So just how old is our house?

Real estate transactions did use the lot at the corner of Water and Third streets as a referent for other lots. We’ve already seen examples of John senior’s mention of “land owned by me” and the like. Later, we encounter “the homestead of my late father John Shackford” and “the old homestead of my father the late John Shackford.”

Yes, homestead.

This detail on our stairway resembles others from the 1830s and 1840s in town.

After considering the 1806 Samuel Wheeler house at 9 Washington Street and the Federal-style 1805 Hayden (the oldest two-story dwelling in town), the circa 1807 Lewis Frederick Delesdernier on Franklin Street, the 1810 Jonathan Weston, 1820 Daniel Kilby, and 1821-1822 Stetson-Starboard houses on Boynton Street as well as an 1812 Cape on Washington Street, the 1816-1818 Dr. Micajah C. Hawkes on Shackford Street, 1819 Jonathan Venzim-E.E. Shead on Middle Street, and 1821 William Bucknam and Captain Joseph Livermore houses on Key Street, I’m confident that ours predates them and may indeed be older than 1803, as the routing of Water Street route proposed.

I’m willing to venture 1780s. Feel free to argue otherwise.

The mortices and peg holes in this rafter from our house reflect timber framing techniques.

As for time? An Eastport Sentinel article on the Wheeler house, March 29, 1882, mentioned that under the ownership of Bion Bradbury, the home “was changed by the substitution of a pitch roof,” among other modernizations. I hadn’t really considered the pitch of our roof until this but now realize it is lower (or was, before our own modernizations) than many of the later structures in town. The Federal-style houses, of course, are an exception.

How young we were!

Fictional characters don’t come out of thin air, as far as I’ve seen. Instead, they’re prompted by real people the author has known and then, to whatever extent, abstracted. Better yet are the figures who emerge when two or more of these prototypes are crunched together.

Not uncommonly, over the years between the initial events and the revisions leading to the published book, I’ll even lose the original names (in part or in full) of individuals who prompted the eventual characters.

Still, I’ll venture that all the people in the worlds of fiction, cinema, and television were somehow inspired by real people. Forget the obligatory denial you view in the credits.

The writer’s job is to abstract that into something more universal and eternally new.

That said, I was recently startled to get a message relating that one inspiration was now 87. Here I had thought him “older” as Wes in Nearly Canaan, but now see he was in his early 40s at the time. And riding high, as I recall with admiration.

Photos of colleagues in the newsrooms that prompted Hometown News or in the Workshop in Political Theory and Policy Analysis at Indiana University – details that infuse Nearly Canaan, The Secret Side of Jaya, What’s Left, and likely more – have all elicited the shocking realization of how young we were at the time. Even our leaders.

Ditto for the ashram that inspired Yoga Bootcamp or the ghetto and hippie farm of Pit-a-Pat High Jinks.

The events that propelled the novels came in times of great upheaval in my own life. Like me, I think you would be surprised to learn that most of the Pacific Northwest is desert – that the famed rainy landscape occupies merely a narrow band around the ocean and its inlets. Yet the desert is where the apples – and much more – are grown. It’s a remarkable region, with four distinct seasons and cowboys, Indians, miners, and much more in the mix.

In the broader scene, my professional relocations meant that personal connections from one locale to the next soon ceased, meaning that individuals from one to the other became frozen in time. For me, everybody in high school was frozen in time, as were others in the later leaps.

Reconnecting with a few has felt strange and yet invigorating. As more than one has exclaimed, it’s like nothing has lessened in the gap.

~*~

You can find my novels in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. They’re also available in paper and Kindle at Amazon, or you can ask your local library to obtain them.

Living the dream

Here I am at the keyboard while overlooking Lubec Channel from a rented cabin at West Quoddy Station, a former U.S. Coast Guard lifesaving post. We needed to vacate our home for two days during its renovation, and we settled on this, still in sight of Eastport on the water to the north and yet a world away.

When you’re lost in a fog, listen to this

Lighthouses do stir the hearts of many coastal residents and tourists, though foghorns have long provided at least as much foul weather warning for seafarers along the coasts. These horns do get overlooked, though.

Do note:

  1. The earliest known form of a fog signal comes from ancient China around 250 B.C.E., where bamboo pipes produced sound warnings in foggy weather. The concept was later adopted by other early civilizations such as the Greeks and Romans, who used trumpets made from animal horns or bronze. It was one way to keep musicians employed.
  2. Small cannons or other explosives were later used, though they were labor-intensive and time-consuming. Not much bang for the buck, ultimately.
  3. In 1851, a powerful steam whistle in Liverpool was first used, according to one version. As Emma Sullivan’s account at Working-the-Sails.com goes, “Its thunderous blast cut across thick curtains of fog with astonishing clarity.”
  4. Scotsman Robert Foulis apparently kept tinkering. While walking home one foggy night, he heard his daughter practicing piano and realized the lower notes she was playing came through most clearly. That led him to create what would become the first automatic, steam-powered foghorn in 1859 in New Brunswick, Canada, though the credit long went to others. The one in Canada, generally considered the first foghorn, remained in position on Partridge Island and in use until 1998.
  5. Crucially, lower notes have longer wavelengths, which allow them to pass around obstacles better than high notes do. As a result, the water droplets of fog do not diffuse the low notes as much as they do the upper ones. So the explanation goes.
  6. More common designs have relied on compressed air to create the booming alarm. Each of these horns requires a clever interplay of air pressure, diaphragms, and acoustic amplifiers. Other horns have used vibrating plates or metal reeds, somewhat akin to a modern electric car horn. Others forced air through holes in a rotating cylinder or disk, much like a siren. That may be why I’ve been unable to find much in the way of illustrations.
  7. More recent versions include electronic sirens and acoustic transducers. I’ll save the technical mechanics and their history for discussion in a museum setting or the like.
  8. A horn typically has a “sound signal” or frequency pattern, say an initial blast of about four seconds followed by a pause of a minute or so. This originated with a semi-automatic operation achieved by using a coder, or clockwork mechanism, to open valves for the air, giving each horn a timing characteristic to help mariners identify them. Today it’s probably computerized.
  9. They come in different sizes and shapes, depending on their mission and situation. Many but not all are associated with lighthouses, where the beacon of light can be obscured by heavy rain as well as fog. Many others, though, are on ships to warn others of their presence or even under bridges.
  10. Some foghorns can be heard up to eight miles away. Maybe not in a storm.
That little pillar at the right, sitting at the base of the Cherry Island Light in New Brunswick, Canada, is likely the foghorn we hear 2½ miles away in Maine. For anyone interested, it seems to be pitched at G on the musical scale.

You don’t say, Charlie Brown

How about ten memorable quotes from the popular Peanuts comic strip character created by Charles “Sparky” Schultz? That kid really was a master of angst.

  1. “A friend is someone who knows all your faults, but likes you anyway.”
  2. “Absence makes the heart grow fonder, but it sure makes the rest of you lonely.”
  3. “Keep looking up … that’s the secret of life.”
  4. “My anxieties have anxieties.”
  5. “I’m already tired tomorrow.”
  6. “Be yourself. Nobody can say you’re doing it wrong.”
  7. “In the book of life, the answers aren’t in the back.”
  8. “What can you do when you don’t fit in?”
  9. “Whenever I feel really alone, I just sit and stare into the night sky. I’ve always thought that one of those stars is my star, and I know that my star will always be there for me. Like a comforting voice saying, ‘Don’t give up, kid.’”
  10. “Good grief.”

And here I had long dismissed him as somehow shallow, coming up with sappy lines like “Happiness is a warm puppy.”

Do kids today even know what a comic strip was?