Murder capital of Maine

With a population of only 31,121, Washington County is essentially rural and small town. It’s 90 percent white, five percent Native American, and has a fourth of its residents over age 65.

At first glance, then, it’s not the kind of place you would expect to be suffering a homicide in each of the past six months.

The entire state reported only 22 in 2021 – two of them in Washington County, starting the six-month count. Quite simply, the county can currently be seen as the murder capital of the state.

Back in November, the victim in Machias was a 17-year-old male from New York. We could shake our heads and assume drugs had something to do with the case.

The rest, however, have been unmistakably local.

Several were domestic violence. One of those, the death of a valued employee, resulted in a family decision not to reopen a popular lobster pound in downtown Eastport, so we see these events having public consequences.

The latest instance had a 43-year-old Passamaquoddy woman as the victim and two of her neighbors arrested on homicide charges. Investigators have been unusually tight-lipped, leading to widespread speculation. Happening within a community of about 600, this takes a hard toll, ripping through at least three extended families.

The news, coming on the heels of a heavier than usual number of funerals in the tribe, adds to the grieving.

We can ask what is prompting this wave of violence and death.

Poverty is no doubt a factor. Individual and household incomes are only two-thirds of the national average, but probably skewer sharply down on one side or up the other, creating a gulch in real practice. The Covid-related closures of the international border to and from Canada have taken a toll on businesses, employment, and families, too.

The despair leads to drug abuse, as is related in everyday conversations around here.

As much as this region can be a paradise, it’s not problem-free. Not by any means.

Don Draper and the life I thought I’d be living

My first awareness of the Mad Men television series, about a decade ago now, came in my daughters’ outraged question – “Was there really that much sexual abuse in the workplace back then? They’re making that up, aren’t they?”

They were incredulous at the blatant sexism and racism of the time I grew up in, even after I confirmed it was there.

What they described was confirmed and more in my recent binge viewing of the series. Let’s just say I was quickly emotionally engaged in the show.

Growing up in the Midwest, I was repeatedly told I belonged in New York rather than in my hometown. Advertising was, in fact, one of the career paths I was considering, and like journalism and publishing in general, Manhattan was still the center of the universe.

Watching the presentations reminded me, to some extent, of the first offices I worked in, even in Ohio. And Don Draper, the advertising creative director at the core of the story (I started to say “heart” but he is rather heartless), reminded me of some of my livelier bosses as well as a kind of ideal of what I was aspiring to or perhaps was being groomed for, at least before the hippie influence kicked in.

Yes, there was cigarette smoking everywhere, and liquor – and functioning alcoholics. (Should I say “functioning alcoholics who smoked”? Or is that too redundant?)

There were also some incredible secretaries, who were far more than typists. The best held the office together, far more than the corner office they reported to.

Let’s just say that the workplace changed drastically in the years since, in part through the digital revolution.

~*~

The show also hit close to home through the father of my best friend in high school, who was a vice president in a boutique advertising agency, one titled with the initials of the three of the partners’ surnames. Not that he was anything like the ad men in the show. Through him, though, I learned of the intricacies of billing, production challenges, deadline crunches, marketing analysis, and purchasing print, broadcast, billboard, and direct mail access – things that were touched lightly on, if at all, in the plots but still a factor.

And during college and the first year after, I was exposed to families that could well have mingled with the Drapers – executives, attorneys, and politicians, plus their wives and children of the late ‘60s and early ‘70s.

~*~

My daughters were swept up in the show’s fashion mindfulness of the ‘50s and early ‘60s but unhappy with the styles as the chronology moved on in the final seasons. We can argue there.

My biggest criticism is of the cheap shots taken at hippies, falling into stereotypes rather than the more carefully crafted type studies up to that point. In doing so, the writers and producers lost an opportunity to more sharply critique the cynical, superficial world Draper and his colleagues inhabited. The tone of these segments, quite simply, was out of line with the rest of the production.

Even so, I was devastated by the final episode.

Could that have actually been me? Thank God, I escaped.

America’s largest cities in 1790

Working on a big history project, both my own and in some discussions with a good friend who’s immersed in writing a book that’s all his, has had me reflecting on the growth of America. Just where was the economic and political power centered? The findings can be rather surprising.

