Three hundred sunny days a year in a fertile land may seem like Paradise.

But it’s surrounded by desert.

~*~

Desert turns everything to bone. That, or to stone. Even the scattered tufts of cheat grass and the isolated clusters of flowers turn into straw skeletons. Social conventions, too, dry away. In pursuing clarity, which parched spreads possess abundantly, I also enter an order of madness. Paradoxically, to preserve my sanity in dealing with people, it becomes periodically necessary for me to revisit this incomprehensible delirium. Settle back on this my bedrock, readjust to my own frame. Here, then, I return afresh to spaces within and without. Wait. Listen. In this place, wind is a clearing, spiraling on itself. Then, when this twisting reverses, screwing into bony alkaline soil, we give praise. At times, I even see my own heart clearly. As I come to know my way around more securely, I lift a cup of clear spring water and pour it on bleached parchment at my feet. Selah. The next day a bouquet of tiny flowers rises like fingers bent by wind. Always somewhere, wind.

 ~*~

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With its cloudless skies, it could be an ideal agricultural cornucopia. If you had water.

~*~

In other climates, you commonly overlook the element of space, unless looking into the heavens on a brittle night. You observe objects, and space becomes the measure of distance between an object and you, or else some arrangement of objects. In contrast, desert appears more as a vacuum — a juxtaposition of surfaces, of sky and earth extending outward not to some imaged convergence (such as the perspective point where the twin rails of a train track become one) but rather away from any focus, and thus outward around both of the observer’s ears. Here, space itself becomes obvious, as if turned upright, like a wall in your face. So often in life, what should be most obvious is the hardest to see. The spider is on the window; the spider is on this page.

~*~

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Making the orchards bloom was a labor of irrigation. No matter how fertile the volcanic soil of the valley, water was the missing element man worked to provide.

~*~

There’s good reason the rattlesnake-infested, corrugated humps encircling the orchard valley are pale brown: they receive none of the snowmelt impounded from late March into July in the high mountains. Agencies release and distribute that water through blazing summer into October. Green agriculture parallels the river and irrigation canals, defying the tough, roasted inclines above, where sagebrush and bunchgrass stroke tawny eternity. In this compass, wind rarely precedes rain. Beyond lucrative strips of orchards, the principal agriculture involves herds or hay; because of irrigation and unfettered sunlight, five mowings a year are common; bales are trucked to dairy cows and pleasure horses on the rainy side of the tall mountains. Desert has few chickens — and no pigs to speak of. Somewhere out there, Basque shepherds elude the heat. Forests begin at the top of high ridges observed fifty miles distant.

~*~

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Follow the rivers, then. Some lead into the mountains and form the “passes” to the high breaks in the crest line. Others lead out the other way.

You can also follow the currents of your passions.

~*~

Having come to the desert, we now know the fuller value of water. Something simple, essential. No one can live without it. The list of necessities is a short one; the possibilities of embellishment, endless.

There are rivers on every map you rely on. Sometimes when I walk out into the expanse, I encounter one. Sometimes, one deep enough to block my way. And then I turn to the page for a bridge.

Or, better yet, call out for my buddy, Kokopelli.

~*~

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