DRIVING NAILS

near the waterline, someone’s hammering
throughout the day, someone’s always
hammering

a staccato telegraph
of winter’s approach or gratitude
so little demands repair
or just some old goat’s survived

though when the hammering ceases
he may be eating a sandwich
or sawing a board to be hammered
yes, two taps secure its position

in the quiet, he’s
gone off to the supply house
for a another box of nails, another size
a door slams from another direction
where new hammering erupts

before the man puts his hammer down
on a leather tool belt
and then orders a beer

you’ll find boxes of hammering
in the tool shed, brown paper bags
of hammering in the mud room
old jars of hammering
on his truck bed

open any one
and his arm and shoulder
begin moving
the whole world as his anvil

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

THE SOLACE OF FAMILIAR SPACES

richness / depth
discovery and a confession we don’t have it right, yet
as for a prescription, we’ll never have it exactly right
if we wanted surprise, we’d go someplace else
so by narrowing the focus, the unexpected twist appears

the asparagus bed or lilacs
my ferns, finally
eight springs at this dwelling

this repetition for greater completeness
complexity as a responsibility
within myself/yourself, too

a spouse rather than a lover alone

Poem copyright 2016 by Jnana Hodson
For more,
click here.

ABRAHAM LINCOLN’S GRAND FUNERAL MARCH

a tight-cropped raccoon staring full of question

in the green leaves in front of an intricately tiled wall
a white panther spews water
into a pool of lilies

320 days a year you’d be hungry

an owl in snowfall

three landscapes, including a road through a desert

a smiling fisherman holds a salmon
the length of his leg

twelve neckties a father would love:
none of them fit for the office

roulette wheel with a ducky decoy
for games no player can win

egos as a blindfold
tied with leather work gloves

the pink smoke, uncoiling
wordlessly

shocks of wheat
around a woman in dream

two more windmills

half of the sky, a rusty eggshell

a flame
as an open door

a clock and classical portrait suspended on ribbon

wind mill manufacturers in Batavia, Illinois

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

PENOBSCOT BAY PARTICULARS

1

what if the tide never turns
but waits to be submerged
in the next high tide
one after another until
the whole city is inundated?

sailboats would go under
on their moorings, perhaps still
rocking mostly one side
from perpendicular

the wharf and its autos
would mean nothing
while the moon ignores her orbit

2

masts sway
like speedometers

or gauges
missing their dials

3

a whirlpool, however large or compact
swirls within myriad currents
that knit the harbor

some talk of changing public opinion
or the incumbent party
but don’t reckon the vortex
swimmers approach
laughing to each other

any remorse
over their drowning
will ring hollow

3

while ducktrap is a fish
a store touts its Ducktrap Decoy

whether for some waterfowl or the fish
lingers in question

awaiting a retort
from Daffy, Donald, or Daisy

as for the fish? only silent
disdain

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

SUBMIT TO AIR CIRCULATING ALMOST

one bit of good news

remove debris and deport from one side
for her garden, relocating the piles
in shadowed cesspool, a bonfire, a second

live-trap a dozen spewing squirrels

the as-yet unspecified glade
even without feathered friends
concentrates on the emerging line and shape

a full-time task
regarding implanted hierarchy

“Your generation just doesn’t know
how to have fun” and delight in
thirst

out of the house and about
so you’d admit nearing release
nearing an island

with us, the race to plant bulbs
would always have a late start

Poem copyright 2016 by Jnana Hodson
For more,
click here.

 

PRELUDE & FUGUE 46/

cruelty that arises from bitterness
spanning a rocky streambed

*   *   *

the Japanese bow to India
with its dry ferns and maple
with its fronds becoming a cob of ribbon

in the dry fronds of Japanese
ferns and half-devoured cobs
the Indian maples bow and dry

cobs of corn and fronds
in Japan the Indian bows
as the ferns and maple

dry fronds of Japan maple
cobs of Indian corn from
stepping down to the streambed

a staircase cruelly arises
from rocky bitterness, yes, a staircase
cruelty that rocky that bitter
from that staircase cruel, yes,
arises rocky and bitter

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

IN THE FACE

even when I preside
this matter of conducting business
troubles

words and more words
plus reflection
in place of action

called to be a community
exemplifying unity in love (Mark 9:50 and Ephesians 4:3-4)
yet how scattered we are
yet how often grieved

another report
to minute
for the archives

*   *   *

asked by a shining elder
“what are you willing to give up to follow a leading?”
I sputter

not my income
not my household
not my almanac

not again

yes, I’ve been trapped
waiting for the elusive breakthrough

*   *   *

waging peace calls for self-honesty
within
waging peace builds on moments
of rest and contentment
waging peace in the face of ambition

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

TRIANGLE

the pack, as in cards or dogs
or the one after

Enigma Variations but it’s snowing
and there are no birds

finally, a female
cardinal

teapot and cup
beside a four-poster bed
with the long shadows of sunrise
on a plank floor

I love you truly madly deeply

mountain laurel and a Cigar Store Indian
unpainted carved wood

this relationship has changed

four State Supreme Court Justices, their backs together

a Portuguese woman
walking the beach with a TV set balanced atop her head
as the husband waves

leathery kelp as “cloven tongues”

the orderly farm in the Shenandoah overshadowed by two tall silos

nine pitchforks hanging in three rows in a shed
with two gasoline cans and four spades
on tool pegs

a map of Sturbridge Village

a pack of poets or painters or ex-lovers or actors or dancers
could be a loaded deck, all right, shuffled together
4-EVA

at the Hague, then Edinburgh
in the burning letters, her third line
how flat, stretched out under the sun

“Your crimsoning lips”

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

LATE AFTERNOON AUTUMN SUN

1

180-degree
sweep of ocean
seen from a cliff

great slow curve
of our planet

eight vessels
are barely
specks on this expanse

two seals so close
Rachel observes their features

“here I am”
the great breaking surf

2

toddler tracks
bird tracks
out for the show

car tires
looping over bicycle
beside shoe
gull, dog, and mouse
imprints in sand
leaving the parking lot

everybody’s
been to the beach

parasailing / surfing
weekend

3

Juan skirts New England
slams New Brunswick as a tropical storm

a danger of frost on Thursday
or we may be spared

by our proximity to the sea

4

moonlight

couples
entwined
on sand

man, we’re getting older, America
still ill-at-ease in this dwelling

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.