One of the benefits of donating even a modest amount to the Metropolitan Opera’s broadcast fund is that you receive an annual schedule booklet, 36 colorful, glossy pages with the casts, broadcast times and estimated lengths, and summaries of the plots. The booklet arrives a month or two before the next season begins, and I keep mine as wonderful future references.
The upcoming Saturday matinee broadcasts, which start airing on Dec. 9, have already been controversial, due to the company’s shifting focus toward increased contemporary and sometimes realistically gritty works. The first presentation of the season, in fact, is Florencia en el Amazonas, inspired by the writings of Gabriel Garcia Marquez and only the third Spanish-language opera to be performed at the Met. (Carmen, after all, is in French and will be heard on Jan. 27.) Other works from our own era are Dead Man Walking (Jan. 20), X: The Life and Times of Malcolm X (Feb. 3), Fire Shut Up in My Bones (April 27), John Adams’ opera-oratorio El Nino (May 4), and The Hours (May 18).
That unprecedented string of operas by living composers doesn’t mean the usual masters aren’t on the menu. Mozart (3), Wagner, Verdi (4), Puccini (3), Bizet, Gounod, Donizetti, Johann Strauss Jr., and Gluck are all in the lineup, with two of the dates yet to be announced. Conspicuously absent is Richard Strauss.
Two of the archived presentations feature my favorite-ever conductor, Max Rudolf: Mozart’s Le Nozze di Figaro on Dec. 30, with Victoria de los Angeles and Cesare Siepi, and Donizetti’s L’Elisir d’Amore on April 6, with Luciano Pavarotti, Judith Blegen, and Ezio Flagello. As one conductor once told me, Rudolf could have been famous, if he had wanted that. At the Met, he worked largely behind the scenes as Rudolf Bing’s artistic administrator before going to Cincinnati and rebuilding that city’s great orchestra.
Also of note is that the long-running broadcast series has a new sponsor, the Robert K. Johnson Foundation, only the third in its history. The series was underwritten by Texaco from 1940 to 2003, followed by Toll Brothers luxury homebuilders (2005 to 2023).
Gee, have Texaco’s red-star gas stations been gone from the landscape 20 years already?
Even tradition changes.
Jnana's Red Barn 