Years ago my father gave me a small metal cabinet with 18 one-inch-deep plastic drawers, each 2.5-by-6 inches. It was intended to hold screws, nuts and bolts, and other small items for the household repair shop – but mine wound up in my studio, where it holds small items of the writer’s trade. An artist’s pencil sharpener, push pins, souvenir fossils and flakes of mica, fountain pen cartridges, staples (for the stapler), a measuring tape, clothespins, business cards, foreign coins, colorful paperclips in both small and large sizes.
The last item – three of the drawers, in fact – recently stopped me cold.
Not so long ago, or so it seemed, I started collecting them at the office as we went through the mail. My literary work at home included a hefty dose of correspondence – not just submissions, either – and the bright-color clips seemed a much brighter option than the usual shiny steel in circulation.
As I gazed on them this time, though, I started to wonder what I’ll really be doing with them. Submissions are all done online these days, as is most correspondence, even of the personal streak. Maybe I’ll clip materials together when offering a workshop here or there, but I’ll never go through my stash.
Add to that the manila envelopes and cardboard backing, the loud bursts of colorful folders and binders, even the three bottles of typewriter correction fluid.
Not too long ago I wanted more filing cabinets, but as elder daughter informs me, folks can’t even give those away these days. Besides, I stopped printing out manuscripts long ago. Talk about downsizing?
Makes me wonder what’s next to go. Not that I’m really comfortable with any of these changes.





















