HARD-HEADED RESOLVE IN THIS MATTER OF DIVERSITY

As I said at the time …

May I plead for some hard-headed Friends in our midst? We’ve been blessed with many compassionate, sensitive, open-hearted individuals. (Not that we wouldn’t welcome many, many more to join in our circle.) But in our emotions and good intentions, we can also be easily swept up in more than we can handle as a faith community.

There are many reasons to value the Friend who asks the hard or even embarrassing question in the midst of our business discussions, even if we find ourselves momentarily annoyed. The one who keeps asking, How will we pay for this? Who will do it? What are the long-term consequences? Where’s the documentation? Sometimes it’s someone who sees needed repairs and sets about getting them done. The legal issues and nagging details, too. Often, it seems like throwing a wet blanket over our enthusiasm, but I’d rather have that happen before we set out on a venture than have us break down in discouragement when unexpected difficulties arise once the project is in motion or we find we lack the time and commitment to follow through.

For all of our talk of diversity, we do tend to be largely a self-selected group – like attracted to like – and this can leave us with some large gaps in our skills and outlooks. Any auto mechanics or accountants, for instance? Or, as the French novelist Andre Gide once asked, Where are the shoemakers and cobblers in the Society of Friends these days? Which is another way of saying, the people who help us keep our feet on the ground when we’re caught up in the Spirit.

LABORING TOGETHER

In his book of essays, Life Work, Donald Hall divides our labors as jobs, chores, and work. Jobs, of course, are done for income; chores, the things that must be done to keep a household running, are gratis; but work, he says, is done out of passion, and if we’re really lucky, it even pays our bills. In other words, work energizes us.

Another poet, Gary Snyder, uses the term, The Real Work, which is also the title for a book of his own essays and interviews. There, he argues that real work is a matter of attention and focus, as well as finding our unique place in the universe of the moment.

From the Shakers’ “hands for work, hearts for God” practice, I would add that real work is not rushed, but rather proceeds at a sensible pace, without too much concern for “productivity”; real work includes times for reflection and play. Otherwise, you’d never conceive and create things like a circular saw or clothespin. And, increasingly, such work is rarely found in the workplace. (Job-place?)

From a conference representing three different strands of Quakerism, a statement from one of the Evangelical Friends has stayed with me. She differentiated between “church work” and “God’s work.” One, she explained, was agreeing to teach First-Day School because an adult body was needed; the other was a response to something deeper and fully engaging. In Hall’s view, one was a chore, while the other was work.

Nominations time will approach all too shortly. Yes, our pool of available bodies is shrinking and aging. Still, I’ll ask that you search your heart for the ways you might respond to God’s work in our midst. (As clerk, I was more and more amazed by the range of skills needed to keep this building and its activities running!) Look especially at the little ways this might play into your own larger Life Work – and for ways we might engage playfulness into our labors, transforming chores into the real work.

I’ve spoken of what I call the parable of the geese – the image of our clerks, rotating in the lead so that none get exhausted. My turn, your turn, his turn, her turn. And to think, the birds fly almost as fast as cars on the freeway. Maybe it’s another image of the perfect Meeting. In one of the first quarterly meetings I clerked, as I looked out from small table at the high bench in the Henniker meetinghouse, I thought, Look at all those former clerks! It was my turn, and I felt comforted to know I could trust their guidance.

So who’s leading the geese? And how do they decide in their lineup? I can’t decide if they’re barking or laughing as they fly, but they sure sound like they’re having fun – coming or going.

REGARDING THE DLQ

Jaya, in Promise, isn’t the only character in my fiction to address a concept I’ve dubbed the DLQ, or Dedicated Laborious Quest. But she does, I’ll argue, come closest to aspiring to an artistic expression for its encounters.

The DLQ, as I envision it, is the long-range discipline of spiritual pursuit, one that can be found in any number of variations in any number of religious, artistic, social activist, or even athletic lines of action. It’s a blending of heart and head, body and soul, awareness and discovery – the poet Gary Snyder refers to something similar as the Real Work, for instance, or maybe simply “daily practice” will touch on it as well.

One of Jaya’s concerns is a search for a fitting vehicle to embody the experience. Essays are too prosaic. Poetry? Sometimes. Drawings or paintings? To a degree. Maps of a kind? Getting closer, I’d hope.

Even so, I’ve wanted to leave the ultimate form she uses open to the imagination.

And then, more recently, I came across something that comes closest. An exhibition of Shaker art and artifacts at the Farnsworth Museum in Rockport, Maine, introduced me to what are called Gift Songs or Gift Drawings or Gift Paintings, which take their name from the faithful artist’s position as a medium receiving the song or design from a deceased member of the sect (that is, given) to be conveyed to another, living member of the sect (also, as given). To be appreciated, these must be seen in the original, full size, since much of the detail gets lost in reproduction. Sometimes the words are in a secret, private language and alphabet. Sometimes they blend. The lines flow, turn upside down, sideways. The works are sprinkled with artwork as well as words. Are they magical? Or simply mysterious?

Whichever, they spring from a tradition and discipline and practice to utter something deep in the heavenly desire and earthly community of a particular recipient.

