Reflecting on the locations of my novels reminds me of the out-of-the-way places I’ve lived. Apart from Baltimore (which shows up in my poetry but none of my fiction), I landed in generally obscure locales.
Fiction, of course, lends itself to abstraction and generalization, and sometimes to a blending of several particular models.
Thus, Prairie Depot in Promise as well as Peel (as in apple) and With a Passing Freight Train of 119 Cars and Twin Cabooses reflects any number of farm centers across the Midwest, not all of them county seats, either. They’re once-thriving communities that have been left behind in the shift to the big cities and global economics. Sometimes there’s a factory or two, plus the rail yards and crossings.
The countryside around the campus in Daffodil Sunrise is more rolling and wooded, a landscape that also appears in sections of Promise, St. Helens in the Mix, and my newest novel-in-the-works. Actually, it’s not that different from the rural places in Ashram, Hippie Drum, and Hippie Love, either. While these, too, are economically and politically bypassed, they are more scenic and present more recreational opportunities to explore.
Rehoboth in Hometown News represents the industrial cities hard-hit by globalization and the loss of unionized labor job – places aptly described as the Rust Belt, from Upstate New York and Pennsylvania westward across the Mississippi.
Big Inca versus a New Pony Express Rider takes place in yrUBbury, a derelict but sufficiently remote mill town somewhere in the Northeast.
Naturally, Subway Hitchhikers and Third Rail run through the big city.
And the desert interior of the Pacific Northwest is the culmination of Promise, Peel (as in apple), St. Helens in the Mix, and Kokopelli’s Hornpipe. It’s a landscape I initially found alien but eventually came to love.
Essentially, I’ve regarded these places as characters in my fiction – as much as the people who move through them.
Popular culture takes place largely in Manhattan, Hollywood, London, Paris, Chicago, or Nashville – with dashes of San Francisco, Seattle, or other trendy backdrops thrown in. I believe the communities where we live influences our outlooks and actions. I want to hear much more from the other places, ones as overlooked as the ones I explore.