothered with its side of the encounter. Later prophets in the Hebrew Bible could tell you about slavery in Babylon and its emotional burden. It’s all there in the open to be read.

If anything, the decision to remove the rebel battle flag from the state capitol dome can be seen as a response to the flood of prayers in the aftermath of the Charleston church massacre. In the eyes of many, a photo of the accused killer and the flag said everything. In contrast to my fellow citizens — or my fellow Christians.

The reality could no longer be ignored. It was all about racial hatred.

The Post report continues: “Some call it the war between the states, some call it the Civil War,” Pitts said, defending the Confederate flag. “Growing up, in my family, it was called the war of Northern aggression; it was where the Yankees attacked the South, and that’s what was ingrained on in me growing up.”

Hidden in that defense is a slap at the rest of the country. Black and white. Along with a denial of what the North experienced as escalating Southern aggression in the decades building up to Fort Sumter.

You can’t erase history. You can’t escape history. You can get trapped in it, when it’s distorted, the way propaganda does.

You can, however, make history. And break free.

The way Jenny Anderson Horne has, for us all.

NEWMARKET

Like Dover, the town of Newmarket flanks Durham and its state university campus, and as a former textiles mill town, it, too, is home to a number of University of New Hampshire students and the kinds of businesses one would expect as a consequence – small restaurants, bars, pizza parlors, bookstores, yoga studios, nightspots, and so on. The Stone Church Meeting House has long been a venue for emerging musical acts.

The Stone Church Meeting House sits atop a steep street downtown.
The Stone Church Meeting House sits atop a steep street downtown.
The vibe says it all.
The vibe says it all.

The town of approximately 9,000 also has a strong blue-collar side, which also feeds into a distinctly funky feel.

But to me there’s always been a sensation that the place isn’t fully New England. It somehow reminds me more of small cities in central Pennsylvania or even Galena, Illinois, near the Mississippi. I think that has to do with the way the central street twists through downtown and the prevalence of stonework rather than the traditional brick in the mills and a few prominent houses. It’s picturesque, all the same.

Key to its industrial development was a large inland saltwater estuary that allowed extensive shipping. In generic usage, Great Bay also encompasses Little Bay and a host of small-town waterfronts where humble rivers fall to sea level. These include Durham and its Oyster River; Exeter and the Exeter/Squamscott; and Newmarket, with the Lamprey River, before passing Dover Point and emptying into the Piscataqua River on its way to the Atlantic. It’s a major breeding ground for fish populations all along the East Coast, and the current at Dover Point is always intense.

Hope you enjoy this quick tour.

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ANSWERING THE CALL OF DEMOCRACY

It’s started. It’s definitely started. The 2016 presidential race.

Those living in New Hampshire can assure you by one indicator, the sudden rise in home phone calls. If you’re registered to one political party or the other and have a number listed somewhere, you’re getting invitations to meet its hopefuls — even the ones who haven’t yet filed. And if you’re registered as an independent, you get them all. And everyone’s asked to express opinions, though not all of the surveys are scientifically neutral. Did I mention the pleas for donations?

We view it as our quadrennial state sport – as well as an obligation to serve as guinea pigs for the rest of the nation. We’re not as rural as many think — much of the state’s really an outer suburb of Boston, so we get our share of big-city problems. And we’re more diverse, as well. We’re small enough to give deserving underdogs an ear – rather than just those who already have the most money. In face-to-face encounters, some of them in neighbors’ living rooms, we work to look through the mass-media image – and often we see somebody quite different than what you’ve assumed. Some highly qualified individuals are warm and witty in intimate settings but stiffen up in front of a big crowd or the television cameras — while some who look great on a tightly scripted screen are truly uncomfortable, even incoherent, in an everyday setting. We’re diligent enough to recognize the congestion of clown cars can be wildly entertaining, so we pay close attention. Besides, we know that just because these hopefuls can pay the registration fee doesn’t mean they can manage anything, but we still hope they enjoy their extended vacation in New England. They do put the rest of the crowd in perspective.

I’ll let folks in Iowa weigh in with their version of this winnowing process, but this is something we in the Granite State take seriously, no matter how eccentric or even lunatic the messenger. It’s a job somebody has to do, and staying informed isn’t always easy. We’ll be ready to kick back when it’s over.

Oh, would you excuse me? The phone’s ringing again. It just might be …

NEW VALHALLA

The Olympic Peninsula of Washington State is a world of its own. About the size of Delaware, it has few settlements apart from its Native American tribes. Its remote coastline is gorgeous. Its forests are thick and varied and receive some of the heaviest annual rainfall in North America. Its central mountains include hot springs and glaciers. There’s a U.S. Navy base on the eastern edge along with an artist colony and ferry connections to Seattle.

Listen closely and the underlying mythologies shape a new understanding.

Here is a place where East meets West in its own nature.

~*~

For a free copy of the complete American Olympus, click here.