I can tell you Jaya would have been most impressed. Definitely.

Promise~*~

To turn to my novel, click here.

 

QUERIES IN THE SOCIAL HOUR

Some of the most profound and lasting messages I’ve received among Friends have come outside of the Meeting for Worship – and often as questions. It may surprise many of you to learn that in my first years with Quakers, I was generally pretty hostile to anything smacking of Christianity. And yet seeds were planted. I recall, for instance, Norris Wentworth’s observation while giving me a lift in his car – something to the effect that because America has an underlying Christian mindset, Eastern religions would have trouble taking root here.

Or “What do you think of Jesus?” during my clearness session for membership in what turns out to be one of the most universalist meetings in America. (Our preparative meeting was about 150 miles away in the desert of Washington state.) Followed by a remark to me, “I fear that we’re losing our Christian connection.”

A few years later: “What do you think of the Bible?” as an elderly Wilburite Friend in Whittier, Iowa, drilled her eyes in my direction. I doubt my analogy of a sharpening-stone wheel satisfied her.

Or, a year or two later: “And just what spirit was thee speaking of?” Mary Hawkins, an elder at Middleton Meeting in Ohio, before adding. “there are many spirits – anger, envy …” Since then, I have since been careful to say, Holy Spirit or Spirit of Christ.

The most influential Friend, though, was Myrtle Bailey, a recorded minister at Winona, Ohio. I’ve been thinking a lot lately about her asking me what I considered the perfect meeting, and my response, which seemed to surprise both of us. Rather than looking at meeting as the experience of worship, I looked at it as a community – a woodpile, in fact. We need good pieces of seasoned wood, as well as kindling; but also green wood, to begin seasoning. Here at Dover, we seem to be falling behind on the green wood supply. Which leads us to the next question.

STEP BY STEP WELCOME

These days, the Greek Orthodox community has much more substance – and influence – in Dover than do the Friends, even though Quakers once formed a third of the population.

Our plumber, our wine retailer, our favorite meat store, the downtown seafood restaurant … the list goes on. Add a daughter’s boyfriend, one-half of his genetic pool. The local congregation’s participation in the ecumenical Thanksgiving service. Or its annual Labor Day weekend festival and traditional food and dancing.

Even so, it’s a largely invisible presence … and quite a legacy, as I’ve been discovering, step by step. Let me add, a very tolerant circle, too, as they’ve welcomed me to the line in dancing. Oh, my, have they!

A STRANGER AT THE DOOR

No Friends Meeting is ever the same – whether with the same body of people, in the same location, or while visiting around the world. This awareness casts a new light on the concept of expectant worship, in that you never know exactly what to predict, other than the possibility of being blessed by something wondrous and remarkable.

Traveling among different strands of Friends expands that concept.

In one pastoral Meeting, for instance, I encountered “silent singing” – no, they did sing from a hymnal, but the room was awfully quiet. Maybe all of their best voices were away in Philadelphia that weekend.

In one Evangelical Friends Meeting, as the pastor told me the following week, the Holy Spirit had been so powerful he had to put his sermon aside; I’m sure he wasn’t expecting that!

Or I was introduced to karaoke, of a contemporary Christian vein, in a midweek Meeting in central Pennsylvania. Who’d a’thunk.

So what do you say, greeting the stranger at our meetinghouse door, ready to sample Quaker worship for the first time? This is what not to expect?

“Maybe we’ll have a rare, totally silent worship,” seems to be as good as any. You never know.

SNOBBERY, ALL THE SAME

To see the old meetinghouse at China, Maine, as it’s been turned into a Friends Camp arts studio (a messy one, at that) is a pointed symbol of the tensions many of us encounter as we attempt to live out our faith – and not just on the cultural front. (For the record, I am, after all, a published poet and novelist, a professional journalist, an avid contradancer, gallery-goer, foreign film buff, occasional violinist and harmony singer, and a lover of opera and classical music – all of which can raise eyebrows in various spiritual circles, and most of which would have been forbidden in traditional Quaker discipline – all this even before we turn to the struggles of the workplace, families, neighbors, or politics. Call me a snob, if you will.) The fact remains that the Society of Friends today is filled with many artists pursuing every imaginable medium. Dover Meeting is not alone in its range of talent.

A while back, I spoke of practice as something that’s ongoing and never finished, in contrast, say, to a performance or even a rehearsal. Practice as something done more for its own exploration and pursuit of a discipline than for any finished product. Practice as being part of a bigger encounter: the practice of prayer, practice of poetry, practicing musical scales, play practice, football practice, even medical practice. Something done with care, and if freedom follows in critical situations, as we often hear in interviews after a Patriots’ game, then all the better. Weeding and composting, I suppose, are part of the practice of gardening, apart from any harvest.

When I think about qualities that mark Quaker artists, I would tentatively suggest: placing the ongoing work ahead of themselves; “cool” rather than “hot”; a sense of experience and discovery rather than make-believe or escape; honesty rather than pretense; wonder rather than irony; humility rather than egotism or arrogance; candor rather than flamboyance; a preference for simplicity over complexity; directness rather than confusion; economy rather than extravagance; calmness rather than shrillness; curiosity and listening rather than dogma or bombast.

