The model in the photo I selected for the original cover of the story that stands today as Nearly Canaan was nearly too perfect. I even had to tweak the description of Jaya on the pages inside to make for a better match. Much later, I came across other photos from the shooting and was appalled.
In yoga circles, it’s what we would call Maya.
Apparently, I had shifted Jaya’s spiritual identity from Sufi much earlier than I recalled. Now that I had a solid backstory for her in my novel Yoga Bootcamp, I could turn my attention to the messy trove that had sprawled into three big books. Thanks to Cassia from What’s Next, I was now intent on distilling them back into one. Trying to compress them into the maximum 120,000 upper limit of a big novel meant having to hone more than one hundred pages of manuscript. And that’s before I decided to add a fourth section for fuller closer.
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At heart, I was trying to figure out just what had gone on in my first marriage. I’m still not sure. And note I had said “gone on,” not “gone wrong.”
But I also wanted to say something about the influence of the landscapes where I’ve lived. In fact, I came to think of them as major characters. If only I could have allowed them to speak? The first was pretty bleak and, for a small town, rather petty. The second had its beauty and its rough spots. The third, their intended Paradise, initially appeared desolate and unforgiving.
Place as a character? How about the Mississippi in Huckleberry Finn? The story wouldn’t have been the same if Twain had started on the Ohio River, even though it was larger than the Mississippi where he did.
Naturally, I had to abstract real people and events and in doing so, I settled on some big flips. Jaya emerged as the older partner in her marriage, for one, which gave a fresh twist on a December/May romance.
Along the way, the story became one of overlapping couples, a contrast of marriages that were close to Jaya’s home. It’s almost like the mirrors in an amusement park house of mirrors, to my way of thinking, not that the story started out that way.
Yeah, we’re supposed to avoid religion and politics. That leaves some pretty big gaps in the meaning of life and, as I’m seeing, in relationships, too.
If you haven’t noticed, changing the novel’s name from Promise to Nearly Canaan is a Biblical nod. Well, I had previously been calling it their Promised Land.
Developing Pastor Bob and his wife, Wendy, provided a big advance for the revised novel. They might have had serious reservations about her as a heathen, but they were still intrigued and at points even supportive. That marriage also had its problems.
I definitely wanted to avoid having southern Indiana in one more of my books, so I shifted the scene of the middle section to the Ozarks of Arkansas. There are a lot of similarities, from what I’m finding.
In addition, I wanted Jaya’s career to be as volatile for her as newsroom management had been for me. She needed to work weekends and nights, too. Beyond that, I did have an experience of being paid from “soft money,” as grants are sometimes called, and having a very good neighbor work as regional director of a social action agency provided me more inspiration.
By the way, the cover photo I settled on for the revised edition did require some tweaks on Jaya’s physical description on the inside pages.
Jnana's Red Barn 