
Construction by Rachel A. Wllliams.
You never know what we'll churn up in cleaning a stall

Construction by Rachel A. Wllliams.
TISSUES
ISSUES
Woman: “I’m pregnant.”
Man: “I’m leaving.”
I’ll even nominate it for best flash fiction.
Now, let’s contrast that to today, the Nativity narrative.
As well as all the merry, merry, plus gratitude.
I’m sticking around. How about you?
Now that our house renovation has begun in earnest (you’ll be reading about that in upcoming posts), the delivery order invoices are creating a file.
I do wonder if I’ll be able to make sense of them at some future time. They’re more cryptic than many of my poems.
Consider “¾ T&G Advantech 4×8.” What? That’s tongue-and-groove plywood. Forget the price, per unit or all together. They do make those martinis in Manhattan look cheap. Not that I’m going there.
I have to wonder whether my book Quaking Dover is my way of saying farewell to my Friends and congregation in Dover – or of staying in touch, now that I’ve moved further east.
Only time, of course, will tell.
That is, PFAs, as we’re known among the locals.
I haven’t encountered the negative reaction some report, but feel myself among those warmly welcomed.
Part of it is, I believe, an openness to approach what’s here without wanting to totally “improve” it. I mean, if you can’t stand the smell of cow manure, you shouldn’t move into farm country. Or, for much of Maine, the stench of a paper mill.
That doesn’t mean we don’t have a lot to contribute, but we need to be respectful in acknowledging what’s attracted us as well as the dirty work that needs to be done. You know, the equivalent of washing dishes.
Or loving someone warts and all.

These belonged to the wonder horse Prince, who appears in my genealogical blog Orphan George. As a figure in our family, he was owned by my grandfather, who picked him up from two older brothers in succession. And now they’re going on to my daughters. Bet they cost a pretty penny, back in the day.
That’s what I keep telling myself. And others.
I really don’t know if I have the energy or endurance to tackle another big draft and round of revisions.
On the other hand, I do have a lode of material already in hand, waiting to be better organized and presented.
Lead me not into temptation, right?
Touring a Roman Catholic church that’s known for its graves, the ones inside around the sanctuary and in chambers off to the side and, presumably, in the basement. The ceiling is relatively low and the dominant color a light yellow. Feels something like a Mount Auburn Cemetery and may have been surrounded by the like.
Noticing a man who’s obviously perplexed (he may have even been in clerical garb, I now sense), I approach and offer my help. He has a map that may simply have some directions, but he’s looking for such-and-such Avenue. Together we circle the inside of the building and come upon a stone wall that’s been painted black and both agree that’s where we should have found his destination. We’re both baffled.
We then join a small group in a chapel or, considering the slanted floor, lecture hall auditorium where a nun’s doing an end-of-tour kind of Q&A session. She keeps overlooking any questions hands up from either me or the man; I’m three rows back and in the center, he’s at the back about four rows behind me. Finally, I shout out my question about the black wall. “It’s the Williams family,” she answers, as if everyone should know they owned the property long before the church was erected.
We scatter to make way for some kind of ecumenical program in the sanctuary that evening.
Our Greek Orthodox priest is already there, sitting on the floor, his back to the wall, with his family.
how asocial
how essential