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OF FIREWORKS AND FLOWERS AND MY SHORT FUSE

A well-designed fireworks display can be a thing of beauty. No matter its scale – whether vast as Boston over both banks of the Charles River – or small-scale like Portsmouth, New Hampshire, around its old mill pond or Needham, Massachusetts, assembled on the long lawn of its high school, the intelligent use of an imaginative palette and the use of the sky as a canvas canopy reaching from the ground to its zenith can turn into a piece of breathtaking performance art, a combination of fleeting painting and wordless theater.

What too often turns up, unfortunately, is largely senseless bang-bang-bang without any subtlety of timing and proportion. Think of a standup comic who can’t tell a joke. No pauses, no phrasing.

In contrast, I think instead of the revelation of a single burst of color – perhaps a small tulip, in the terminology of pyrotechnics – followed in the same spot in the sky by another and then another. In the process, the shots run through the color wheel like slivers of rainbow. And then it’s repeated, with two identical bursts side by side – red turning to orange turning to yellow turning to green turning to blue turning to purple. Simple, elegant, commanding.

Do that right and you’ve announced that what follows will be amazing. You’ll lead the eyes all over the sky – up and up, out, back down, just over the crowd, and back up again. Small that expands beyond the ability to take it all in — or the opposite, leading your eyes to a vanishing point. You’ll create movements the way a symphony or sonata does – each one distinct yet playing off the one before. (Well, Boston’s was traditionally designed to fit music – each section, a song or overture or dance. Now that’s impressive! Oh, and we’d listen along with our radios — everywhere, tuned to the classical station.)

Think, too, that many of the traditional fireworks are named for flowers – blooms that open and then fade, often into another. Hyacinths to chrysanthemums to … well, to see how it works the other way, try this link to flowers arranged to look like fireworks by Sarah Illenburger. Pretty amazing. I appreciate her illustration of how fireworks don’t have to be gaudy greens, reds, and yellows. The more sophisticated designers blend colors into dark brooding as well as shimmering pastels. One memorable show consisted largely of silvers and golds. What was I saying about imaginative design?

A pyrotechnics show works in another dimension as well – it’s a time of public gathering and celebration. Apart from whatever’s happening on your blanket in the dark, there’s nothing private about it. (And we’ll assume you’re jammed in with others.) You can’t do it in your house, at least safely. So it’s a time of community spirit. Even pride. And in the United States, that means the Fourth of July. (The northern half of the country’s just too cold during much of the year to assemble outdoors at night, so this one comes at a perfect time of summer. Not that we don’t try.)

For Dover, where I live, though, the event points up one of the geographic shortcomings of my city. We just don’t have the right spot to mount the event, much less to design it to do much more than the old bang-bang-bang honky-tonk.

Some years, it’s launched from the top of Garrison Hill, where the shots can be seen from much of the city – if trees, houses, or other obstacles don’t block your view from below. Some years, it’s at the high school, but that’s not centrally located. Since few people can walk there, that creates a traffic problem and erodes much of a small-town feeling befitting its scale. Dover’s not an unfocused suburb the way this site suggests.

Downtown along the river would be ideal, if there were only a proper spot. The riverfront park is narrow, though, and too near the old mills, the nearest one once the scene of a disastrous fire. One possibility a little downstream is a gravel-strewn lot awaiting development, but it has little easy access. One elementary school that might do is in a residential area that would not welcome a crowd.

So here we are. If I watch the show, I’ll just get angry, knowing what could be done with the resources in the right setting. As I was saying about the single tulip? It needs the right setting to be appreciated.

CHECKOUT EXPRESSION

The supermarket checkout express lane can trigger some hot buttons for me.

One, of course, is the customer who plops 15 or 20 items on the conveyor belt when there’s a state 12 Items max limit. The poor clerk’s not going to bounce them. It’s simply the rudeness to the rest of us that bugs me.

Another is the use of credit cards, when permitted. It slows everything down.

The other day, though, there was a geezer who cut in front of a girl with a shopping cart. She was, from appearances, a quiet teen.

“Excuse me,” I said, “There’s a girl in front of you.”

“I can’t hear you,” he replied.

So I repeated the situation.

“Mind your own business,” he retorted.

We were all shocked.

“You can go in front of me,” she finally said.

Any suggestions for how to handle this?

He’s an embarrassment to all geezers, am I not mistaken?

I’m still miffed. Whatever happened to manners?

 

SAWYERS MILL

Always, a central weathervane.
Always, a central weathervane.
The street winds through the old complex.
The street winds through the old complex.

While the Cocheco Millworks in downtown Dover anchor the center of the town, the Sawyers Mill complex is tucked away on the Bellamy River.

Both the Cocheco and Bellamy form the flanks of Dover Point as they flow toward the sea.

Worker housing.
Worker housing.

ARID SHADOW

The conditions that created the desert where we lived created what was sometimes called a “rain shadow.” It was ironic, actually, considering that we got far more sunlight by living on that side of the Cascade Mountains than if we’d been in, what, the rain glow?

Sometimes, though, it seemed to dry up all of our emotions, too.

A journey into the murky places of endless fog, mist, and rain, in contrast, could do wonders in the soul.

~*~

Olympus 1For a free copy of the complete American Olympus, click here.