There are so many seminal stories that always leave room for fresh discovery and interpretation, if we escape the constraints of conventional explanations. I examine three timelessly provocative Biblical tales in my volume Eden Embraced, where my focus is on the Garden of Eden, followed by short reflections on Noah and the Great Flood and the enigmatic suffering of Job. Put simply, many of the Bible stories taught to children are much grittier and more troubling than we’d like to admit, and the radical dimensions we usually gloss over can challenge our usual assumptions about anything of a religious or spiritual or even political or economic nature. Nothing status quo remains sacred, much less safe.
While scanning a bookshelf the other day, one title jumped out at me – JOB: A Comedy of Justice – and I did a double take. Of course the Biblical drama could be taken as a comedy, especially in a contemporary context where almost nothing is considered sacred. Imagine flipping the usual definitions by blaming God for the bad things that happen, rather than holding him up to an impossibly spotless standard. (I’ll keep the male pronoun for now – the woman gets blamed enough.) Not just God, either, but throw in his golfing partner, Satan, for good measure.
Look at the text, and you can see it’s almost already in scripted format. Or screenplay, if you wish. It’s mostly dialogue, how convenient!
So how would you cast God and Satan, how would you block their opening scene?
For many, since the mere thought of putting the Holy One in a visual image can be sacrilegious, would you consider adapting some amazing stagecraft instead? A play of lights or talking smoke vapors or puppets or masked Tibetan or Tlingit dancers? Even a Greek chorus at the back of the auditorium while dancers move on the stage? As I was thinking, this script demands theatrical treatment. Something 3-D or better.
The concept of comedy – rather than our usual all-too-serious emphases – strikes me as brilliant. Why not try it with the Garden of Eden or the Great Flood as well or any of a range of other Biblical tales. Admittedly, not all will work, but as for others? Well, our local temple did adapt Rodgers and Hammerstein’s South Pacific to the Book of Esther for their Purim observance one year. I hear it was a hoot.
By the way, when I reached for the book, I discovered it was a novel by Robert A. Heinlen, and any use of Job and his self-righteous friends seems to be absent or deeply buried. And, yes, I do recall that Archibald MacLeish’s 1958 play J.B. is reputed to have been inspired by Job, but the piece deflects the direct link by casting the leads as Zuss/Zeus and Nichols. Its plot, I would note, glibly veers away from the deeper soulful dimensions of the original.
In the meantime, take a look at my Job essay in Eden Embraced and weigh in with your perspectives. Do you think comedy would enhance its understanding?