  1. New York City (33,131 population). That’s all? It’s about the size of Dover, New Hampshire, or Bangor, Maine. Places we’d call small cities or towns.
  2. Philadelphia (28,522). As you’ll see, that’s a bit misleading, but still small by today’s standards.
  3. Boston (18,320). Well, it was also surrounded by some thriving towns, especially along the Charles River and around the harbor.
  4. Charleston, S.C. (16,359). So this was the belle of the South and diversely sophisticated, too?
  5. Baltimore (13,503). Less than half the size of Philadelphia.
  6. Northern Liberties Township, Pa. (9,913). Of course, had these suburbs been included with Philadelphia, the influence of the City of Brotherly Love would be more apparent.
  7. Salem, Mass. (7,921). Here’s where the New England picture changes and winds up taking up half of the Top Ten list.
  8. Newport, R.I. (6,716). Harbors were key factors for cities.
  9. Providence, R.I. (6,380). As I was saying?
  10. Marblehead, Mass. (5,661). One of three Bay State cities named for a single governor, as the saying goes. Peabody and Athol rounded out the honor.

Fact: Only two cities have ever held the distinction of most populous in the United States. When the Declaration of Independence was signed, it was Philadelphia. But by the time of the first Census, 1790, New York had taken the top spot, a rank it’s held ever since.

Is bassist Ron Carter the most recorded jazz musician of all time?

I found myself asking that several times after hearing radio announcers rattle off the performers’ names on jazz recordings and thought, “Carter again? Isn’t he everywhere?” And I’ve finally looked it up.

The answer? Yes! Though usually as a side man. He started recording in 1960 and by 2015, at last count, he had 2,221 issues on that instrument. There were others on cello. And he’s still plucking away.

While we’re at it, we should acknowledge the Wrecking Company, a loose affiliation of studio musicians in Los Angeles who are credited with being the most recorded, though not all at the same time.

As for most recorded, period? That honor goes to two sisters in India, Lata Mangeshkar and Asha Bhosle, who turned out more than 25,000 songs for Bollywood.

Now, how does a song compare to an LP or CD?

Comparisons do get tricky.

Where creativity and community meet

That’s the slogan of the Eastport Arts Center, housed in the 1837 Washington Street Baptist church after that congregation moved up the road and renamed itself Cornerstone Baptist in 2005.

Eastport Arts Center, Washington Street.

Only two blocks from the waterfront downtown, the center is the home of the Stage East theater company, Northern Lights Film Society (how I’m awaiting its reawakening from its Covid hiatus), Quoddy Voices, Passamaquoddy Bay Symphony, a series of visiting musicians in many genres, lectures of all stripes, and even yoga and New England contradances. Its activities range from performances and rehearsals to exhibitions and workshops, physical fitness and dance, open mics and communal meals. It’s also available for rental.

Upstairs features a 106-seat theater/concert hall, while downstairs has an open community gathering space, gallery, and commercial kitchen.

The venture itself was spearheaded by the eight artists who cofounded the Eastport Gallery on Water Street, which by 1990 had become a hub and magnet for creative spirits in town. The gallery remains a constituent organization member of the center.

I’m especially glad it’s all just a short walk from my doorstep.

Quite simply, I see it as the heart of the community, something that makes Eastport unique. Recent Sunday afternoons have hosted a delightful cycle of music, discussions of visual arts and local businesses, historical insights, and even free mustard.

Across the country, one institution often dominates the culture life of the wider community. In Cincinnati or Cleveland, for instance, I’d say it was the symphony orchestra.

In New Hampshire, was the New Hampshire Symphony, before its demise, or the Currier Gallery of Art.

What’s the biggest cultural influence where you live?

Ah, yes, it’s orgy season again!

Not to disappoint you, but I’m referring to Harvard University’s radio station WHRB-FM, which does stream online, should you be interested.

Its orgy season is a tradition that occurs during finals exams’ week (plus), originating when one student who was so elated at surviving the tests that when he went into the studio, he celebrated its end by playing all of Beethoven’s symphonies, on 78s, in order.

How modest that seems now. A year and a half ago, the station played everything Ludwig ever wrote in honor of an anniversary.

Bob Dylan received a similar accolade a few years ago.

This year Franz Schubert’s in the focus, more than 120 hours, by the way, which creates a smaller orgy of its own for the baritone Dietrich Fischer-Dieskau, who was acclaimed for his many, many recordings of the many lieder, or songs.

In fact, when his daughter was asked what her daddy did, she quipped, He makes records. So many, in fact, he’s among the most recorded artists ever.

My late German mother-in-law would have been out of this world over this orgy.

Well, as I post this, the station’s just getting going.