WHY HAVE THE YOUTH GONE?

Quakers are not alone in this regard, but what we’ve been enduring is that no matter how much effort we put into raising our children within the faith community, they disappear somewhere in their junior high years. For decades, we’ve been hoping they’d reappear as they started raising their own families, but we’re seeing little of that, and again, we’re not alone.

It’s all too easy to blame competition with Sunday morning soccer leagues and the like, although we might also argue that the values the kids learn in their athletic competition more closely fit those of the larger, secular society than those they are taught in religious settings. Rabbi Michael Lerner makes an extended argument in his 2006 The Left Hand of God: Taking Back Our Country from the Religious Right, as he contends that too often our children see all too clearly the dichotomy between what we say we believe in faith and what we actually do in a dog-eat-dog marketplace. It’s a harsh criticism. No wonder religion is losing.

As I gaze around our mostly graying worshiping circle, I wonder just where the young adults are today – not just within religious communities, but just about everywhere I venture. Maybe they’re all hidden away working multiple 24/7 jobs trying to make ends meet. I don’t envy them the economic scene they’re contending with.

But I also wonder about the message they carry about faith itself. If the teaching among youths growing up “under the care” of Quaker Meeting has been to build a hopeful, optimistic foundation of values, how do we help them survive the brutal struggles they’ll encounter in the wider world? How do we instill an awareness of the importance of religious community and shared discipline in maintaining a drive toward a more loving and just society?

Perhaps we’ve been too comfortable in our safe, middle-class, largely professional upbringings and neighborhoods and expectation of college and career.

In my own thinking, I keep returning to the concept of the two seeds, one of Christ and the other, call it what you wish – the point is, we face not just “that of God within each person” and its potential, but also a counter element to challenge. It was a line of thinking at the time the Quaker movement erupted in Britain. Think of the parable of the wheat and the tares.

Contending with the two may be what’s been missing in our teaching and example.

~*~

More of my own reflections on alternative Christianity are found at Religion Turned Upside Down.

SAGELY, SAGGITARIUS

Why wait for the dust to settle? Here are 10 bullets from my end.

~*~

  1. Crows – dozens upon dozens – all over town, roosting together somewhere. Rook, as they say.
  2. Late afternoon driving: so much glare, not just the low sun, either, but blazing up in reflections. Wet pavement or a waterway I’m crossing.
  3. Midnight here now really fits around 10:30, unlike 12 in the summer, calculating midway from sunset to sunrise.
  4. Cranberries, so quintessentially New England, remind me of driving to Cape Cod and passing all the bogs where they’re grown.
  5. When it comes to Friends, we need new blood.
  6. Eastern Orthodox Advent starts on the 28th and continues to the Feast of the Epiphany, Jan. 6 or 7, not our more widespread Christmas Day! Since we’re taking this up voluntarily, rather than under church discipline, we make some adaptations. Thanksgiving, for one, and ending Advent on Dec. 25, for another. Does it make us look like wimps?
  7. Poetry as a heroic journey. Holy, my voice. Or gritty.
  8. Where am I NOW? Where’s my HEART?
  9. Good to be reminded of ACTIVE WAITING, especially through periods when you feel suspended, on hold until others make a decision or act or all the pieces to fall into place. Drawing from James Nayler, Brian Drayton sees a sequence in spiritual response. The waiting prompts a response, which requires prompt obedience. Next is suffering, perhaps as embarrassment or upheaval. And then public witness – telling others, even if only in a small circle. Throughout, small steps count, however tentative.
  10. How much of being a public figure is a matter of being a performer, too – someone who needs a circle of fans?

~*~

It's always an honor for our choir to perform a set for the lighting of the huge Christmas tree at Faneuil Hall in Boston. The 80-foot tree is an annual gift from Halifax, Nova Scotia, expressing gratitude for relief given its citizens after the 1917 harabor explosion that killed an estimated 2,000 people. The tree is adorned with 30,000 lights.
It’s always an honor for our choir to perform a set for the lighting of the huge Christmas tree at Faneuil Hall in Boston. The 80-foot tree is an annual gift from Halifax, Nova Scotia, expressing gratitude for relief given its citizens after the 1917 harabor explosion that killed an estimated 2,000 people. The tree is adorned with 30,000 lights. Here’s the stage before we make our entrance.

IN ADDITION TO SHOVELING SNOW

yes, they lived in a small city where he would

Pull maple seedlings, in spring
Mow the lawn, in summer
Rake the leaves, in autumn
Watch out for falling ice, in winter

they should be celebrating
all this wonder,
opportunity, unacknowledged ritual,

never-wrapped presence
now, light another candle
looking ahead, then, and looking back

Poem copyright 2015 by Jnana Hodson
To read the full set of squirrelly poems,
click here.

WANT DO YOU WANT FOR QUARTERS?

All the fat girls in town
had congregated in this Laundromat
to giggle at a skinny hippie.

When they sat, mouths agape,
stomachs bulged more than their breasts.
Everywhere, there’s a pecking order.

The manager in her blue scarf and coat
fluttered in to chase neighborhood children out.
“They mess the place up. I don’t want them.”

Kids, kids, kids, she muttered
raking in quarters – all this bitterness
robed in garments of honey and bees.

As for me, another day,
another dollar, down the drain.

