SCRIBBLING OF THE UNIVERSE, IN A PERSONAL SENSE
by Jnana Hodson
In my novel Promise, especially, Jaya aspires to a form of literary creativity that’s not exactly poetry and not exactly prose as we know it, either. It’s part of her spiritual practice, arising in yoga, and reflects her intimate relationships with her husband and friends as well as their place in their sequence of landscapes.
In the years since publishing that novel and its sequels, Peel (as in apple) and St. Helens in the Mix, I’ve encountered something close to what she may have envisioned – the Gift Letters or Gift Songs of the American Shakers, a marvelous elixir of messages channeled from earlier leaders of the religious sect that the medium embellished with drawings and often an alien languageand alphabet. The handdrawn pages I’ve seen in art museums and online are arrestingly innocent in their purity and intent, meant to be given to a friend as encouragement and comfort, heart-to-heart, with the giver as the intermediary connecting past, present, and future. In each page, hope rings with sunlight and gentleness.
In these weekly Personal Journey entries on the Red Barn, I’ve begun presenting excerpts from a related book, Kokopelli’s Hornpipe. Like the three novels based on Jaya and her legacy, this volume has its root in the desert interior of the Pacific Northwest, this time examined with a more mythopoetical focus through the legendary character known as Kokopelli.
Like Jaya’s desire to express her deepest experiences in an entirely original art form, Kokopelli tries to elude classification. Is it fiction? I call it a novel, even if it’s only novella length. And I’d argue it’s more complex than a novella allows. Are its chapters essentially essays or memoir? The fictional characters must be taken into account as well as the underlying mythologies. I could point to some of Barry Holstun Lopez’ wondrous works and ask the same. Add to that the questions of identity, especially as a place assumes importance, even before we get to New Zion or New Jerusalem, so crucial in the American experience.
At the heart of all this is the basic matter of just who we love, and why. The matter of just where we are in the universe.
For more insights from the American Far West and Kokopelli, click here.