What is it that made Bukowski such an unmissable figure in the reading life of young poets and others in the ‘70s and beyond?
You probably wouldn’t want to meet him in person, he seemed to be rather obnoxious, even ugly, even before getting drunk or in a fistfight. He was, from evidence he presents, an abusive lover.
Even so, part of the appeal came, I sense, in his unflinching reflection of life in near-poverty, a world where many of us were also residing. His subjects, though, were everyday poor people, drudging away in marginal jobs when they could, rather than recent college graduates intent on moving on.
Another part of his appeal, though, was his embrace of being a Poet and the ways the daily practice of writing kept saving his miserable life. Black Sparrow Press, with its signature look and literary dedication, was created for his work, and the successful relationship provided a platform that gave exposure to many other poets and novelists – the “bird mob,” as one poet I knew said with outright envy.
Was there even a poetry scene in Los Angeles at the time? The focus in California was almost totally on the Bay Area to the north.
I was especially fond of his short novel, Post Office, but the spare lines of his poetry are unpretentiously masterful and sharp-eyed. He cut the BS, for certain, in a life of squalor that’s a revelation. It’s a life most of us would rather avoid yet somehow touches on our own.