To continue, click here.
Copyright 2015

A MISCELLANEOUS TENDRIL OF LITERARY ADVICE

Why wait for the dust to settle? Here are 10 bullets from my end.

~*~

  1. De-racinated, “no root system,” a criticism Tony Hoagland makes regarding so much contemporary American poetry. Also, he notes our fiction is far less diversified than our poetry, in its many tribes.
  2. Don’t know who described Franz Wright as not a formal poet yet “the structure of his poems develop organically, driven by music, rhythm, and symmetry.” Not a bad model!
  3. For that matter, who wrote, “Their humor often depends on a single word: in fact the whole laugh can rest on a single word choice,” before quoting Mark Twain: “The difference between any word and the ‘right’ word is the difference between a lightning bug and the lightning.”
  4. TONE as the angle of sensibility toward the subject. Looking, too, for the fractional element – the bit that counters the previous.
  5. As far as the persona of the writer, think of that time before World War II and the larger-than-life characters who were largely self-created: the conductor Leopold Stokowski or movie star Cary Grant as examples who wound up as caricatures of themselves, or at least strangers. It was, after all, a Sol Hurok era. As for our own obsession with “celebrities” rather than “doers”?
  6. Czeslow Milosz: “The purpose of poetry is to remind us how difficult it is to remain just one person.”
  7. Denise Levertov corresponding with William Carlos Williams: “I have been honest in what I’ve written – but with what hypocrisy I have selected what I wrote!”
  8. To which Williams replied: “You know yourself better than anyone else can ever know you. … Perhaps you will never be able to say what you want to say … deep feeling that would reveal you in what may not want to be revealed … In that case, the loss will be great.”
  9. John Berryman: “You should always be trying to write a poem you are unable to write, a poem you lack the technique, the language, the courage to achieve. Otherwise, you’re merely imitating yourself, going nowhere, because that’s always easiest.”
  10. “And these bottles of wine, which we filled, were new; and, behold, they be rent: and these our garments and our shoes are become old by reason of the very long journey” (Joshua 9:13, KJV).

~*~

OLYMPUS DIGITAL CAMERA
The Boston Public Library, left, faces Copley Square in Boston’s Back Bay. How many other landmarks, by the way, can you name that give honor to an American painter? At the right is the 1873 Venetian Gothic Revival style Old South Church. They are seen here from the steps of famed Trinity Church, whose shadow reaches across the green.

 

WITH THE LOCO IN LOCOMOTION

My awareness of the importance of forested trails of my own sanity and balance has evolved slowly. I see two parts at work here.

First is the aspect of locomotion. I could begin with the fact I’ve never been an athlete. As a youth, I delighted in speed — as in running or riding a bicycle — or in swimming, with its parallel of flying suspended in space. But I’ve never enjoyed the repetition of exercise for its own sake, gym class was a bore, and team sports have largely eluded me. Since I existed largely within mental activities, such as science or the arts, the idea of doing something that involved a mindfulness to my own body in motion did not register with me, at least until I took up yoga after college. I could add to this a recognition that I’ve also been filled with nervous energy and general restlessness. Sitting still — and focused — is something I’ve had to learn in the course of practicing meditation and attending Quaker meeting for worship.

Second is an encounter with natural history. Somehow, at an early age, I was introduced to geology, birding, tree identification and the like. I’ve also been interested in maps and map-making. Human history, too, which often turns up as discards in places returning to the wild.

What I’ve come to appreciate, though, is largely an esthetic response in walking through places of repose. If forest trails are the symbolic ideal here, I must admit they are not the only examples. Walking miles along the Atlantic on the outer Cape Cod shoreline, for example, serves well (although walking on sand always presents an effort) or trekking above treeline or through wild meadow can be heavenly. Even a stroll through a wooded cemetery or a city park can be recommended. But I speak of forest because of its timeless nature, in both senses of the phrase; this is what this land would remain at climax, forever. Everything is in balance or harmony. There are, of course, seasonal changes, but these are within a rhythm or cycle of returning, much like the movements of a symphony played over and over. Somehow, this begins to merge with the rhythm of walking, which itself begins to pace my own thoughts and emotions. Nothing too rushed, too overwhelming: everything, one step at a time. Uphill or down, all within reach. Walking along a city street or even a country highway can induce some of the step-by-step rhythm, but the balance is off: traffic rushes past, always as a threat, especially at intersections; there’s too much commotion or stimulation; my soul’s not at rest. Look around and notice all the trash and discard, all the waste as a social illness. The wilderness, in contrast, is continually healing. “Come to the woods for here is rest,” John Muir counseled. “There is no repose like that of the deep green woods.”

For more insights from the American Far West and Kokopelli, click here.

PRELUDE & FUGUE 50/

sprawled on the floor, a barefoot bride without makeup

*   *   *

along with a martial arts master sprawled out
on the floor a barefoot bride without
makeup everyone you knew thought
it only a fragile joke and then

you pulled the trigger: blood runs
toward the tub drain what made you think
I had any clue what was afoot? martial arts student
sprawled out on the floor, a barefoot bride

without makeup, everyone thinking it only fragile
joke blood running toward the tub drain what
made you think I had any clue what was afoot?
a martial arts master sprawled out on the floor

a barefoot bride without makeup everyone you
knew thought it was only a fragile joke
blood runs toward the tub drain? what made you think
I had any clue what was afoot?

kick higher, kick higher
from the floor

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.