Somewhere in writing poetry I turned to the concept of “working in series.” Quite simply, this meant investigating a subject repeatedly, often in a similar form. The process allowed multiple takes from different angles and in different lighting, as it were. In music, it could be seen as a theme and variations.
As I recall, the practice for me originated with Braided Double-Cross, itself inspired by The Sonnets by Ted Berrigan, and quickly led to Blue Rock and Long Stemmed Roses in a Shattered Mirror, each with its unique structure and inspiration. (Anne Waldman, for the former; Diane Wakoski, the latter.)
Village of Gargoyles is the latest, often with a specific structure for each of the 10 sections. Some forms run longer than others, which introduces variety. And within each, I’m free to play and tinker.
Admittedly, the 200 poems of my Village fall short of John Berryman’s colossal Dream Songs, but it’s still a prolific output.
For these poems and more, visit Thistle/Flinch editions.