Our landlord explains his own decision to relocate in the valley: “Cities embody man’s attempt to be supreme over all. You tire of the power games, the competition rather than harmony. The back country I love emphasizes what’s greater than man. There I’ll endure avalanches, sliding roadways in mountain passes, storms, grizzlies, even cougars. The city relies on institutional religion, second-hand versions of Great Spirit codified to support the System. No, that’s not for me. My back country upholds individual revelation. Wilderness raises fresh opposition against everything that binds artificially. The back country leads me closer to basic understanding. You need to accept whatever Absolute there is, whatever portion of the Mystery you can chew off at the moment. It makes me recognize how much more there always is. The city’s linear, controlled. But back country is circular, like wave motions. It’s feminine, robust and soft all at once. Its give-and-take reminds me of Emma.”

And, as I also knew, the land can be as hard and unforgiving as rock.

For more insights from the American Far West and Kokopelli, click here.

Approaching thirty years of Aquarius, I consider what happens when the office finally hushes. Despite the line bells and the whine of an engraving machine in adjoining rooms, I’m the only one at a keyboard while the police dispatcher mumbles about deranged prowlers, unwanted guests, a prostitute overdosing with the hypo still in her arm (though she later claims she never uses the stuff, as they all say). Sometimes, pretending I no longer care, I sit and read as blue smoke swirls toward fluorescent tubes.

I wish Kokopelli were here, even with one of his stinky cigars. Or the pipe, the one he plays for music or the one he fills with leaf, either one.

Instead, I ponder ways this place differs from Long Pond and its Mafia hit men out of New York and Philadelphia visit to drop a corpse in icy brambles. A nearby restaurant serves poached venison year-around. Another hit happens near a stone mason’s hunting cabin above Devil’s Hole, on mountainside still fire-scarred where his father had built it like a dock. I’ve been both places. Two hits in one place out of many.

When I step outside for my dinner break, I observe a doll holding a cigarette at nose level, as if waiting for some night bird to perch. While she stares through smoke as if she desires me, I wondered how many have fallen for her tricks. I scan her hand and fingers and spot the glittering emblem. I buy a cheap cigar — for later, whether Kokopelli shows up or skips.

At heart, though, I sing for a restoration of America. A healing of fields, of fish, of human integrity, of Eden’s ideal. I want to live free in the Holy Spirit. “May we turn it,” I pray silently. Be it so!  Genuine repentance. Turning. Always turning toward what’s holy.

At breakfast, I begin: “Praise the hunger that brings us together.”

Kokopelli takes a second helping.

I meditate as befits a stone sitting in water.

I gain bearings in addition to the mountain. Some are also barriers. Nuclear reactors, to the southeast. To the north, Army maneuvers. To our west, the Indian reservation. All posted: DO NOT ENTER.

For more insights from the American Far West and Kokopelli, click here.