We might also turn the old Quaker views toward a critique of today’s cult of celebrities (almost universally entertainment/professional sports figures) and their exorbitant incomes – a situation that I believe accompanies a lessening of power within our communities. To that we could add the ways the arts are often used as a secular religion to sanctify public occasions. As for the Oscars?

But maybe that’s just another part of our unfolding spiritual awareness.

OH, THE SONG OF THE WEARY

At our yearly meeting sessions each summer, one night features an all-ages coffee house organized by the teens. It’s a great release for the adults, who have been hunkered down in joint business agendas that often run three hours at a shot. Still, in a week filled with those plus organized discussions and workshops, committee reports and tables, social issues documentaries, casual conversations, and much more, the live amateur entertainment can be a bit much, no matter how excellent many of the acts are.

So it was for me one year when I decided to skip the event – perhaps even go to bed early for a switch.

As I wandered down a hallway, I came across a half-dozen or so Friends gathered around an upright piano and singing four-part music. Great! I jumped right in and was delighted when we turned to a Stephen Foster piece that’s also in the repertoire of my choir. We were just getting it down for ourselves when the announcement came: “You’re on in five!”

What?

My plans had just changed.

So there we were, all adults, lining up for the stage, marching up, finding our places in a semi-circle facing the audience, and being introduced by an enthusiastic high school senior. What was supposed to be “the Hard-Timers,” after the piece we were to sing, came out of her mouth as “the Old-Timers.” Instead of being offended, though, I was grateful it hadn’t come out “the Alzheimers.” Ahem.

If you’re not yet there, be warned: This getting older does have a lot of unanticipated turns. Don’t you forget it. And don’t forget to smile.

OF BIRKENSTOCKS AND USED VOLVOS … OR MORE RECENTLY, PRIUS

As I said at the time …

A rather telling article in Pennsylvania Mennonite Heritage was by a woman who admitted she never felt that she fit in with the others in her home congregation. Never mind she was the preacher’s daughter. I sometimes feel the same way in Quaker circles, especially when everybody else is wearing Birkenstocks or has a used Volvo parked in the lot or carries any number of postgraduate degrees behind her name. Once, addressing a group of about forty Friends in Philadelphia, I mentioned the predominance of blue eyes in our circles – and about six other people nodded vigorously. The six who had brown or hazel eyes, like mine; the rest of the group seemed thoroughly bewildered.

It’s all about this sense of not being fully embraced by the circle.

I wonder how we would react if a soldier in uniform showed up to worship with us, or a woman wearing a great deal of makeup, or a man straight off a lobster boat. Yes, we would tolerate them (I hope). But would we feel awkward – to say nothing of them? Would we be able to truly extend a welcome? How would we all feel, in the end?

Our possessions and style extend subtle signals reflecting our places in a larger society. Dover Friends Meeting is not a blue-collar community. Our vocal ministry often relies on “big words” and metaphors – something we seem to prefer, rather than pointed messages that drive home an unmistakable point. Even so, while we stand apart from the larger society in many ways, perhaps we engage ourselves in it too much. These are ultimately matters to consider when striking a balance between inclusion and identity, nurture and welcome, growth or decline.

To be accurate, Birkenstocks and Volvos aren’t the indicators anymore – they’ve been replaced by Teva and Prius or some other brand name I don’t even recognize. What I do suspect is that whatever the current “humble” status item is, I won’t have it, except by accident. Whatever that means in the context of belonging.

ON THE ROAD AGAIN

We’ve entered vacation season (not that we Friends don’t travel widely throughout the year). While it also means that our attendance is likely to be down through the summer, it also means we’re likely to have visitors from, well, just about everywhere – people I expect we’ll welcome warmly.

It also means we’ll have the opportunity in our own travels to attend other Meetings, something I strongly encourage. For the truly adventurous, worshiping with Friends in the “other” streams can be stimulating and thought-provoking. A pastor? A choir? Hymnals? I always learn something. Last time, it was silent singing. Another time, that the Evangelical Friends can have just as much of a cat-herding condition as we do. Memories of a humorous exchange with the baritone sitting next to me in the choir.

There’s also a curiosity about us, too. “Why did you choose us?” – that, in the pastoral meeting style, rather than the unprogrammed worship a dozen miles away. I could have given any of a dozen reasons, but eventually got down to the part, “Besides, I have the book” – meaning a collection of historic essays and oral histories made before the village was flooded by a Corps of Engineers dam, and the new meetinghouse built out along the highway. And then, in the give-and-take of quick conversation, receiving that priceless look and gentle reply, “It’s all fiction.” As a writer, I had to laugh, knowing all too well how difficult it is to get any story right. The quick exchange followed by some suggestions of sites to poke about afterward, if I had time.

I come home with a renewed appreciation for every visitor who ventures through our doorway. With a little more flexibility in our own open worship. With my own additional chapter to a well-used book on the shelf behind me. And with an expanded awareness of our body as a Society of Friends.