Before naming the icon

drawing on banked experience and earnings, I deplete the rotting woodpile of any past, my flaking barn filled with scorched ore, my private cemetery of flickering weeds all ablaze banked coals blown to life, all reduced to uncommon metal ingots of no commercial value after which I’ll no longer be gnawing lawn furniture out on the road but holed up, frugally assembling and polishing double-edged maps and chronographs to fuel industry with some fork into prophecy or political revolution or Elysium or celebrity-bashing iconoclasm, I won’t be spooked by the alchemy of regret except, maybe children

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